Category: Still image

Posted in Drama, Drama Activities for children, Drama for children, drama for kids, Drama strategies, Drama techniques, Freeze Frame, Hot seating, improvisation, Mime for kids, Plays about graditude, Plays for Children, Plays for well being, Plays that teach emotions, Role playing stories, Still image, Storytelling

A drama workshop for children which is based on gratitude.

Posted on by Drama Start Books


Here is a drama workshop for 5 to 8 year olds based on the theme of “The Magic of Thankfulness”: It is from the book Gratitude Stories on Stage.

Introduction: Begin the workshop by discussing the concept of gratitude and what it means to be thankful. Ask the children to share examples of things for which they are grateful.

Main Focus/The Magic Wand: Mime and Movement – Explain to the children that they will be using their imaginations to pretend they have a magic wand that can make things appear or disappear. Have them practice moving the wand in different ways to make different things happen, such as waving it to make a flower appear or flicking it to make a rock disappear.

Still Image – In small groups, have the children create a frozen image of themselves holding their magic wands and casting spells.

The Ungrateful Friend: Action Narration – Tell the story of an ungrateful friend who never says thank you or appreciates the things others do for them. Have the children act out the story as it unfolds.

Narration: Once upon a time, there was an ungrateful friend named Max. Max had many friends, but he never thanked them for their help or appreciated what they did for him. One day, Max’s friend Sam cooked him a delicious dinner and invited him over. Max came over and enjoyed the meal, but when he left, he didn’t even say thank you to Sam. The next day, Max’s friend Sarah invited him to her birthday party. She decorated her whole house, baked a cake, and had a special present for Max. But when Max arrived, he didn’t even say happy birthday to Sarah or thank her for inviting him. Max’s friends started to get tired of his ungrateful behaviour. They started to distance themselves from him and stopped inviting him to their events. Max didn’t even notice and thought nothing of it. One day, Max needed help with a big project, so he reached out to his friends for assistance. But none of them wanted to help him. Max was surprised and didn’t understand why. He realized that he had taken his friends for granted and never showed them appreciation or gratitude. Max decided to change his ways and started saying thank you and showing appreciation for his friends. He even threw a party to apologize for his past behaviour and to thank his friends for always being there for him. From then on, Max’s friendships grew stronger, and he learned the importance of showing gratitude and appreciation.

During the story, the children can act out the various scenes by showing appreciation, saying thank you, and giving hugs to each other. They can also show Max’s ungrateful behaviour by ignoring their friends and refusing to say thank you. The children can also act out the scene where Max realizes his mistake and shows gratitude to his friends by hugging and thanking them.

Hot Seating – Choose one child to play the ungrateful friend and another to play their best friend. The rest of the children will take turns asking them questions about their actions and feelings towards each other.

The Magic of Thankfulness: Flash Forward – Have the children create a scene showing the ungrateful friend realizing the importance of being thankful and expressing gratitude towards others.

Role Play Sculpting – In small groups, have the children take turns playing the role of someone who has done something kind for them, while the others sculpt them into a frozen image to represent their gratitude towards that person.

The Thankful Tree: Conscience Alley – Set up a “thankful tree” by taping a large piece of paper to the wall and drawing a tree trunk and branches. Have the children take turns walking through the “conscience alley” and adding leaves to the tree with things they are thankful for.

Storytelling – End the workshop by reading a story about thankfulness, such as “The Giving Tree” by Shel Silverstein, and encourage the children to share their favourite parts of the story and how it relates to the theme of gratitude.

Conclusion: Gather the children in a circle to reflect on the workshop. Discuss how the different drama techniques helped them understand the theme of gratitude and its importance.

Encourage the children to practice being thankful and expressing gratitude towards others in their daily lives.

 

Posted in Drama Activities for children, Drama for children, Fairy Tales, Goldilocks anD the three bears, Still image, Storytelling, Storytelling in the Early years, teacher in role

Goldilocks and the Three Bears Drama Workshop

Posted on by Drama Start Books

Subscribe to my mailing list and receive a free copy of Aesop’s Fables on Stage

If you would like to sign up to our mailing list and receive a free copy of Aesop’s Fables on Stage, click here.


Goldilocks and the Three Bears Drama Workshop

Materials: A copy of the story of Goldilocks and the Three Bears. Bear masks and props (optional). Chairs or stools to represent the three bears’ chairs.

Warm-up: Lead the children in a warm-up activity such as stretching, dancing, or singing. Tell the children that they will be using their imagination to bring the story of Goldilocks and the Three Bears to life.

Main Focus: Talking Objects – ask the children to choose an object from the story, such as the porridge, chairs, or beds. Ask the children to imagine what the object might say or feel if it could talk. Encourage the children to use their creativity and imagination to come up with interesting ideas. Ask the children to take turns speaking for their object and improvising a short scene where it interacts with the other objects in the story.

Here are some examples of what the objects might say:

Porridge: “I’m too hot! I’m too cold! Why can’t anyone get me just right?”

Chairs: “I’m so big and uncomfortable. Why can’t someone make a chair that fits me just right?”

Beds: “I’m too hard! I’m too soft! Why can’t someone make a bed that’s just right for me?”

Spoon: “I’m so lonely. Nobody ever pays attention to me!”

Bowl: “I’m so empty! Fill me up, someone!”

Door: “Who’s there? Why are you coming into the bears’ house without asking?”

Window: “I’m so curious. I wonder what’s happening inside the bears’ house?”

House: “I’m just a house, but I’ve seen so much excitement since those bears moved in!”

Mime – ask the children to imagine they are Mama, Papa, or Baby Bear. Ask the children to use occupational mime to show what their bear character might do during a typical day, such as making porridge, reading a book, or going for a walk in the woods. Encourage the children to use their bodies to express different emotions, such as happiness, frustration, or tiredness.

Hot Seating -choose one child to play the role of Goldilocks. Ask the other children to take turns asking Goldilocks questions about her behaviour in the story, such as why she went into the bears’ house, why she tried their porridge, and what she would do differently if she could go back in time. Encourage the children to use their listening and communication skills to ask thoughtful questions and respond to Goldilocks’ answers. Here are some examples of questions to ask Goldilocks in the hot seat.

  • Why did you go into the bears’ house without permission?
  • How did you feel when you saw the bears’ chairs, porridge, and beds?
  • Why did you eat the bears’ porridge even though you knew it wasn’t yours?
  • How did you feel when you broke Baby Bear’s chair?
  • What would you do differently if you could go back in time?
  • How did you feel when the bears came home and discovered that you were in their house?
  • What would you say to the bears if you could apologize for your behaviour?
  • How did you feel when you ran away from the bears and the house?
  • What did you learn from your experience with the bears?
  • If you could have any wish, what would you wish for?

Teacher in Role – ask the other children to take turns acting out different scenes from the story, such as Goldilocks entering the bears’ house or the bears discovering that someone has been in their home. Encourage the teacher to play different characters in the story and interact with the children to help guide and shape the scenes.

Still Image – ask the children to work in pairs or small groups. Assign each group a scene from the story.  Ask the children to create a still image that represents the key moment in the scene. Encourage the children to use their bodies and facial expressions to convey the emotions and actions of the characters in the scene. Here are some examples of scenes from the story of Goldilocks and the Three Bears:

  • Goldilocks walking through the forest and coming across the bears’ house for the first time.
  • Goldilocks entering the bears’ house and discovering the three bowls of porridge on the table.
  • Goldilocks trying the porridge and exclaiming, “This porridge is too hot! This porridge is too cold! This porridge is just right!”
  • Goldilocks trying out the three chairs and breaking Baby Bear’s chair.
  • Goldilocks exploring the bears’ house and eventually falling asleep in Baby Bear’s bed.
  • The bears coming home and discovering that someone has been in their house.
  • Mama Bear exclaiming, “Someone’s been eating my porridge!”
  • Papa Bear exclaiming, “Someone’s been sitting in my chair!”
  • Baby Bear exclaiming, “Someone’s been sleeping in my bed, and she’s still there!”
  • The bears discovering Goldilocks in Baby Bear’s bed and confronting her.

Closure: Have the participants sit in a circle. Explain that you are going to play a storytelling game inspired by the story of Goldilocks and the Three Bears. Begin the story by saying “Once upon a time, there were three bears who lived in a cosy cottage in the woods.” Ask the person to your left to continue the story by adding a sentence. For example, “One day, while the bears were out for a walk, a little girl named Goldilocks stumbled upon their cottage.” Continue around the circle, with each person adding a sentence to the story. Encourage participants to use their imagination and come up with creative twists and turns in the story. Continue the story until it reaches a satisfying conclusion or until everyone has had a chance to contribute multiple times.

Click on the links below for more drama workshops based on children’s fairytales.

Posted in Drama for children, Drama strategies, English as a second language, Esl, Esl Drama, fables, Freeze Frame, Hot seating, Movement activities, Movement stories for children, Still image, teacher in role, The Hare and the Tortoise

The hare and the tortoise, a fun drama workshop for children.

Posted on by Drama Start Books

image

Read the following movement story to the children. When they hear any of words in bold they must do the corresponding action. The teacher should go through each action at the beginning.

Boast/boastful/boasting – stand up straight and puff out chest
Woods – children make themselves into trees.
Animals – each child choose a different animal found in the woods and move like that animal.
Hare – make bunny ears with your hands.
Fast – children move as fast as they can
Run/ran – run on the spot
Tortoise – children bend over as if they have something heavy on their back.
Slow/slowly – children move in slow motion around the room.

Once upon a time there was a very boastful hare who lived in a woods with lots of other animals. He was always boasting about how fast he could run. He boasted “I’m the fastest animal in the woods. No one can run as fast as me.” The other animals were tired of listening to him. One day the tortoise said to the hare “Hare, you are so boastful. I challenge you to race.” Hare laughed and said “Tortoise, you will never beat me. You are too slow and steady.” They decided whoever got to the other side of the woods the fastest was the winner. All the other animals in the woods came to watch the race. The hare ran as fast as he could through the woods. After a while he thought to himself “I’m so fast that slow tortoise will never beat me. I think I will take a quick nap.” Soon, he fell asleep. The tortoise walked slowly through the woods. He passed the sleeping hare. The animals watched the tortoise near the finishing line. The animals cheered loudly. The hare woke up and ran as fast as he could through the woods to the finishing line but it was too late. The slow tortoise had won the race. All the animals in the wood congratulated the tortoise. The hare had to remind himself that he shouldn’t boast about his fast pace because slow and steady won the race.

Physical warm up: Get each child to find a clear space. They must make sure that they are not touching anyone else. The children crouch down on the floor and make a ball shape with their bodies. The
teacher explains that all children are magic rocks and that the teacher is a magic wizard. The teacher waves the magic wand and says: “Magic rocks turn into hares.” All the children turn into hares and move around the room as hares. The teacher then says: “Magic rocks turn into magic rocks.” The children return to their clear spaces and crouch down on the floor again as quickly as possible. The magic wizard can change the magic rocks into animal they can be found in the jungle.
Variation: The children can take it turns to be the magic wizard.

Role on the wall: Divide the class into groups of four. Give each group either an outline of the hare or the tortoise and ask the children to write inside the image the different characteristics or personality traits of the hare or the tortoise. If they are too young to write, get them to draw inside the image. Each group talks about their image and what they put inside.

Still Image: Ask each child to make a still image of the Hare at the beginning of the race. The teacher taps each child on the shoulder and they must say how they feel. Then get them to make a still image of the hare at the end of the race. The teacher taps each child on the shoulder and they must say how they feel. Can they tell the difference?

Freeze Frame: Divide the class into pairs. They have to make six images that tell the story of the hare and the tortoise. They then show their freeze frame to the rest of the class.

Teacher in Role: The teacher takes on the role of the tortoise. She tells the children she feels sorry for the hare because he thought he was the fastest in the forest and now he is upset. Ask the children what do they suggest they could do to make him feel better.

Hot seating: One of the children volunteers to be the hare. The hare sits in the hot seat and the rest of the children asks him questions.

Closure: The children sit in a circle. Each child finishes the following sentences “if I could be an animal I would be a………

Turn on some music and everyone dances as their animal.

 

Posted in Aesop's fabes, creative arts, Drama, Drama Activities for children, Drama for children, drama for kids, Drama strategies, Elements of Drama, Esl, Esl Drama, expressive arts, fables, Fairy Tales, Freeze Frame, Hot seating, Mime, Panchatantra plays, Role playing stories, Still image, Storytelling, teacher in role, Voice Production

Drama Lesson based on “The Lion and The Clever Rabbit”

Posted on by Drama Start Books

The following is a Drama workshop to do with children in primary or elementary school. It is a useful workshop if you want to focus on the issue of Bully and isolation. It is based on the fable from the Panchatantra called “The Lion and the Clever Rabbit”. Here is a link to a version on you tube.

Once the teacher has told the story or watched the video ask the children to get into groups of four.

Physical warm up: In each group there is a monkey, an elephant, a snake and a rabbit. Get the children to move around the room and sound like their different animals. Get them to find the animal that is like them from the other groups and interact and play with them. The teacher gives a loud roar and the animals are frightened.

Teacher in role: The teacher in role as the Lion roars at them. She says “I’m very hungry and I’m going to eat all the animals in the jungle one by one.”

Still Image: In their animal groups the children make a still image of how they feel when they think the Lion is coming to get catch them and eat them.

Thought tracking: Once all groups are in the still image then the teacher out of role goes and touches them on the shoulder. Each animal has to say how they feel at that moment.

Conscience alley: Once the children are out of their still image they make two lines facing each other. The teacher in role as the the Lion walks in between the line as the children speak out as his conscience. The children in the line on the left hand should speak out that it is wrong to scare and eat the other animals and the children on the right hand side should speak out saying that he is right to scare and the eat the animals.
Examples: The left side could say “the animals are scared”, “what about their families?”,
“they want to stay in the jungle and play with their friends”.
The right side could say: “none of the other animals like you”, “you are hungry and you need to eat”, “you have no friends so you don’t care what they think of you”.

Hot seating: The teacher in role as the Lion sits in the hot seat. The children who are being themselves ask the Lion why he is behaving this way. Why does he want to eat all the animals in the jungle? Why is he horrible and mean to the other animals?

Group discussion: Get the children to get into role as their original animals. Tell them that they are going to change the ending of the story because the way the Clever Rabbit treated the Lion was as bad as how the Lion treated the other animals. They must come up with a more positive ending.

Group improvisation: The groups all improvise their endings in front of the other groups. The teacher takes on the role as the Lion in each group.

Role on the wall: Put two outlines of a Lion on the wall. Let the children choose words that describes the Lion before he got stuck in the well and one for after he was rescued from the well.

Closure|relaxation activity: Sleeping Lions – get the children to lie still on the floor and pretend to be a sleep. If they move then they are out and have to wake up with aloud roar.

Posted in creative arts, Drama Activities for children, Drama for children, drama for kids, Drama strategies, Elements of Drama, English as a second language, English teaching games, Esl, Esl Drama, expressive arts, Mime, Mime for all ages, Mime for children, Mime for kids, Movement activities, Movement stories for children, Role playing stories, Still image, Storytelling, Storytelling in the Early years, Storytelling techniques

Mime Workshop for all ages

Posted on by Drama Start Books

Subscribe to my mailing list and receive a free copy of Aesop’s Fables on Stage

If you would like to sign up to our mailing list and receive a free copy of Aesop’s Fables on Stage, click here.

Mime theme image 2

Main objective of workshop: Mime encourages confidence and awareness of self and of others. It encourages physical control, simplicity of thought and movement and more importantly it stimulates the imagination.

Sub aims:

  • To introduce relaxation exercises and understand their role in a drama class.
  • To promote group work and co-operation.

Relaxation exercises

Be a star: Lie sown on your back and spread your arms, palms up to the side and open your legs. Stretch the limbs all together. Feel you are making a four pointed star. Suddenly the star collapses. Feel the tension disappear.

Be Hercules: In the same position, imagine that the body is being pushed down by a heavy weight so that all parts of the body are being pressed into the ground suddenly the weight is removed. Feel yourself float on the ground.

Shake off the ants:  In the same position, imagine you are tied to the ground but you can wiggle. A colony of ants finds and begins to crawl over you. Commence to wiggle the body until the last ant leaves you. Then collapse.

Be a rubber puppet: Imagine you are made of rubber and there are strings attached to your shoulders which someone can pull from above. You are being pulled up and you find your limbs fly out in all directions. Even the feet can be pulled off the ground at times, finally the strings are cut and the body relaxes.

Mime Activities:

What’s in the Box: All the students sit in a large circle. The teacher asks them to imagine there is a magic box in the centre of the circle. The teacher can ask what size is it? What colour is it? Ask can everyone see it. This is a fun mime game. Everyone sits in a circle. Ask the children if they can see the box in the centre of the circle. Ask them what colour it is? What shape it is? Tell them it can be a different shape and colour, depending on where you are sitting in the circle. This is because it is a magic box.  The teacher goes into the centre of the circle first and mimes opening the box and taking out an object. She then mimes holding the object and the class must guess what it is. When the children guess correctly the teacher mimes putting it back in the box and closing it. The child who guessed correctly takes a turn at taking an object out of the box.

Pass the object: This is a follow on from the Magic Box game. The teacher mimes taking an object out of the box, for example a mouse, a rotten egg, a cream cake, chewing gum, lipstick or a puppy, and the children guess what it is. When they have guessed she passes the object around the circle. The children should react as if they were holding the actual object in their hands. Eventually the last child in the circle gets rid of the object and the teacher goes to the box and takes out a new.

Locomotion: Get the students consider the ways that people walk. The teacher gets the children to walk around the room. Then call out different ways of walking

Walk like  a …..

•           Toddler

•           child in high heels

•           child wearing heavy wellington boots

•           child splashing in a puddles

•           child stuck in mud

•           child walking on stony beach

•           child walking on hot sand

•           someone walking on fire

•           someone walking wearily

•           an old frail person.

Chain Mime: Divide the class into 2 or 3 groups. Have at least 6 in each group. Number the students from one to six. Get each member of the group to leave the room except for number one. The other groups stay in the room. You then give number one an action to mime. You then call number 2 into the room and number one mimes to number 2. They do not talk. Number 2 can not say anything and she has to do mime exactly what she saw to number 3, then number 3 comes into the room and watches number 2 very carefully. Number 3 does the mime for number four and so on. When number 6 comes into the room she has to guess what the original mime was. This is like broken telephone but it is done through mime. Here are some suggestions for mimes:

•           Riding a horse

•           Skiing

•           Washing dishes

•           Eating hot food

•           Counting money

•           Telling someone you love them

•           Eating spaghetti

•           Singing

•           Playing tug of war

•           Washing your dog

•           Ballet dancing

•           Moon walk

•           Playing basketball

•           Singing opera

•           Walking in the desert

•           Playing tennis

•           Making pancakes

•           Opening a present that you do not like

The other groups watch how the mime changes with each person. This is a fun game and helps with observation skills.

Basic Situation: Divide the class into small groups and they must use body language and facial expression to 5 ways of showing that their are

•           Cold

•           Hot

•           Surprised,

•           Frightened

Meetings

The class gets into pairs. Each pair stands back to back. When the teacher calls out go they must turn around and pass their partner if

•           They were strangers

•           They were a casual acquaintance

•           Meeting some one they haven’t seen for 10 years

•           Meeting someone that owes them money.

Group Mime: Divide the class into groups and give each group one of the following outlines for a group mime. Allow the class 10 to15 minutes to prepare

The Concert   

  • Audience arrive for outdoor concert
  • Band enters with different instruments
  • Audience is very enthusiastic, claps, jumps up and down and waves hands in the air.
  • One person faints
  • Security arrives and removes him and her
  • No one takes any notice
  • Band plays on
  • Girl gets up on the stage and tries to touch members of the group
  • Security removes them
  • It starts to rain and after awhile everyone goes away disappointed

Hijack

  • Passengers board the plane
  • Welcomed by the air hostess
  • The plane takes off
  • One hijacker takes over the plane and an other one holds up the passengers
  • One passenger faints
  • This distracts the hijacker for a second
  • Pilot overcomes him
  • Airhostess holds him and the handcuff are put on him
  • Pilot overcomes the second hijacker and handcuffs him to hijacker 1
  • All the passengers have a strong drink and cheer the pilot as he brings the plane to land.

The Bank Robbery

  • Cashiers arrive bored and yawning they open up their desks and talk to each other
  • People come in and walk up to the cashiers and put in and withdraw money
  • Suddenly two robbers come in wearing masks
  • They make everyone lie on the floor and they hold up the bank clerks and make them hand over the money
  • Little old lady trips up robber and he falls and spills the money
  • Security guard then holds up robbers and takes off their masks.

Other ideas/themes for group mimes: Camping, The Circus, Christmas morning, The big mistake.

Starting  to use mime in a Drama session;

Start beginner groups on occupational mimes and later move to emotional mimes. Mime starts within and is then portrayed by the body. Never forget that through mime is that art of movement it is also the art of stillness.

Occupational Mimes: lift a bucket, box, brush. Place the same objects on a shelf or table, place them, carefully on top of each other. Use scissors, shears, pickaxes, fishing rod. Use activities such as sewing buttons, cooking, putting on clothes, painting, cleaning windows.

Character Mimes: Portray different types of character, the young girl, the old woman, the rich lady, beggar, clown. Watch people around you.

Emotional Mimes: These are the hardest to portray. Feel, understand, convey happiness at receiving a gift. Sadness at hearing bad news, shock, horror, love etc..,

More mime games

What’s the Chair?

Place a chair in the centre of the circle and particiapnts take turns to mime what they imagine it to be:, for example:  a post box, a kitchen sink, a dog, a naughty schoolboy, a new car.

The person who guesses correctly takes their place in the middle.

Take over

•           in a circle, walking on the spot

•           leader makes a gesture, in time, that the everyone else imitates

•           continue for 8 beats or so, then shout the name of a particiapnt and they must change or add to the action

•           this can continue until the group have warmed up

What’s my job?

All sit in a circle.  Give everyone an occupation (e.g. policeman, astronaut, postman, teacher).  Use each occupation twice, and make sure the occupations are kept secret.

Students use the space to mime their own occupation.  Their task is to spot the person with the same occupation as them.  When they have done this they should approach their partner, and without speaking, check that they are both miming the same job.

They should sit down in their pair when they think they have found them.

The game continues until everybody is sitting down.  The teacher should check they are all correct at the end of the game!