Category: Storytelling

Posted in Christmas drama games, Christmas plays, Drama Activities for children, Drama for children, drama for kids, Drama workshops for children, Storytelling

Christmas-Themed Drama Workshop for Children Aged 4 to 6

Posted on by Drama Start Books

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Christmas Movement Story

Christmas Drama Games

Christmas Drama Workshop

Theme: A Magical Christmas Journey

Objective: To explore the magic of Christmas through imaginative play, storytelling, and creative expression, fostering social skills and teamwork among young children.

Workshop Outline:

1. Welcome and Warm-Up (10 minutes)

  • Activity: Circle Time and Introduction
  • Description: Gather the children in a circle, introduce the theme, and engage in a brief interactive session where each child shares their name and a favorite Christmas item (e.g., tree, star, candy cane).
  • Warm-Up Game: “Snowball Toss”
    • Children gently toss a soft “snowball” (a white, soft ball) to each other, saying their name and their favorite thing about Christmas when they catch it.

2. Storytelling Session (15 minutes)

  • Activity: Interactive Storytelling
  • Description: Narrate a short, engaging story related to the theme, such as “The Little Reindeer’s Christmas Adventure,” involving various Christmas characters and elements.
  • Interactive Element: Engage children by asking questions like “What do you think the little reindeer will find at the North Pole?” and encourage them to predict and imagine.

3. Character Creation (15 minutes)

  • Activity: Becoming Christmas Characters
  • Description: Children choose or are assigned a character from the story (e.g., reindeer, elf, snowman) and create simple hats or masks using paper, crayons, and stickers.
  • Guidance: Assist them in crafting and safely wearing their creations.

4. Magical Christmas Journey (20 minutes)

  • Activity: Imaginative Play
  • Description: Set up different zones in the workshop space, representing scenes from the story (e.g., Santa’s Workshop, Reindeer Stable, Snowy Forest).
  • Adventure Time: Guide the children through each zone, encouraging them to interact with props and enact mini-scenes related to their characters.
  • Facilitator’s Role: Engage with the children, prompting imaginative play and ensuring each child is actively participating.

5. Christmas Dance and Song (15 minutes)

  • Activity: Joyful Expression
  • Description: Teach the children a simple, fun Christmas dance and song. Use easy-to-follow movements and lyrics related to the story.
  • Performance: Allow the children to perform the song and dance, celebrating their characters and the magical journey they’ve been on.

6. Reflection and Closing (10 minutes)

  • Activity: Sharing Circle
  • Description: Gather the children back in a circle and allow them to share their favorite part of the workshop.
  • Closing: End with a cheerful Christmas wish, thanking each child for being a wonderful part of the magical journey.

Story: The Little Reindeer’s Christmas Adventure

Characters:

  1. Rudy – The Little Reindeer
  2. Santa Claus
  3. Ella – The Elf
  4. Mr. Snowman
  5. Twinkle – The Christmas Star
  6. Frosty – The Winter Wizard
  7. Animals – Various Forest Animals (e.g., squirrel, rabbit, bird)

Story:

Once upon a time in the vibrant village of North Pole, there lived a little reindeer named Rudy. Rudy was not like the other reindeers he was smaller and had a uniquely colored, shiny red nose. Despite his size, Rudy had a gigantic heart filled with curiosity and bravery.

One chilly December evening, Rudy noticed that Twinkle, the brightest Christmas star, was flickering and gradually losing its glow. The entire village, usually illuminated by Twinkle’s radiant light, began to dim. Rudy, worried that the diminishing light would ruin Christmas, decided to embark on a daring adventure to save Twinkle and, in turn, save Christmas.

Rudy’s journey began through the frosty forest, where he met various friendly animals. They warned him about the challenges ahead but also encouraged him because they believed in his pure heart and brave spirit. Rudy, undeterred, pressed forward, his little red nose lighting the path through the dark, snowy woods.

In the heart of the forest, Rudy encountered Frosty, the Winter Wizard, known for his icy demeanor but also his wisdom regarding all things winter. Rudy explained his mission, and to his surprise, Frosty was moved by his courage and determination. Frosty revealed that Twinkle was losing its light due to the spreading disbelief in the magic of Christmas among children in the world beyond.

Determined to rekindle the belief in Christmas magic, Rudy, with the help of Ella the Elf, set out to the world beyond, visiting children in various towns and cities. Ella and Rudy, through various enchanting antics, began to spread joy, laughter, and the true spirit of Christmas among the children. They left little gifts, created magical snowy scenes, and even orchestrated a special appearance by Santa Claus himself!

As children began to believe once again, Twinkle started regaining its brilliant glow, lighting up the night sky and filling the world with a magical warmth. Rudy and Ella, witnessing this from afar, knew that the spirit of Christmas was alive and well once again.

Back in the North Pole, Rudy was hailed as a tiny hero with a mighty heart. His bravery and unyielding belief in the magic of Christmas had saved Twinkle, and in turn, ensured that the spirit of Christmas was kept alive in the hearts of children all around the world.

And so, the story of the little reindeer teaches us that no matter how small you may seem, your belief and bravery can create miracles, spreading joy and light in the darkest of times.

The End.

Posted in Drama, Drama Activities for children, Drama for children, drama for kids, Drama strategies, Drama techniques, Freeze Frame, Hot seating, improvisation, Mime for kids, Plays about graditude, Plays for Children, Plays for well being, Plays that teach emotions, Role playing stories, Still image, Storytelling

A drama workshop for children which is based on gratitude.

Posted on by Drama Start Books

Here is a drama workshop for 5 to 8 year olds based on the theme of “The Magic of Thankfulness”: It is from the book Gratitude Stories on Stage.

Introduction: Begin the workshop by discussing the concept of gratitude and what it means to be thankful. Ask the children to share examples of things for which they are grateful.

Main Focus/The Magic Wand: Mime and Movement – Explain to the children that they will be using their imaginations to pretend they have a magic wand that can make things appear or disappear. Have them practice moving the wand in different ways to make different things happen, such as waving it to make a flower appear or flicking it to make a rock disappear.

Still Image – In small groups, have the children create a frozen image of themselves holding their magic wands and casting spells.

The Ungrateful Friend: Action Narration – Tell the story of an ungrateful friend who never says thank you or appreciates the things others do for them. Have the children act out the story as it unfolds.

Narration: Once upon a time, there was an ungrateful friend named Max. Max had many friends, but he never thanked them for their help or appreciated what they did for him. One day, Max’s friend Sam cooked him a delicious dinner and invited him over. Max came over and enjoyed the meal, but when he left, he didn’t even say thank you to Sam. The next day, Max’s friend Sarah invited him to her birthday party. She decorated her whole house, baked a cake, and had a special present for Max. But when Max arrived, he didn’t even say happy birthday to Sarah or thank her for inviting him. Max’s friends started to get tired of his ungrateful behaviour. They started to distance themselves from him and stopped inviting him to their events. Max didn’t even notice and thought nothing of it. One day, Max needed help with a big project, so he reached out to his friends for assistance. But none of them wanted to help him. Max was surprised and didn’t understand why. He realized that he had taken his friends for granted and never showed them appreciation or gratitude. Max decided to change his ways and started saying thank you and showing appreciation for his friends. He even threw a party to apologize for his past behaviour and to thank his friends for always being there for him. From then on, Max’s friendships grew stronger, and he learned the importance of showing gratitude and appreciation.

During the story, the children can act out the various scenes by showing appreciation, saying thank you, and giving hugs to each other. They can also show Max’s ungrateful behaviour by ignoring their friends and refusing to say thank you. The children can also act out the scene where Max realizes his mistake and shows gratitude to his friends by hugging and thanking them.

Hot Seating – Choose one child to play the ungrateful friend and another to play their best friend. The rest of the children will take turns asking them questions about their actions and feelings towards each other.

The Magic of Thankfulness: Flash Forward – Have the children create a scene showing the ungrateful friend realizing the importance of being thankful and expressing gratitude towards others.

Role Play Sculpting – In small groups, have the children take turns playing the role of someone who has done something kind for them, while the others sculpt them into a frozen image to represent their gratitude towards that person.

The Thankful Tree: Conscience Alley – Set up a “thankful tree” by taping a large piece of paper to the wall and drawing a tree trunk and branches. Have the children take turns walking through the “conscience alley” and adding leaves to the tree with things they are thankful for.

Storytelling – End the workshop by reading a story about thankfulness, such as “The Giving Tree” by Shel Silverstein, and encourage the children to share their favourite parts of the story and how it relates to the theme of gratitude.

Conclusion: Gather the children in a circle to reflect on the workshop. Discuss how the different drama techniques helped them understand the theme of gratitude and its importance.

Encourage the children to practice being thankful and expressing gratitude towards others in their daily lives.

 

Posted in Drama Activities for children, Drama for children, Fairy Tales, Goldilocks anD the three bears, Still image, Storytelling, Storytelling in the Early years, teacher in role

Goldilocks and the Three Bears Drama Workshop

Posted on by Drama Start Books

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Goldilocks and the Three Bears Drama Workshop

Materials: A copy of the story of Goldilocks and the Three Bears. Bear masks and props (optional). Chairs or stools to represent the three bears’ chairs.

Warm-up: Lead the children in a warm-up activity such as stretching, dancing, or singing. Tell the children that they will be using their imagination to bring the story of Goldilocks and the Three Bears to life.

Main Focus: Talking Objects – ask the children to choose an object from the story, such as the porridge, chairs, or beds. Ask the children to imagine what the object might say or feel if it could talk. Encourage the children to use their creativity and imagination to come up with interesting ideas. Ask the children to take turns speaking for their object and improvising a short scene where it interacts with the other objects in the story.

Here are some examples of what the objects might say:

Porridge: “I’m too hot! I’m too cold! Why can’t anyone get me just right?”

Chairs: “I’m so big and uncomfortable. Why can’t someone make a chair that fits me just right?”

Beds: “I’m too hard! I’m too soft! Why can’t someone make a bed that’s just right for me?”

Spoon: “I’m so lonely. Nobody ever pays attention to me!”

Bowl: “I’m so empty! Fill me up, someone!”

Door: “Who’s there? Why are you coming into the bears’ house without asking?”

Window: “I’m so curious. I wonder what’s happening inside the bears’ house?”

House: “I’m just a house, but I’ve seen so much excitement since those bears moved in!”

Mime – ask the children to imagine they are Mama, Papa, or Baby Bear. Ask the children to use occupational mime to show what their bear character might do during a typical day, such as making porridge, reading a book, or going for a walk in the woods. Encourage the children to use their bodies to express different emotions, such as happiness, frustration, or tiredness.

Hot Seating -choose one child to play the role of Goldilocks. Ask the other children to take turns asking Goldilocks questions about her behaviour in the story, such as why she went into the bears’ house, why she tried their porridge, and what she would do differently if she could go back in time. Encourage the children to use their listening and communication skills to ask thoughtful questions and respond to Goldilocks’ answers. Here are some examples of questions to ask Goldilocks in the hot seat.

  • Why did you go into the bears’ house without permission?
  • How did you feel when you saw the bears’ chairs, porridge, and beds?
  • Why did you eat the bears’ porridge even though you knew it wasn’t yours?
  • How did you feel when you broke Baby Bear’s chair?
  • What would you do differently if you could go back in time?
  • How did you feel when the bears came home and discovered that you were in their house?
  • What would you say to the bears if you could apologize for your behaviour?
  • How did you feel when you ran away from the bears and the house?
  • What did you learn from your experience with the bears?
  • If you could have any wish, what would you wish for?

Teacher in Role – ask the other children to take turns acting out different scenes from the story, such as Goldilocks entering the bears’ house or the bears discovering that someone has been in their home. Encourage the teacher to play different characters in the story and interact with the children to help guide and shape the scenes.

Still Image – ask the children to work in pairs or small groups. Assign each group a scene from the story.  Ask the children to create a still image that represents the key moment in the scene. Encourage the children to use their bodies and facial expressions to convey the emotions and actions of the characters in the scene. Here are some examples of scenes from the story of Goldilocks and the Three Bears:

  • Goldilocks walking through the forest and coming across the bears’ house for the first time.
  • Goldilocks entering the bears’ house and discovering the three bowls of porridge on the table.
  • Goldilocks trying the porridge and exclaiming, “This porridge is too hot! This porridge is too cold! This porridge is just right!”
  • Goldilocks trying out the three chairs and breaking Baby Bear’s chair.
  • Goldilocks exploring the bears’ house and eventually falling asleep in Baby Bear’s bed.
  • The bears coming home and discovering that someone has been in their house.
  • Mama Bear exclaiming, “Someone’s been eating my porridge!”
  • Papa Bear exclaiming, “Someone’s been sitting in my chair!”
  • Baby Bear exclaiming, “Someone’s been sleeping in my bed, and she’s still there!”
  • The bears discovering Goldilocks in Baby Bear’s bed and confronting her.

Closure: Have the participants sit in a circle. Explain that you are going to play a storytelling game inspired by the story of Goldilocks and the Three Bears. Begin the story by saying “Once upon a time, there were three bears who lived in a cosy cottage in the woods.” Ask the person to your left to continue the story by adding a sentence. For example, “One day, while the bears were out for a walk, a little girl named Goldilocks stumbled upon their cottage.” Continue around the circle, with each person adding a sentence to the story. Encourage participants to use their imagination and come up with creative twists and turns in the story. Continue the story until it reaches a satisfying conclusion or until everyone has had a chance to contribute multiple times.

Click on the links below for more drama workshops based on children’s fairytales.

Posted in Buddhism stories, Drama, Drama Activities for children, Drama for children, drama for kids, English as a second language, English teaching games, Esl, Fairy Tales, Hans Christian Andersen, Plays, Plays for Children, Role playing stories, Storytelling, The money pig by Hans Christian Andersen, The money pig play, The money pig playscript

The Money Pig – A Play based on the story by Hans Christian Andersen

Posted on by Drama Start Books

Characters: One storyteller, Doll, Teddy Bear, Train Set, Colouring Pencil, Toy Car, Money Pig, Aeroplane, Mother.

Storyteller: Once upon a time, there was a nursery that had lots of toys. There was a doll, teddy bear, a toy car, colouring pencil, aeroplane and even a train set.
Doll: Look, at how beautiful I am. (Admires herself in the mirror.)
Teddy Bear: (Sings the lyrics and does the actions.)
Teddy bear, teddy bear,
Turn around!
Teddy bear, teddy bear,
Touch the ground!
Teddy bear, teddy bear,
Jump up high!
Teddy bear, teddy bear,
Touch the sky!
Teddy bear, teddy bear,
Bend down low!
Teddy bear, teddy bear,
Touch your toes!
Teddy bear, teddy bear,
Turn out the light!
Teddy bear, teddy bear,
Say good night!
Colouring Pencil: I’m such a fabulous colour.
Train set: Choo, choo, all aboard. (He moves around the room and all the toys join him to make a train.)
Doll: What’s that up here? (Points to the top of the cupboard.)
Teddy Bear: Doll, that’s the money box in the shape of a pig.
Toy Car: He lives up there on top of the cupboard
Colouring Pencil: He doesn’t talk or play with any of the other toys in the nursery.
Train Set: He thinks he is way better than us.
Money Pig: I’m by far the best toy in the nursery. I’ve lots of money in my tummy. When I’m full, I can buy any toy in this nursery
Storyteller: One night while the family were sleeping, the doll said…
Doll: Let’s play house.
All toy: (Jump up and down.) Yes let’s.
Doll: What about the Money Pig. Let’s ask him to join us.
Teddy Bear: We will have to write him a letter because he is so high up.
Colouring Pencil: I’ll do it. (Reads out the letter as he writes it.)
Dear Money Pig,
Please join us.
We are playing house.
Lots of love,
From,
All the toys.
Aeroplane come here.
Aeroplane: Yes, colouring Pencil. What can I do for you?
Colouring Pencil: Please deliver this letter to the Money Pig.
Aeroplane: My pleasure.
(Aeroplane flies to the top of cupboard and delivers the letter.)
(Money Pig opens the letter.)
Money Pig: (Shouts down) I’ll join you but I won’t be climbing down to your level. I’m way too important for that.
Doll: We will bring the doll’s house in front of the cupboard
Storyteller 1: The toys took turns to act out different family stories.
(Toys improvise family scenarios.)
Money Pig: This is such a boring game. I’ll just sit here and think of all the money in my tummy.
Doll: Be careful, colouring pencil. You are going to crash into the cupboard.
Colouring Pencil: (Colouring pencil bashes into the cupboard.) Too late. I already have.
(Money pig begins to wobble.)
Money Pig: What’s happening. I’m losing my balance. I’m going to faaaallll.
(He crashes down on to the floor and the money spills everywhere.)
Doll: Oh dear, he is broken, but look at all the money.
Teddy Bear: Quick, someone is coming; back to our places. (All the toys run to their places and freeze.)
Mother: What’s all the noise about? Oh dear, what happened here? The Money Pig must have fallen off the cupboard. I better pick up all the money.
Storyteller: The next day mother came back to the playroom.
Mother: I used the money to buy a brand new Money Pig. (She places the new Money Pig on top of the cupboard.)
For more plays based on Hans Christian Andersen’s stories, click here.

The 🐸 Prince – A five minute Playscript for children.

The Little Mermaid – A Children’s Play.

Posted in Aesop's fabes, Animal Stories, Drama, Drama Activities for children, Drama for children, drama for kids, English as a second language, Esl, Esl Drama, expressive arts, Fairy Tales, Panchatantra plays, Storytelling, Storytelling in the Early years, Storytelling techniques

The Three Billy Goats Gruff -A Movement Story

Posted on by Drama Start Books

Each child finds a space and sits down. Each child or a group of children are assigned a specific word and a corresponding action. The narrator/teacher reads the story aloud, and when the children hear their word, they must jump up and do their actions. The words are in bold to assist the teacher.

Movement: Action.

Billy goats gruff: Move like a goat and say triplet trip.

Bridge: Two children face each other; they place their arms over their heads and link their fingers together.

Troll: Roar and make an ugly face.

Smallest: Make your body as small as you can.

Middle-sized: Stand up straight.

Bigger/Biggest: Stretch your hands up in the air as high as you can.

Meadow: Get down on your hands and knees and graze on the grass.

Hungry: Rub your tummy.

Brother: Two children link arms.

Brothers: Three children link arms.

Eat: Mime gobbling food.

Narrator: Once upon a time, there lived three billy goats gruff. They spent every winter in a barn that kept them nice and warm. But when the summer came, they liked to trippety trip over the bridge to the beautiful green meadow on the other side of the river. “I’m really hungry. I think I will cross the bridge to eat some lovely green grass in the meadow,” said the smallest billy goat gruff.

What the billy goats gruff didn’t know was that under the bridge, there lived an ugly troll. The troll was nasty and horrible.

Nobody crossed the bridge without the troll’s permission, and he never gave permission.

“I can’t wait to get to the meadow,” said the smallest billy goat gruff. “Who is that trippety tripping over my bridge?” roared the troll.

“Oh, it’s only me. Please let me pass. I only want to go to the meadow to eat some sweet grass,” pleaded the smallest billy goat gruff.

“Oh no, you are not. I’m going to eat you,” said the troll.

“Oh, no, please, Mr. Troll, I’m only the smallest billy goat gruff. I’m much too tiny for you to eat, and I wouldn’t taste very good. Why don’t you wait for my brother, the middle-sized billy goat gruff? He is much bigger than I am and would be much tastier,” said the smallest billy goat gruff.

“Well, I suppose I could wait,” the troll said with a sigh.

“I think I will join my brother on the meadow and eat some lovely lush grass,” mused the middle-sized billy goat gruff.

“Who is that trippety tripping over my bridge?” roared the troll.

“Oh, it’s only me. Please let me pass. I only want to go to the meadow to eat some sweet grass” said the middle sized billy goats gruff.

“Oh no, you are not. I’m going to eat you,” bellowed the troll.

“Oh, no, please, Mr. Troll, I’m only the middle-sized billy goat gruff. I’m much too tiny for you to eat, and I wouldn’t taste very good. Why don’t you wait for my brother, the biggest billy goat gruff?” He is much bigger than I am and would be much tastier,” pleased the middle-sized billy goat gruff.

“Well, I suppose I could wait,” the troll said with a sigh.

“I am alone and hungry. I will join my brothers in the meadow and get some nice and sweet grass to eat,” said the biggest billy goat gruff.

“Who is that trippety tripping over my bridge?” roared the troll.

“Oh, it is only me. Please let me pass. I only want to go to the meadow to eat some sweet grass,” said the biggest billy goat gruff.

“Oh no, you are not. I’m going to eat you,” bellowed the troll.

“That’s what you think!” shouted the biggest billy goat gruff angrily. He lowered his horns, galloped along the bridge and butted the ugly troll. Up, up, up went the troll into the air. Then down, down, down into the rushing river below. He disappeared below the swirling waters. “That taught him a lesson,” said the biggest billy goat gruff. He continued across the bridge and met with his brothers, and they ate grass and played for the rest of summer.

Click here for more movement stories for children.

Posted in Aesop's fabes, Drama Activities for children, Drama for children, drama for kids, Drama games for 3 year olds, Drama games for 4 year olds, English as a second language, Esl, Esl Drama, fables, Panchatantra plays, Plays, Plays for Children, Storytelling, Storytelling in the Early years

The Tortoise and the Eagle ~ A five minute play script for children

Posted on by Drama Start Books

Characters: Two storytellers, tortoise, eagle, snail, squirrel, rabbit, crow, dove, robin.

Storyteller 1: There once was a tortoise that lived in a wood.

Storyteller 2: He was never happy.

Tortoise: I’m so bored. All I do all day is plod along. If only I could fly like the birds up in the sky.

(Birds come on stage and fly around. The tortoise looks at them with envy.)

Snail: Tortoise, why are you never happy. You have lots of things to be grateful for.

Tortoise: Like what?

Snail: You have a big hard shell.

Squirrel: You have lots of friends in the woods.

Rabbit: None of us can fly and we are not bored.

Storyteller 1: The tortoise sighed and said…

Tortoise: I don’t like being stuck on the ground. I think, I will ask the birds to help me. Birds, birds, could one of you take me up into the sky so I can see the wonders of the world.

(The crow flies down to meet the tortoise.)

Tortoise: Crow, crow, please help me fly.

Crow: No, I will not help you fly. You are too heavy. (Crow flies off.)

(Dove flies down to meet the tortoise.)

Tortoise: Dove, dove, please help me fly.

Dove: No I will not help you fly. You have no feathers, you aren’t meant to fly. (Dove flies away.)

(Robin flies down to meet the tortoise.)

Tortoise: Robin, robin, please help me fly.

Robin: No, I will not help you fly. It is too dangerous. (Robin flies away.)

(Eagle flies down to meet the tortoise.)

Tortoise: Eagle, eagle, please help me fly.

Eagle: I will help you fly.

(The eagle picks up the tortoise with his talons and starts to fly.)

Storyteller 2: The tortoise was so frightened he closed his eyes really tightly.

Eagle: Tortoise, you must open your eyes if you want to see the wonders of the world.

Tortoise: I can’t open my eyes. I’m too scared. Eagle, please put me down.

(The eagle puts the tortoise down and flies off. The tortoise starts crying.)

Storytellers: The moral of the story is be careful what you wish for.

For more animal plays for children click here.

The Lion and the Mouse – five minute play

The Hare and the tortoise – A play for children

https://www.amazon.com/gp/product/B078R8ZVMN?notRedirectToSDP=1&ref_=dbs_mng_calw_8&storeType=ebooks
Posted in Aesop's fabes, co-operation, creative arts, Drama Activities for children, Drama for children, Story sacks, Storytelling, Storytelling in the Early years, Storytelling techniques, Therapeutic Story, Therapeutic writing

Therapeutic Writing-Stories

Posted on by Drama Start Books

IMG_0278Basics:
• Everyone has learnt a lesson for a story.
• A story is metaphorical when used to communicate something more than the events itself.
• Symbols are the smallest units of metaphor.
• The story is a metaphor for the ideas it expresses.
• The Importance of fantasy.

The Importance of Fantasy:
Fantasy is the inner world of the child.

Two types of play:
• Imitative – follow the leader, cook like a mother
• Fantasy or symbolic play – a chair becomes a rocket.

How therapeutic stories can help with coping methods

Options about what to do when presented difficult issues
• New possibilities, creative solutions for overcoming problems
• Ways to dealing more effectively with emotional difficulties
• Options for new ways of reacting to situations.

Metaphorical Images:

• Allows the child to stay longer in the situation.
• Provides the means for the child to stay look at his powerful feelings from a distance.

Unknown Thought (Bollas, 1987):

• “ I know this exactly but I have not ever thought it” (Margot Sunderland, 2007)
• When an unknown thought can be named, then it can be thought through and felt through.
• Children need emotional education and therapeutic story help achieve this education.

The Child and the therapeutic story:

• Must be aptly chosen
• Must identify with the main character
• Must suffer the defeats, obstacles and courage of the main character
• Must feel the character’s joys and relief in coming through conflict and crisis to resolution.
• Must be indirect – this where safety lies.

When to tell a T. Story:
When the child is
– Giving full attention
– Being receptive
– Not distracted
– Before they go to sleep.

Important things to remember:
Story can be
-Fantastical,
-Absurd,
-Do not put irrelevant character or side plots into the story,
-Symbolic and not literal,
-Can be interactive.

Therapeutic Story Making:

• Identify a list of emotional issues that children may experience.

Starting:

• Set a therapeutic objective
• What would you like to change?
• Think of a strategy to achieve this change.

Develop a framework:

• Put the issues into a different metaphorical context ……to which the child can relate.
• Borrow ideas from stories you know.
• Start at the end a work backwards.
• Present the main character as experience the same emotional problem as the child- Metaphorical conflict.
• Show the main character using similar methods to deal with the problem as those used by the child – personify unconscious processes and potential in the form of heroes/helpers and villains or obstructions.

Further Development:

• Show how these methods lead your character problems which lead to failure –metaphorical crisis.
• The story so far should have captured the whole context of how that character came to that moment of crisis in their life.

Resolution:

Move towards the solution – vital part of the journey-someone in the story appears to help the character change direction and to move on to a better coping mechanism which makes them feel a lot better.
• Don’t move too quick – story becomes unbelievable.
• Show the journey from crisis to positive solution – new
sense of identification
• Culminates with a celebration in which the protagonist’s special worth is acknowledged.

Symbols:

A symbol – a word or image which implies one thing but means something else.
• Sunset
• Sunrise
• Locked door
• Tornado/hurricane/storm
• Light
• Witch
• Hole in the heart
• Mirror
• Burned.

Metaphors:

Metaphors – using language to talk about one thing while meaning something else.
• Watching paint dry.
• Not the sharpest knife in the drawer.
• Give me the bottom line.
• Don’t put your eggs in one basket.

The Ugly Duckling (An example of a Therpeutic Story)

• Metaphorical Conflict – Birth of funny looking duckling.

• Unconscious processes and potentials – Mother defends him, cites positive qualities, gets a first look at swans.

• Parallel learning situations – Learning to swim, take care of himself and fly.

• Metaphorical crisis – Attack in the marsh, cold winter in the pond.

• New identification – Beholds beautiful new image in the water.

• Celebration – The old swans are in awe of him.

• In groups think of a fairytale that could be used as a therapeutic story. Put it into the above framework.
The Magic Forest


Once upon a time there was a young child called Matilda. Matilda’s parents were the king and queen of the magic forest. The king, Matilda’s father was very ……………….. and the queen, Matilda’s mother was always ……………….. Matilda was the kind of child who never …………………… but always ………. Sometimes the king, the queen and Matilda would ………………… but they never ……………… All of them would sometimes go …………and Matilda would feel ……….. One day while walking in the magic forest, Matilda lost her way. She tried and tried to see if she could get back home to the castle. Matilda became ……….. After a while a wizard came hobbling along the path and told Matilda ………………… The wizard also gave …………. The first thing that Matilda did was ………. and she ……………

Finally, after wandering around for a long time, Matilda recognised the path back to the castle. She hurried towards it but suddenly she came across a …………… Now she felt ………… As the sun was setting Matilda trudged through the castle gates and into the castle where the king and queen were very, very, very, ………….. Her father the King told Matilda ………… Matilda felt …………. So told the king and queen……………… It had been a very tiring day for Matilda and she fell asleep. The king and queen watched Matilda as she slept and thought ……………
The next morning Matilda woke up and said to her self “………………………………………………………………………”

In groups, full in the blanks. Read your story out to the rest of the class. Devise an improvisation based around your story.

Posted in Aesop's fabes, Animal Stories, Bear Hunt, Drama, Drama for children, drama for kids, Drama games for 3 year olds, Drama games for 4 year olds, English as a second language, English teaching games, Esl, Esl Drama, fables, Fairy Tales, Goldilocks anD the three bears, Hans Christian Andersen, Panchatantra plays, Plays, Plays for Children, Snow White, Storytelling, The Emperor's New Clothes, The Enormous Turnip, The Little Mermaid, The three billy goats gruff

Goldilocks and the Three Bears – A simple five minute play script for young children

Posted on by Drama Start Books

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Characters: Three storytellers, Goldilocks, three bears, three bowls, three chairs, three beds.
Storyteller 1: Once upon a time, there were three bears who lived in a little house in the woods.
Storyteller 2: There was Daddy Bear, there was Mummy Bear and there was Baby Bear.
Storyteller 3: One fine day, they decided to go for a walk.
Daddy Bear: What a lovely sunny day it is today. Let’s all go to the woods.
Baby Bear: I’m hungry. I want to eat my porridge.
Mummy Bear: The porridge is still hot; it will be cool enough by the time we come back from our walk.
Storyteller 1: So, off they went on their walk.
Storyteller 2: Just then, a little girl called Goldilocks was walking in the woods.
Storyteller 3: She was picking flowers for her grandma.
Storyteller 1: She stopped suddenly and saw a pretty little house.
Goldilocks: Oh, what a pretty little house. I am feeling a little tired and hungry. I wonder if whoever lives here will let me rest for a few moments and give me something to eat (She knocks on the door.) There is no answer…. (She opens the door slowly and goes inside.)
Goldilocks: Oh look, three bowls of porridge.
Bowl 1: Eat me! I have lots of salt on me. (Goldilocks eats some but spits it out.)
Goldilocks: Yuck! You are too salty.
Bowl 2: I have lots of sugar on me. (Goldilocks eats some but spits it out.)
Goldilocks: Yuck! You are too sugary.
Bowl 3: Eat me! I’m just right. (Goldilocks eats some and likes it and continues eating it until all the porridge is gone.)
Goldilocks: Mmmmmm, that was just right. Oh look, three chairs. I think I’ll sit down for a moment.
Chair 1: Sit on me. I’m very hard. (Goldilocks goes to sit down and jumps up straight away.)
Goldilocks: This chair is too hard.
Chair 2: Sit on me. I’m very soft. (Goldilocks goes to sit down and jumps up straight away.)
Goldilocks: This chair is too soft.
Chair 3: Sit on me. I’m just right. (Goldilocks goes to sit down and makes herself comfortable.)
Goldilocks: This chair is just right. Oh dear, I’ve broken the chair.
Storyteller 2: Goldilocks decided to walk upstairs.
Storyteller 3: She saw three beds.
Bed 1: Lie on me. I’m very hard. (Goldilocks lies down on the bed and suddenly jumps up.)
Goldilocks: This bed is too hard.
Bed 2: Lie on me. I’m very soft. (Goldilocks lies down on the bed and suddenly jumps up.)
Goldilocks: This bed is too soft.
Bed 3: Lie on me. I’m just right. (Goldilocks lies down on the bed and stays there.)
Goldilocks: This bed is just right.
Storyteller 1: Goldilocks fell fast asleep.
Storyteller 2: After a while, the three bears came back from their walk.
Storyteller 3: They walked in to the house and Daddy Bear said…
Daddy Bear: Who has been eating my porridge?
Storyteller 1: Mummy Bear said…
Mummy Bear: Who has been eating my porridge?
Storyteller 2: Baby Bear said…
Baby Bear: Who has been eating my porridge? Look, it is all gone!
Storyteller 3: They saw the chairs and Daddy Bear said…
Daddy Bear: Who has been sitting on my chair?
Storyteller 2: Mummy Bear said…
Mummy Bear: Who has been sitting on my chair?
Storyteller 2: Baby Bear said…
Baby Bear: Who has been sitting on my chair? Look, it’s broken!
Storyteller 3: They walked upstairs and Daddy Bear said…
Daddy Bear: Who has been sleeping in my bed?
Storyteller 1: Mummy Bear said…
Mummy Bear: Who has been sleeping in my bed?
Storyteller 2: Baby Bear said…
Baby Bear: Who has been sleeping in my bed? And look, she is still there!
Storyteller 3: Goldilocks woke and screamed.
Storyteller 1: She jumped out of bed and ran down the stairs and out of the house.
Storyteller 2: The three bears never saw her again
Storytellers: The end.

For more play scripts based on Fairytales, click on the link below.

Posted in Aesop's fabes, Animal Stories, creative arts, Drama, Drama Activities for children, Drama for children, drama for kids, fables, Fairy Tales, Legends, Panchatantra plays, Plays, Plays for Children, Role playing stories, Storytelling, Storytelling in the Early years

Androcles and the Lion – A five minute playscript for children

Posted on by Drama Start Books

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Androcles and the Lion – A five minute playscript for children

Characters: Two storytellers, Androcles, Lion, Emperor, three slaves, three roman guards and as many spectators as you wish.

Storyteller 1: A long, long time ago when the Romans ruled the world.
Storyteller 2: There lived a slave called Androcles.
(Androcles walks on the stage and addresses the audience.)
Androcles: Hello everyone, I’m Androcles. I’m a slave. Life is not so good when you are a slave. I work hard and I’m always hungry. (He mimes digging and he wipes his brow.)
(Enter slaves and guards. The slaves mime doing manual jobs while the guards observe.)
Guard 1: Slaves, work harder. Any slacking and you will be fed to the hungry lions in the arena.
Androcles: I can’t take this life anymore.
Slave 1: Androcles, we are slaves.
Slave 2: We must do as the Romans tell us.
Slave 3: You should learn to accept your fate.
Androcles: I don’t want to accept this terrible life. I’m going to escape. I need you to cause a distraction.
Slave 1: I’ll do it. (He collapses in pain and the guards run towards him.)
Guard 2: Stop that noise at once.
Guard 3: What is the matter with you?
Slave 1: I’ve twisted my ankle.
Slave 2: Go now and good luck.
Slave 3: Don’t get caught or else you will be fed to the lions in the arena.
(They hug quickly and Androcles escapes without the guards noticing.)
Storyteller 1: Androcles jumped over the wall.
Storyteller 2: And ran through the forest.
Androcles: I’m exhausted. (He stretches, yawns and looks around.) This looks like a good place to sleep.
Storyteller 1: Androcles was just about to lie down when he heard a loud roar.
Lion: Roarrrrrrrrrrrrrrrrrrrrr!
Androcles: It’s a lion. Oh dear, he looks very angry.
Lion: I’m not angry. I’ve got this thorn stuck in my paw. I’m in pain. Roarrrrrrrrrrrrrrrrrrrrr!
Androcles: I’ll help you.
Storyteller 2: Androcles pulled the thorn out of the Lion’s paw.
Androcles: There you go. I’ll put some leaves on it to keep it dry.
Lion: Thank you so much I was in so much pain. Maybe one day I’ll return your good deed.
Storyteller 1: Years passed but one-day Androcles’ luck ran out. (Androcles is casually walking around the stage.)
Guard 1: Caught you at last.
Guard 2: Your luck has finally run out.
Guard 3: The emperor is very angry with you.
(Enter Emperor.)
Emperor: Slave, you are going to pay for escaping. Guards, take him to the arena and throw him to the lions. I could do with something to amuse me.
(Guards throw Androcles into the arena.)
Guard 1: Enjoy.
Guard 2: See you later.
Guard 3: Ha, ha I doubt we will ever see him again, alive.
Storyteller 2: Androcles waited in the arena for the trapdoor to open. The crowd cheered loudly.
Androcles: This is the end for me. I’ll just close my eyes. I hope it will be quick.
(The trapdoor open and the lion comes out roaring but then he sees Androcles with his eyes closed.)
Spectators: Kill him, kill him, kill him.
(The lion walks slowly towards Androcles whose eyes are still firmly shut.)
Lion: Open your eyes, Androcles.
Androcles: No, just eat me and get it over with.
Spectators: Kill him, kill him, kill him.
Lion: Androcles, it is I the lion you helped in the forest. I would never eat you.
Storyteller 1: Androcles slowly opens his eyes.
Androcles: Hello, my friend. (They hug.)
(The spectators cheer)
Emperor: Androcles, you have made friends with a fierce creature. Your reward is your freedom.
Androcles: Emperor, thank you. (Androcles bows.)
Storyteller 2: The Lion and Androcles lived to a ripe old age and remained friends.
(They hug and wave at the crowd.)

 

 

Other links:

Thumbelina – a play script

 

https://www.amazon.com/gp/product/B0B53WVLBB?notRedirectToSDP=1&ref_=dbs_mng_calw_17&storeType=ebooks
Posted in Aesop's fabes, Animal Stories, Drama, Drama Activities for children, Drama for children, drama for kids, Esl Drama, fables, Fairy Tales, Panchatantra plays, Plays, Plays for Children, Role playing stories, Storytelling, The Frog, The Frog Prince

The 🐸 Prince – A five minute Playscript for children.

Posted on by Drama Start Books

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Characters: Two storytellers, Princess, King, Frog.

Storyteller 1: Once upon a time there lived a beautiful princess.
Storyteller 2: She was very vain and selfish.
Princess: I’m so beautiful. I can’t wear this dress I need a new one. It’s my birthday today I wonder what my father. The king got me.
King: Happy Birthday Princess. I’ve got a wonderful present for you.
(She opens the present)
Princess: It’s a ball.
King: Not just any old ball. It is a ball made of gold. I got it specially made for you. There isn’t another ball like it in the world.
Princess: I’ve never seen anything so beautiful in my life. A beautiful ball for a beautiful princess. I shall play with it in the garden.
Storyteller 1: She played with the ball every day.
Princess: If only I had a friend to play with. It is no fun playing ball by myself.
Frog: I’ll play with you.
Princess: You, don’t make me laugh. You are hideous. I’m not that desperate.
Frog: Your loss, I may look hideous but I’m great fun to play with.
Storyteller 2: The princess flounced off and the frog jumped back into the pond.
Storyteller 1: One day the princess was playing with her ball by the pond.
Storyteller 2: She slipped on a stone. She wobbled and then she wibbled and she slipped into the pond.
Princess: Wait, where is my ball gone? I can’t lose my ball. I can’t lose my ball, it’s my only friend.
Storyteller 1: She began looking for her ball. She couldn’t find it and began to cry.
Princess: What shall I do. I’ve lost my beautiful golden ball.
(The frog appeared from the pond. He looks concerned and put his arm around the princess to try and comfort her.)
Frog: Why are you crying princess?
Princess: I fell into the pond and lost my beautiful golden ball.
Frog: Don’t cry. I’ll help you find your golden ball.
Storyteller 1: The frog jumped back into the pond, and he found the golden ball.
Frog: You have to promise me something in return.
Princess: Anything I just want my ball back.
Frog: You must promise to be my friend.
Princess: I’ll be your friend just give me back my ball.
Frog: Not so fast. You must promise to allow me to eat with you every night and sleep next to you every night.
Princess: I promise.
Frog: Here it is.
Princess: I got my ball back.
Storyteller 1: She ran towards the castle.
Frog: Princess, come back. You promised to be my friend. Wait for me.
Princess: In your dreams, I could never be friends with an ugly thing like you. Never bother me again.
Storyteller 2: That night, the princess and the king were eating their dinner.
Frog: Knock, knock. (The frog knocks on the door.)
King: Who is it? (The frog hops in and bows before the king.)
Frog: Ribbit, ribbit. Your majesty. I helped the princess to find her golden ball. She promised that she would be my friend and that I could eat with her at the table and sleep next to her.
Princess: I lied. I just wanted my ball back.
King: Princesses never break their promises. Welcome, come and have a seat and be our guest.
Storyteller 1: They ate their dinner.
Frog: That was delicious, now it’s time for bed.
Princess: Seriously you don’t think you are coming anywhere near my bed.
King: You promised that he could sleep next to you. Remember princesses don’t break their promises.
Storyteller 2: The princess picked up the frog by his neck and plonked him down in the corner of her bedroom.
Frog: Princess, I want to sleep in your bed.
Princess: You are disgusting. How can I sleep with you? Go away and never come back.
Storyteller 1: She threw the frog on the ground,
Frog: Splat!
Princess: Oh dear, I’ve killed him. What have I done? Oh, frog, please wake up. I’m so sorry. I’ll be your friend. You can eat at my table and sleep next to me. Please, don’t die. You are my only friend. (She bends over and kisses him.)
Storyteller 2: Suddenly the frog turns into a handsome prince.
Frog/Prince: Thank you, princess, for breaking the spell.
Princess: What spell?
Frog/Prince: An evil witch turned me into a frog. She said only the friendship of a beautiful princess would break the spell.
Princess: I was so horrible to you. Can you forgive me?
Frog: Of course, I forgive you. Just promise you will never judge people by their appearance again.
Princess: I promise.
Storyteller 1: The prince and princess lived happily ever after.

For more plays based on fairytales click on the link below.