Posted in Drama for children, English as a second language, English teaching games, Esl, Esl Drama, Fairy Tales, Movement activities, Movement stories for children, Plays, Plays for Children, Storytelling in the Early years

The Little Red Hen – A Movement Play.

image

Each child finds a space and sits down. Each child or a group of children are assigned a specific word and a corresponding action. The narrator/teacher reads the story aloud, and when the children hear their word, they must jump up and do their actions. The words are in bold to assist the teacher.

Movement: Action.
Little Red Hen: Make yourself as small as possible and cluck around like a chicken.
Plant: Mime digging a hole and planting a seed.
Wheat: Make your body into the shape of a wheat plant.
Dogs: Move and bark like a dog.
Ducks: Waddle and quack like a duck.
Geese: Move like a goose and say “gobble, gobble.”
Cats: Move like a cat and meow.
Cut: Use a slashing movement.
Bread and cakes: Mime eating a delicious cake.

 

Once upon a time, there was a little red hen that lived on a farm. She was always busy! She spent all morning laying eggs for the farmer.
“Little Red Hen, please lay an egg for my tea,” said the farmer. After the little red hen had laid her egg, she found a grain of wheat. She wanted to plant it in a field.
“I’ll ask my animal friends to help me. Dogs, Dogs! Will you help me plant the wheat?” she said.
“Oh no, we will not help you. We are too busy burying our bones. Get the ducks to help you,” barked the dogs.
“Ducks, Ducks! Will you help me plant the wheat?” said the little red hen.
“Oh no, we will not help you. We are too busy swimming. Get the geese to help you,” quacked the ducks.
“Geese, Geese! Will you help me plant the wheat?” said the little red hen.
“Oh no, we will not help you. We are too busy sunbathing. Get the cats to help you,” gaggled the geese.
“Cats, Cats! Will you help me plant the wheat?” said the little red hen.
“Oh no, we will not help you. Plant it yourself,” meowed the cats.
No one would help the little red hen, so she planted it herself. The sun and the rain helped the wheat to grow. Soon, the wheat was tall and yellow and needed to be cut. “I’ll ask my animal friends to help me. Dogs, Dogs! Will you help me cut the wheat?” said the little red hen.
“Oh no, we will not help you. We are too busy burying our bones. Get the ducks to help you,” barked the dogs.
“Ducks, Ducks! Will you help me cut the wheat?” said the little red hen.
“Oh no, we will not help you. We are too busy swimming. Get the geese to help you,” quacked the ducks.
“Geese, Geese! Will you help me cut the wheat?” said the little red hen.
“Oh no, we will not help you. We are too busy sunbathing. Get the cats to help you,” gaggled the geese.
“Cats, Cats! Will you help me cut the wheat?” said the little red hen.
“Oh no, we will not help you. We are too busy washing our faces. Cut it yourself,” meowed the cats.
So, the little red hen cut the wheat herself, and she took the wheat to the miller. The miller turned the wheat into flour.
“Here’s your flour to make bread and cakes,” said the miller.
The little red hen thanked the miller. She made bread and cakes.
“Who will help me eat the bread and cakes?” said the little red hen.
“We will!” shouted all the animals.
“Oh no, I will eat it myself. If you want to eat the food, what will you do next time?” asked the little red hen.
“We will share the work,” said all the animals.

For more movement plays, click below.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Advertisements
Posted in Drama Activities for children, Drama for children, Drama strategies, Elements of Drama, English as a second language, Esl Drama, Fairy Tales, Movement activities, Movement stories for children, Storytelling in the Early years, The Enormous Turnip

The Enormous Turnip – Drama workshop for children

 

Read the story of “The Enormous Turnip”

Warm up: Enormous, Enormous Turnip. All the children except the child who is It, sit in a circle. It walks around the circle, tapping each player on the head, saying “Enormous” each time until he decides to tap someone and say “Turnip” That child becomes the turnip and runs after It, trying to tag him before It can take his seat. If It successfully reaches the turnip’s seat without being tagged, the turnip is the new It. If the turnip tags It, then the turnip keeps his spot in the circle and It must either continue to be It for another turn or sit in the middle of the circle until another It is tagged.

Circle time: Ask the children to sit in the circle. Ask them if they can name the different characters in the story. Ask the following questions:
How would the different characters move? What would they sound like?
What do you think they were doing before they were called to help with the Turnip?
How do they feel about pulling the Turnip up and eating it?

Character exploration: Get the children find their own space in the room. When the teacher calls out a character the children have to become the character and move around the room.
Old Man: Hunches over and moves very slowly with a walking stick.
Wife: Busy doing housework and moves very busily and quickly.
Boy: Plays football, does headers, keepy ups and scores goals.
Girl: Skips along happily.
Dog: Moves like a dog and barks.
Cat: Moves like a cat and meows.
Mouse: Moves like a mouse and squeaks.

Movement story: https://dramastartbooks.com/2017/10/08/2712/ Get the children to participate in the above Enormous Turnip Movement Story.

Mime: All the children find a space and they curl up and imagine that they are a turnip seed. The seed are get bigger and bigger until eventually they grow into a large Turnip and are pulled from the earth.

Still image: They make a still image of the moment they find out that they are going to be turned into turninip soup.

Thought tracking: The teacher goes and taps each Turnip on the shoulder and they must say one word how they feel about being eaten for dinner.
Voice exploration: Each child says the following sentence
Please, please don’t eat me for your dinner.”
In a happy voice
Sad voice,
Surprised voice,
Shocked voice,
Tired voice,
Angry voice,
Scared voice,
Excited voice.

Group work: Divide the class in to groups of 3 or 4. The group have to use their bodies to make the one big, Enormous Turnip. They have to move as the turnip but stay connected.

Freeze Frame: Divide the class into groups of 8. Each group have to make six still images that tell the story. They can show it to the other groups.
Improvisation: For older children they can add dialogue to their freeze frames.

Closure: The children stand in a circle. Child A says “If I had a turnip, I would turn it in to an Apple.” Child B says “If I had a turnip, I would turn it in to an Apple and a banana.” Child C says “If I had a turnip, I would turn it in to an Apple, a banana and a cat” and so on until everyone gets a chance. If they make a mistake or stumble they are eliminated and sit down.. The last child standing at the end wins.

Play: https://dramastartbooks.com/2017/10/08/the-enormous-turnip-a-five-minute-playscript-for-children/

 

Posted in Drama for children, English as a second language, English teaching games, Esl, Esl Drama, Plays, Plays for Children, Role playing stories, Story sacks, Storytelling, The Enormous Turnip

The Enormous Turnip – A five minute playscript for children

DCABC397-10F6-4B80-B35E-13BA186F209D

Characters: Three storytellers, old man, old woman, boy, girl, dog, cat and mouse.

(Stage Directions: storytellers on stage left and the old man in the centre. All the other characters are in a line off-stage or they can be on stage, with each character miming doing their own thing.)
Storyteller 1: Once upon a time there lived a little old man.
Storyteller 2: One day he planted a turnip seed in his garden. (Old man plants his seed.)
Old Man: This turnip is going to be very big and very sweet. (Looks at the audience.)
Storyteller 3: The turnip grew and grew.
Old Man: I think it is time to dig up the turnip. (Old man mimes trying to pull it up.)
Storyteller 1: He pulled and pulled but he couldn’t pull up the turnip.
Old Man: I know, I will ask my wife to help me. Wife! Wife! Please help me to pull up the turnip. (Wife holds on to him at the waist and they try pulling up the turnip.)
Storyteller 2: His wife came and helped him.
Storyteller 3: They pulled and pulled but they couldn’t pull up the turnip.
Wife: I know, I will ask the boy to help us. Boy! Boy! Please help us to pull up the turnip. (She calls for the boy and the boy comes to help them.)
Storyteller 1: The boy came and helped them. (The boy holds on to her at the waist.)
Storyteller 2: They pulled and pulled but they couldn’t pull up the turnip.
Boy: I know I will ask the girl to help us. Girl! Girl! Please help us to pull up the turnip. (He calls for the girl and the girl comes to help them.)
Storyteller 3: The girl came and helped them. (The girl holds on to him at the waist.)
Storyteller 1: They pulled and pulled but they couldn’t pull up the turnip.
Girl: I know, I will ask the dog to help us. Dog! Dog! Please help us to pull up the turnip. (She calls for the dog and the dog comes to help her.)
Storyteller 2: The dog came and helped them. (The dog holds on to her at the waist.)
Storyteller 3: They pulled and pulled but they couldn’t pull up the turnip.
Dog: I know, I will ask the cat to help us. Cat! Cat! Please help us to pull up the turnip. (He calls for the cat and the cat comes to help them.)
Storyteller 1: The cat came and helped them. (The cat holds on to him at the waist.)
Storyteller 2: They pulled and pulled but they couldn’t pull up the turnip.
Cat: I know, I will ask the mouse to help us. Mouse! Mouse! Please help us to pull up the turnip. (She calls for the mouse and the mouse comes to help them.)
Storyteller 3: The mouse came and helped them. (The mouse holds onto her at the waist.)
Storyteller 1: They pulled and pulled and then suddenly they and then suddenly they pulled up the turnip. (They all fall over.)
Storyteller 2: Everyone was very happy and they all thanked the mouse. (Everyone shakes hands with the mouse.)
Storyteller 3: Everyone had turnip soup for dinner. (The wife mimes giving each one of them a bowl of soup and they mime drinking it.)

 

Posted in Drama for children, English as a second language, English teaching games, Esl, Esl Drama, Plays for Children, Role playing stories, Storytelling, Voice Production

Some Improvisation Activities for ESL Students.

img_0150

Improvisation is an effective way for ESL students to develop language skills that they can use outside of the classroom. Improvisation develops skills such as confidence and empathy. The following activities give students an outlet to express a range of emotions. A variety of tenses, vocabulary, question forms, idioms and proverbs are the focus of this section.

Game: Forwards/Backwards
Level: Elementary+
Other benefits: The main language is to practice target language and the present tense.
Minimum number of participants: 2
Resources needed: Clear space and copies of simple dialogues; see below for examples. Any of the dialogues from the teaching language books can be used.
Instructions: Divide the group into pairs and give each pair a copy of a simple dialogue. Give each pair time to practice their dialogues. When they have memorised the dialogues, get them to perform them in front of the class. Get the group to repeat it in slow motion, fast forwards, hopping on one leg, replacing the words with numbers or the alphabet, backwards, or jumping up and down.

Dialogue 1: Introductions
Adam: Good morning. What’s your name? Where are you from?
Anna: My name is Anna. I’m from America.
Adam: My name is Adam and I’m from Alaska.
Anna: Pleased to meet you. (They shake hands.)
Anna: Goodbye. (Waves and walks off.)
Adam: See you soon.

Dialogue 2: Giving directions
Betty: Hello, you look lost. Can I help you?
Brian: Yes, please. I’m looking for the football stadium. Do you know where it is?
Betty: Of course. Go straight (points straight), turn left and it is next to the big shopping centre.
Brian: Thank you very much.
Betty: You are welcome.
Brain: Goodbye. (They wave goodbye.)

Dialogue 3: Greetings
Carl: Hello, how are you?
Cathy: Not so good.
Carl: What’s the matter?
Cathy: I’ve a headache.
Carl: I hope you feel better soon.
Cathy: Thank you.

Extension: If the students are comfortable, get them to continue the dialogue until it comes to a natural conclusion. This is a good introduction to improvised work.

Game: TV Channels
Level: Elementary+
Other benefits: The focus is to listen and be observant as well as to react quickly.
Minimum number of participants: 4
Resources needed: Clear space.
Instructions: A volunteer sits in the centre of the circle. The rest of the students are the TV channels. The student in the centre of the circle is watching the television. He/she is channel surfing. When they point to someone in the circle, they have turned on the channel. The person must speak; they can be a news channel, weather, sports, documentary comedy, drama, or a soap opera.
The channel surfer stays on the channel for about 30 seconds and then moves on. They can always come back to the same channel. Everyone should have a chance at being a TV station.

Posted in Drama, Drama Activities for children, Drama for children, drama for kids, Drama strategies, Elements of Drama, English as a second language

Elements Of Drama for Children

IMG_0258

Belief
Role and Character
Action
Place
Time
Tension
Significance
Genre

The relationship between the drama elements.

Belief: How can the child be encouraged to enter into the drama with full belief? Evident in the child’s trust in and ease with make-believe play.

Role and Character: How will the child move from role playing to entering into character? Taking on the characteristics, attributes and thought process of another person.

Action: What is happening in the drama? Action in drama comes from the interaction between characters and situations in which they find themselves in the drama.

Place: Where is the action taking place? How is real place and space used to represent this?

Time: When is the action taking place? The fictional past and fictional future will have a bearing on the drama.

Tension: How will tension drive forward the action of the drama? The characters will be faced with choices, desires and uncertainties. Such tension causes characters to make decisions and moves the drama forward.

Significance: What is the relevance of the drama to the child’s life? How can the child relate to the drama?

Genre: What’s the genre? Naturalistic drama is the genre that most imitates life. Mainly for this age group the genres used are either naturalistic or fantasy. The children step into the world of make believe easily. The create a symbolic reality through which they can explore the real world and come to terms with its strangeness while remaining in the safety of their fictional world.

 

 

 

 

 

 

 

 

 

 

Posted in Drama for children, English as a second language, English teaching games, Esl, Esl Drama, Fairy Tales, Hans Christian Andersen, Storytelling, The Emperor's New Clothes

The Emperor’s New Clothes – A Playscript for Children

IMG_0194
Characters: Three storytellers, Dresser, Emperor, Two soldiers, Royal Advisor, Slick, Slicker, four subjects, father, small child.

Storyteller 1: Once upon a time, there was an emperor.
Storyteller 2: He didn’t spend much time ruling his empire
Storyteller 3: Because he was too interested in how he looked and what clothes he wore.
Emperor: (looking in the mirror) I wonder what clothes I’ll wear today. Dresser come here at once.
(Dresser comes rushing holding up two outfits, the emperor grabs one.)
Dresser: That is the tenth outfit you have tried on today, Your Excellence.
Emperor: It is important to look good when you are the emperor of all that you can see and beyond.
(Enter two soldiers.)
Soldier 1: (bows) Your Excellence, the enemy is attacking us.
Soldier 2: (bows) By land, air and sea. What shall we do?
Emperor: How dare you interrupt me with these trivial matters. I’ve way more important things to worry about, like what outfit I’m going to wear today. Please leave at once.
Storyteller 1: When the royal advisor came to advise, he dismissed him.
Royal Advisor: We must talk about how to run the empire.
Emperor: Go away, can’t you see I’m busy admiring myself and my beautiful clothes. Dresser, let’s go outside so all my subjects can admire my clothes.
(Walks up and down like he is on a catwalk. He turns and twirls so all his subjects can see and admire him.)
Subjects: (bows) You look amazing, Your Excellence.
Emperor: Dresser, next week is the annual royal parade. What shall I wear?
Dresser: You have 10,438 outfits to choose from.
Emperor: I need something new and different. I want to look fabulous. I want the whole empire to talk about me and my beautiful clothes. Find me the finest tailors in the land at once.
Dresser: (Comes on stage ringing a bell.) Hear ye, hear ye, the emperor needs a magnificent outfit for the royal parade. Can anyone help? Hear ye, hear ye.
(Enter Slick and Slicker.)
Slick: Do you hear that? We could make lots of money.
Slicker: But we aren’t tailors.
Slick: I know, but I’ve got a plan.
(They huddle together and whisper.)
(Dresser enters the palace with Slick and Slicker. The emperor is sitting on his throne.)
Dresser: I found them, Your Excellence.
Slick: I’m Slick.
Slicker: I’m Slicker. At your service. (Both bow before the emperor.)
Slick and Slicker: We are the finest tailors in the land.
Slick: I’m sure you MUST have heard of us.
Storyteller 2: The emperor liked to pretend he knew everything, so he said…
Emperor: Of course, I’ve heard of you.
Slick: Well then, you must know our clothes are very special.
Emperor: Special?
Slicker: Oh yes, they are magic clothes.
Emperor: Magic?
Slicker: Why, have you not heard? only very clever people can see our clothes.
Slick: Our clothes are invisible to stupid people.
Emperor: Make me a magic outfit at once.
Slicker: Well, it is very expensive.
Emperor: Money is no object. Here take this. (He throws a bag of money at them.) Now get to work at once. You have only a week left to make me the most spectacular outfit for the royal parade.
(Emperor and Dresser exit.)
Storyteller 2: After a few days, the emperor was excited to see his new outfit. He knocked on the door.
Emperor: Knock, knock, may I come in?
Slick and slicker: Oh no, you can’t come in. We want the outfit to be a surprise.
Emperor: Dresser, go inside and look at the outfit and tell me how fabulous it is.
(Enter Dresser. Slick holds up an imaginary outfit.)
Slick: So, what do you think?
Dresser: (Speaks to the audience.) I can’t see anything, but if I say so, everyone will think I’m stupid.
Dresser: It is wonderful, the emperor will be so happy.
Storyteller 3: He scuttled off to tell the emperor that his outfit was amazing.
Storyteller 1: News quickly spread across the empire about the magic outfit. Everyone came the day of the parade to see this fantastic suit.
Storyteller 2: On the day of the parade, the emperor entered the room for the first time.
Slick: (Holds up the outfit.) Well, what do you think?
Emperor: (Speaks to the audience.) I can’t see anything. I must be stupid, but I can’t let them now. I’ll pretend I can see it. (Turns to Slick and Slicker.) It is amazing, magnificent, fabulous.
Slicker: Well, put it on then.
Dresser: I will help you. You look fantastic.
Emperor: It is a perfect fit. Dresser, carry my train.
Storyteller 3: He admired himself one last time. The soldiers opened the palace doors.
Emperor: Let the parade commence.
Storyteller 1: The crowd gasped with excitement. They knew only clever people could see the clothes.
Subject 1: You look so handsome.
Subject 2: Such an amazing outfit.
Subject 3: What magnificent tailoring.
Emperor: The clothes I’m wearing must be beautiful.
Small child: I can’t see. I want to see the emperor’s new clothes.
Father: Come here, I’ll show you. (Father picks up the small child.)
Small child: But the emperor has no clothes on.
Subject 4: What did he say?
Subject 1: He said the emperor has no clothes on.
Subject 3: He is right, the emperor is naked.
Subject 4: The emperor has no clothes on.
Storyteller 2: Everyone started to whisper and the whispering turned into shouting.
Everyone: The emperor has no clothes on.
Emperor: (Looks down.) They are right. I’ve got no clothes on. (He tries to cover himself up.)
Slick and Slicker: Time to go with our bags full of money. (They tip toe off the stage quickly without anyone seeing them.)
Emperor: Cover me up at once. (Dresser comes running in with a blanket.)
Storyteller 3: The emperor got what he wished for. People talked about the emperor with no clothes for years to come.

Posted in Drama for children, Drama strategies, English as a second language, Esl, Esl Drama, fables, Freeze Frame, Hot seating, Movement activities, Movement stories for children, Still image, teacher in role, The Hare and the Tortoise

The hare and the tortoise, a fun drama workshop for children.

image

Read the following movement story to the children. When they hear any of words in bold they must do the corresponding action. The teacher should go through each action at the beginning.

Boast/boastful/boasting – stand up straight and puff out chest
Woods – children make themselves into trees.
Animals – each child choose a different animal found in the woods and move like that animal.
Hare – make bunny ears with your hands.
Fast – children move as fast as they can
Run/ran – run on the spot
Tortoise – children bend over as if they have something heavy on their back.
Slow/slowly – children move in slow motion around the room.

Once upon a time there was a very boastful hare who lived in a woods with lots of other animals. He was always boasting about how fast he could run. He boasted “I’m the fastest animal in the woods. No one can run as fast as me.” The other animals were tired of listening to him. One day the tortoise said to the hareHare, you are so boastful. I challenge you to race.” Hare laughed and said “Tortoise, you will never beat me. You are too slow and steady.” They decided whoever got to the other side of the woods the fastest was the winner. All the other animals in the woods came to watch the race. The hare ran as fast as he could through the woods. After a while he thought to himself “I’m so fast that slow tortoise will never beat me. I think I will take a quick nap.” Soon, he fell asleep. The tortoise walked slowly through the woods. He passed the sleeping hare. The animals watched the tortoise near the finishing line. The animals cheered loudly. The hare woke up and ran as fast as he could through the woods to the finishing line but it was too late. The slow tortoise had won the race. All the animals in the wood congratulated the tortoise. The hare had to remind himself that he shouldn’t boast about his fast pace because slow and steady won the race.

Physical warm up: Get each child to find a clear space. They must make sure that they are not touching anyone else. The children crouch down on the floor and make a ball shape with their bodies. The
teacher explains that all children are magic rocks and that the teacher is a magic wizard. The teacher waves the magic wand and says: “Magic rocks turn into hares.” All the children turn into hares and move around the room as hares. The teacher then says: “Magic rocks turn into magic rocks.” The children return to their clear spaces and crouch down on the floor again as quickly as possible. The magic wizard can change the magic rocks into animal they can be found in the jungle.
Variation: The children can take it turns to be the magic wizard.

Role on the wall: Divide the class into groups of four. Give each group either an outline of the hare or the tortoise and ask the children to write inside the image the different characteristics or personality traits of the hare or the tortoise. If they are too young to write, get them to draw inside the image. Each group talks about their image and what they put inside.

Still Image: Ask each child to make a still image of the Hare at the beginning of the race. The teacher taps each child on the shoulder and they must say how they feel. Then get them to make a still image of the hare at the end of the race. The teacher taps each child on the shoulder and they must say how they feel. Can they tell the difference?

Freeze Frame: Divide the class into pairs. They have to make six images that tell the story of the hare and the tortoise. They then show their freeze frame to the rest of the class.

Teacher in Role: The teacher takes on the role of the tortoise. She tells the children she feels sorry for the hare because he thought he was the fastest in the forest and now he is upset. Ask the children what do they suggest they could do to make him feel better.

Hot seating: One of the children volunteers to be the hare. The hare sits in the hot seat and the rest of the children asks him questions.

Closure: The children sit in a circle. Each child finishes the following sentences “if I could be an animal I would be a………

Turn on some music and everyone dances as their animal.