Posted in Aesop's fabes, Drama, Drama Activities for children, Drama for children, drama for kids, English as a second language, English teaching games, Esl, Esl Drama, fables, Fairy Tales, Panchatantra plays, Plays, Plays for Children

The Monkey and the Jealous Camel – A five minute playscript for children

A8D194B4-2155-46F5-98A8-53E2DE4F9D14

Characters: Three storytellers, Monkey, Giraffe, Lion, Kangaroo, Crocodile, Penguin, Monkey, Camel, Frog, Pig, Squirrel, Ant.

Storyteller 1: Once upon a time a long time ago.
Storyteller 2: All the animals in the world decided to have a big party to celebrate the midsummer.
Storyteller 3: It was a midsummer party and all the animals in the world were going.
Storyteller 1: From the tiniest ant to the enormous elephant.
Storyteller 2: The animals arrived Two by two.
(Everyone sings the animals arrived two by two hurrah hurrah.)
Storyteller 3: Eventually, all the animals had arrived.
(Monkey is ticking off the all the names as the animals enter. He has a click board and looks very official. Giraffe is the look out.)
Monkey: Is that everyone?
Giraffe: I think so, I can’t see anyone else coming.
Lion: Well, let’s get this party started. Welcome, everyone to this party to celebrate the
midsummer. I hope everyone will have wonderful time tonight. I want to introduce the band. Back by popular demand all the way from the Jungle. I would like to introduce our band- the animals.
(Everyone cheers, and claps Elephant is playing her trumpet with his trunk, the bear is playing the drums with his feet. Other animal musical instruments.)
Storyteller 1: Everyone danced and chatted and had a merry time.
(Music playing.)
Kangaroo: Stop the music. I just noticed that the camel isn’t here.
Crocodile: Never mind him, he is so grumpy.
Penguin: He couldn’t be bothered coming.
Giraffe: No wait, I see something coming up in the hill in the distance.
(Monkey climbs up the tree.)
Monkey: It is the camel and he doesn’t look very happy.
(The camel trundles up the hill very slowly)
Penguin: We should be very welcoming to him, when he arrives.
(Camel eventually makes his way up the hill.)
Animals: Hello Camel, welcome to the midsummer’s eve party.
Lion: Come and join us.
Camel: (sighs and wipes his brow.) This better be a good party. I have come an awfully long way.
Frog: It will be wonderful. Let’s play a game of leap frog,
(All the animals jump over one another.)
Pig: That was fun but now let’s play piggy in the middle.
(All the animals throw a ball and the pig tries to catch it.)
Storyteller 2: Everyone had so much fun.
Storyteller 3: Then the dolphins performed a lovely water display.
(Music is playing.)
Monkey: now it my turn to show my contemporary dance.
Storyteller 1: The monkey danced, and all the other animals were impressed.
(All the animals cheer and clap when the monkey is finished.)
Pig: That was amazing.
Frog: You are such a good dancer,
Camel: Harrumph! What’s all the clapping and cheering about. Anyone can dance like that.
Kangaroo: That’s not true. The monkey is a very good dancer.
Ant: You are such a grumpy all hump, Camel.
Elephant: You are just jealous Camel, everyone knows camels can’t dance.
Camel: Of course, Camels can dance.
Monkey: Go on then, show us how camels can dance.
(The Camel slowly makes his way to the middle of the circle. All the animals are staring at him and there is a deafening silence.)
Penguin: Band, Music please.
Storyteller 1: The band started to play, and the camel started to dance.
Storyteller 2: It was the most peculiar dance they had ever seen.
(Camel gives a sideways hop and wiggle and then falls over and he bashes into the band and the music stops.)
Squirrel: Watch where you are going.
(The camel does a high kick and hits the kangaroo.)
Kangaroo: Ouch. (Kangaroo starts limping.)
Storyteller 3: The camel swings his tail and the rabbit is knocked to the floor.
Storyteller 1: Then, he nearly trod on the ants.
Ant/s: Oh, my goodness. Somebody stop him before he kills us.
(The camel is so clumsy that all the animals scatter to the far side of the stage.)
Lion: (roars) Stop! Stop Camel.
Camel: But I’m in the middle of my dance. Can’t you see I’m the best dancer here.
Storyteller 1: Then, the unimaginable happened.
Storyteller 2: He stood on the lion’s tail.
Lion: (roars).
(All the animals freeze.)
Camel: Is it just me? But I get the feeling you didn’t like my dance Lion. (Looks around.) why is anyone clapping.
Pig: Your dancing is ……horrible.
Camel:(hangs his head) I must admit that it wasn’t as fun as the monkey’s dance. (Looks at the monkey) You dance very well, Monkey.
Monkey: Thank you. You have special talents too. You can walk for miles without water and you can give everyone rides on your hump.
Kangaroo: Everyone has a talent.
Lion: The world would be a strange place if we all good at the same thing.
Camel: I guess you are right. Well who would like on my hump.
All animals: Me.
Camel: Hop on then.
Storyteller 1: The camel smiled with pride and pleasure.
Storyteller 2: The moral of the story is
Storyteller 3: Everyone is good at something.

 

For more animal play scripts click on the link below.

 

 

 

 

 

Advertisements
Posted in Action Poems, Circle games, Closure activities, creative arts, Drama, Drama Activities for children, Drama for children, drama for kids, English as a second language, English teaching games, Esl, Esl Drama, Movement activities, Relaxation games

Action Songs and Poetry for preschoolers.

C1916F13-47F8-451E-9508-BD736E3CC262

 

Dingle Dangle Scarecrow
When all the cows were sleeping and the sun had gone to bed
Up jumped the scarecrow and this is what he said
“I’m a dingle dangle scarecrow with a flippy floppy hat,
I can shake my hands like this and shake my feet like that.
When all the hens were rousting and the moon behind a cloud,
Up jumped the scarecrow and shouted very loud
“I’m a dingle dangle scarecrow with a flippy floppy hat,
I can shake my hands like this and shake my feet like that.

Do Your Ears Hang Low?
Do your ears hang low? Do they wobble to and fro?
Can you tie them in a knot? Can you tie them in a bow?
Can you throw them o’er your shoulder like a continental soldier?
Do your ears hang low?
Do your ears hang high? Do they reach up to the sky?
Do they droop when they are wet? Do they stiffen when they’re dry?
Can you semaphore your neighbour with a minimum of labour?
Do your ears hang high?
Do your ears flip-flop? Can you use them for a mop?
Are they stringy at the bottom? Are they curly at the top?
Can you use them for a swatter? Can you use them for a blotter?
Do your ears flip-flop? Do your ears hang out? Can you waggle them about?
Can you flip them up and down as you fly around the town?
Can you shut them up for sure when you hear an awful bore?
Do your ears hang out?

The Hokey Cokey
You put your right hand in
Your right hand out
In, out, in, out
Shake it all about.
You do the hokey-cokey
And you turn around.
That’s what it’s all about.
Chorus
Whoa, the hokey-cokey
Whoa, the hokey-cokey
Whoa, the hokey-cokey
Knees bent, arms stretched, rah, rah, rah!
(Chorus)
You put your left hand in
Your left hand out
In, out, in, out
Shake it all about.
You do the hokey-cokey
And you turn around.
That’s what it’s all about.
(Chorus)
You put your right foot in
Your right foot out
In, out, in, out
Shake it all about.
You do the hokey-cokey
And you turn around.
That’s what it’s all about.
(Chorus)
You put your left foot in
Your left foot out
In, out, in, out
Shake it all about.
You do the hokey-cokey
And you turn around.
That’s what it’s all about.
(Chorus)
You put your whole self in
Your whole self out
In, out, in, out
Shake it all about.
You do the hokey-cokey
And you turn around.
That’s what it’s all about.

Little Bunny Foo Foo

Hoppin through the forest

Scooping up the field mice
And bopping them on the head.

Down came
The good fairy
And the
Good fairy said:

“Little bunny foo foo
I don’t wanna see you
Scooping up the field mice
And bopping them on the head!”

“I’m gonna give you
Three chances
Then I’ll turn you
Into a goon!”

Little bunny foofoo
Hoppin’ through the forest
Scoopin’ up the field mice and bopping
Em’ on the head

Down came the good fairy
And she said:

” little bunny foofoo I don’t want to see you
Scooping up the field mice and bopping em’ on the head
I’ll give you two more chances then I’ll turn you to a goon”
*the next day

Little bunny foofoo hoppin’ through the forest scooping up the field
and boppin’ em’ on the the head

Then the good fairy came down
And she said

Little bunny foofoo i don’t want to see you scooping up the field
much and bopping them on the head!I’ll give you one more chance
and then I’ll turn you into a goon!
*the next day

Little bunny foofoo hoppin through the forest scooping up the field
mice and bopping them on the head

Then the good fairy came down and she said:

Little bunny foofoo I don’t want to see you scooping up the field
mice and bopping them on the head I gave you 3 chances and I’m
going to turn you into a goon!

POOF!

For more movement stories, poetry and games, click on the link below.

Posted in Action Poems, Circle games, Drama, Drama Activities for children, Drama for children, drama for kids, English teaching games, Esl, Esl Drama, expressive arts, Nursery Rhymes

Circle Time Activities for preschoolers

girls in classroom

Quiet Mouse, Still Mouse. Children sit in a circle as the leader announces which child (eventually, you hope, all of them) has become a mouse by being very quiet and still.
Alphabet Shopping. Using the first letter, match the child’s name with something to buy that begins with that letter. For example, “My name is Connor and I will buy a coat.” This facilitates teaching categories and organizational skills by using alphabet animals, foods and places.

Storm Leader starts by wiggling fingers for the rain, this passes around the circle until everyone is wiggling their fingers. The leader then changes the action to other aspects of the storm, e.g. wind – arms waving, thunder – slap knees. End with the sun – mime a circle.

Weather and calander of the day.– Start the day off by asking what is the weather like outside or what day is it. Find some visual aids or printables that show days of the week or months of the year or weather symbols to help you talk about these things.

 

For more drama games for preschoolers click on the link below.

 

Posted in Action Poems, Aesop's fabes, creative arts, Drama, Drama Activities for children, Drama for children, Esl, expressive arts, fables, Panchatantra plays, Plays, Plays for Children, the lion and the mouse

Rhyming Tales – The Lion and the Mouse

A king lion and a mouse under the tree

 

Rhyming Tales
The following poem can be used in a variety of ways: The practionner could read it at story time or the children could act out or mime the different parts for fun or in front of an audience. They could also be recited. Each child could learn four lines each and they could recite it as a choral piece. These stories help children with their vocal expression and give them an understanding of rhythm.

The Lion and the Mouse
There was a lion who lived in a cave.
He was extremely big and terribly brave.
The lion was not frightened of anything
Because he was the fearsome jungle king.
One day he was asleep near his house
When he was woken by a little mouse.
The lion grabbed the mouse with his large paw
He licked his lips and opened his wide jaw.-
The little mouse looked at him with sheer dread –
He didn’t want to be some scrumptious spread. –
“Squeak, squeak, Mr. Lion do not eat me
Some day I will help you so let me be.”
“You help me,” he said “I don’t think so
But I’m not that hungry, so off you go.”
One day while hunting deep in the jungle
The lion tripped over and took a tumble.
Suddenly he was stuck in an evil trap
The other animals began to clap.
He saw some grey elephants and he cried:
“Elephants, please help me I’ve swallowed my pride.”
“Oh Mr. Lion we will not help you
So how does it feel to be in a stew?”
The elephants said with extreme delight
And off they trundled into the dark night.
The lion waited and a few hours passed
Then out of the blue he saw some giraffes
“Giraffes, Giraffes,” he said, “please, please help me.”
The Giraffes looked at him and decided to flee.
He was extremely hungry and very cold
He was terribly tired and feeling less bold.
When all of a sudden down by the lake
He heard the hissing of a slimy snake.
“Snake, please, please help me I’m stuck in a trap,
I feel confused and I’m all in a flap.”
The snake hissed: “Jungle King I must admit,
You really do look like a proper twit.”
Snake laughed and laughed and felt real good
And away he slithered into the deep wood.
The Lion felt a sense of despair’
He was stuck outside in the cold night air.
Then all of a sudden out from his house
Came the patter of the little brown mouse.
“Pardon Lion I’m not one for prying
But please tell me why you are crying?”
The lion told the mouse his whole story
In all its wondrous gruesome glory.
The little mouse began to gnaw and gnaw
The scary lion sat there full of great awe.
At last, the lion roared: “I’m FREE I’m free.”
With that he invited the mouse home for tea.

For more rhyming plays click on the link below:

Posted in Aesop's fabes, creative arts, Drama Activities for children, Drama for children, drama for kids, English as a second language, Esl, Esl Drama, fables, Fairy Tales, Hans Christian Andersen, Plays, Plays for Children, The Nutcracker

The Nutcracker – A Playscript for children

C25BC415-D240-47DE-B17B-BEC3EFF5C392.png
Characters: Two Storytellers, Clara, Godfather, Nutcracker Toy, Three Mice, Mouse King, Six Soldiers, Sugarplum Fairy, Arabian Princesses, Chinese Tea Dancers and Flower Ballerinas.
Storyteller 1: Once upon a time there lived a girl called Clara. It was Christmas Eve.
Clara: (looks out the window) It is snowing. It is dazzling white except for that golden light coming from my house.
Storyteller 2: Her parents were having a Christmas Eve party.
(Clara’s godfather walks in and greets everyone.)
Godfather: Merry Christmas, Clara. (He gives Clara a hug and a large Christmas present.)
Clara: Thank you very much. I’ll put it under my Christmas tree.
Storyteller 1: That night, when everyone had gone to bed, Clara crept downstairs as quiet as a mouse.
Clara: I’m so excited to open my present from my godfather.
(She opens the present.)
Clara: It is a Nutcracker Toy. What a wonderful present. I’m so tired. (She yawns.) I’ll just have a quick nap under this Christmas tree.
Storyteller 2: Bong, bong; the clock struck midnight.
Clara: My goodness, the tree is rising above me.
(Nutcracker Toy comes to life and starts moving.)
Nutcracker Toy: Hello, Clara.
Clara: The Nutcracker Toy has come alive.
Nutcracker Toy: I’m the nutcracker prince.
Clara: What are you doing here?
Nutcracker Toy: I’ve come to protect you.
Clara: Why do I need protecting?
Nutcracker Toy: The kitchen mice are plotting to kidnap you. (He blows his whistle.) Never mind, these six soldiers are here to help you.
(The soldiers march by.)
(Mice follow the soldiers into the room.)

Mouse 1: There she is.
Mouse 2: Let’s get her.
Soldier 1: We must stop the mice.
Soldier 2: Use these lumps of cheese and fire them at the mice.
Soldier 3: Spray them with water.
Mouse 3: Help us, help us.
(The Mouse King enters.)
Mouse King: Is this the best you can do? (He whips out his sword and points it at the nutcracker prince. They have a sword fight.)
Clara: I must help the Nutcracker Toy. (She takes off her shoe and fires them at the Mouse King.)
Mouse King: Something has hit me. (He collapses and is out cold.)
Nutcracker Toy: You saved me, Clara. I must thank you.
Storyteller 2: The Nutcracker Toy called his reindeer and sleigh.
Reindeer: Your sleigh awaits, Prince.
Nutcracker Toy: Jump on board, Clara.
Clara: Where are we going?
Nutcracker Toy: It is a surprise.
Storyteller 1: They flew through an open window and into a snow-filled sky. Eventually, they arrived at their destination.
Clara: Where are we? Look, the trees are made of lollipops and the flowers are made of marshmallows.
Nutcracker Toy: This is the land of treats.
(They get off the sleigh.)
Nutcracker Toy: Clara, come. I want to show you something. This is the marzipan castle. It is decorated with ever kind of sweet you can imagine.
(He knocks at the door.)
Sugarplum Fairy: Welcome. I’m the Sugar Plum Fairy. I’m so glad you could make it. Please come inside. Make yourself at home and eat anything you want.
Clara: I’ve never seen so many cookies, cakes and candy.
Storyteller 1: Clara and the Nutcracker Toy ate to their hearts’ content.
Storyteller 2: Once they had finished all the food, they were entertained by the Arabian Princesses (the Arabian Princesses come out and dance to music), Chinese Tea Dancers (the Chinese Tea Dancers come out and dance to music), and Flower Ballerinas (the Flower Ballerinas come out and dance to music.)
Clara: This is an amazing place. I’ve had an amazing time.
Nutcracker Toy: Clara, it is time to go home.
Clara: Thank you for a wonderful adventure.
Reindeer: Hop on.
Storyteller 1: The next morning, Clara woke up underneath the Christmas tree.
Clara: Where am I? I’m underneath the Christmas tree. (She picks up the Nutcracker Toy.) Where is the prince? It must have been a dream … unless it was the magic of Christmas Eve.

For More Fairytales on Stage, click below, only $0.99.

 

 

Posted in Action Poems, Drama, Drama Activities for children, Drama for children, drama for kids, English teaching games, Mime, Mime for all ages, Mime for children, Mime for kids, Movement activities, Movement stories for children

More Fun Movement Games for Children

 

image

 

Game: Call and Response
Age: 4 years +
Minimum number of participants: 2
Resources: Clear space
Other Benefits: Creativity, focus, listening.
Instructions: Everyone sits in a circle. The teacher starts the activity by making a simple clapping rhythm. The rest of the circle repeats the rhythm. The child who is sitting next to the teacher takes a turn at making a simple clapping rhythm and the rest of the group copies it. When the group has got comfortable with the call and response technique the game can become a little more complicated. Each child must add on to the clapping rhythm that has gone before them. The child who is last in the round must remember everybody else clapping rhythm before they do their own.
Extension: Older children can stand in a circle and use different parts of their bodies to make the rhythms. For example they could use body percussion, stomping or tap dancing.

Game: Action Charades
Age: 4 years+
Minimum number of participants: 4
Resources: Clear space and a list of verbs.
Other Benefits: Critical thinking, creativity.
Instructions: If there is a large number of children divide them into groups of 4 or 5. Give each group a verb such as cleaning, cooking and swimming. One child will mime the verb to their group. The group members have a minute or two to guess the verb. . To reduce noise, have one group participate at a time, while the other group members watch.
Suggestions of Verbs:
Taste
Smell
Dance
Jog
Skate
Scream
Fight
Cry
Read
Write
Cook
Clean
Paint
Joke
Sleep
Sneeze

Game: Balloon Keepy Ups
Age: 4 years +
Minimum number of participants: 2
Resources: Clear space, balloons.
Other Benefits: Coordination, imagination, spatial awareness.
Instructions: Divide the group into smaller groups of six to eight, hand each group a balloon, and ask them to form a circle holding hands. The teacher tells them that, on her/his cue, they are to put the balloon in the air between them and to keep it up using the body part the teacher calls (e.g., knees) without letting go of hands. They are to continue until the teacher calls out a different body part.
Suggestion of different body parts that can be used:
Arms
Legs
Chests
Elbow
Fingers
Knees
Fists
Noses
Heads
Thighs
Shoulders
Face 

For more fun movement games clock on the link below.

 

 

 

 

Posted in creative arts, Drama Activities for children, Drama for children, drama for kids, Esl Drama, fables, Panchatantra plays, Plays, Plays for Children

The Monkey and the Crocodile – A playscript for children

image
Characters: Three storytellers, the crocodile, the crocodile’s wife and the monkey.

Storyteller 1: Once upon a time there lived a crocodile that lived in the river Ganges in India.
(Crocodile enters stage swimming slowly.)
Storyteller 2: On both sides of the Ganges there were large music fruit trees.
Storyteller 3: A monkey lived in one of the trees. He ate fruit all day.
(Monkey mimes eating fruit.)
Monkey: These fruits are so delicious and juicy I’m so lucky to live in a fruit tree.
(Crocodile sits under the tree for shade.)
Crocodile: It is very hot I think I will sit under this tree and sleep in the shade. (Looks up.) The fruits on tree look so delicious. I wish I could climb the tree and pick some.
Monkey: (climbs down from the tree) Since you are resting under my tree, you are my guest. Please come and taste some of my delicious fruits.
Storyteller 1: The monkey plucked the juiciest fruit off the tree and gave it to the crocodile.
Crocodile: Oh thank you Monkey you are so kind.
Monkey: You are welcome. Come again, any time.
Storyteller 2: Soon, the crocodile came every day. They would eat the fruit and talk to one another for hours.
(Crocodile and the monkey mime having a conversation and eating lots of fruits.)
Storyteller 3: One day as the crocodile was leaving to swim home. The monkey gave him some fruit.
Monkey: Crocodile give these fruits to your wife. I plucked them especially for her.
Storyteller 1: The crocodile swam home and gave the fruit to his wife, She was very happy.
(Crocodile swims home and gives his wife the fruit.)
Crocodile’s wife: These fruits are delicious. I have never tasted such sweet fruit in all my life. Where did you get them from?
Crocodile: I got them from my friend the monkey. He lives in the fruit tree so he knows which ones are the sweetest.
Crocodile’s wife: Does the monkey eat fruit every day?
Crocodile: Yes, only the sweetest and juiciest ones. Why do you ask?
Crocodile’s wife: Because that means his heart must be so sweet. If I eat his heart I would remain young and beautiful forever. You must steal the monkey’s heart and give it to me.
Crocodile: But he is my good friend. He is my only friend. It would be unfair for me to steal his heart.
Crocodile’s wife: (gets angry) If you loved me you would do it.
Crocodile: Do not get anger my dear, I will do as you wish.
Storyteller 2: The next day the crocodile swam to the riverbank and reached the tree where the monkey lived.
Monkey: Crocodile, you are late today. I thought you weren’t coming.
Crocodile: My wife has made a meal for you. She has invited you to tea because she wants to thank you for giving her your beautiful sweet fruit.
Monkey: That’s very kind of her but I’m a land animal, I can’t swim.
Crocodile: We live on a sand bank just jump on my back and I’ll take you there.
Storyteller 3: The monkey hopped on the crocodile’s back and away they went.
Monkey: Slow down, Croc. You are going too fast.
Crocodile: I’m sorry Monkey but I have to go fast because my wife wants to eat your heart for her tea.
Monkey: Oh Croc, you should have told me this before we left. I always keep my heart in the hollow of the tree for safe keeping.
Crocodile: I’ll take you back to the tree and you can collect your heart.
Monkey: That would be great.
Storyteller 1: Crocodile turns and swims back to the tree where the monkey lives upon reaching the bank the monkey jumps off the crocodiles back and clambers up the tree. After a while the crocodile says…..
Crocodile: Monkey, you must have found your heart by now. My wife will get angry if we don’t arrive soon.
Monkey: You are so foolish crocodile. Don’t you know your heart is within yourself? It was a trick to save my life. Now leave my tree and never come back again.
Storyteller 2: The crocodile left empty handed.
(Crocodile’s wife looks very angry.)
Storytellers: The moral of the story is at times presence of mind pays well.

For more plays based on Animal Stories click on the link below.

Posted in Christmas drama games, Christmas plays, Drama, Drama Activities for children, Drama for children, drama for kids, Drama strategies, English as a second language, English teaching games, Fairy Tales, Hans Christian Andersen, Plays, Plays for Children, Role playing stories

Christmas Drama Games for Children

 

christmas tree

Game: What’s the time Santa Claus?
Age: 3 years +
Minimum number of participants: 4
Resources needed: Clear space.
Benefits: This activity is based on a popular traditional children’s game that can also be used very
effectively in a drama session as a warm-up game. This game also helps children with their listening
and co-ordination skills.
Instructions: One child is chosen or volunteers to be Santa Claus and stands at one side of the clear space. His/Her back is to the other children, who are standing at the opposite end of the
space. The rest of the children shout out: “What’s the time Santa Claus?” Santa Claus does not turn around. He/she replies: “four o’clock.” The children walk forward the number of steps that Santa Claus calls out (in this case, four). The children ask again: “What time is it Santa Claus?” Santa Claus replies: “five o’clock.” The children take five steps forward. The children continue to ask the question and to walk the appropriate number of steps forward. Eventually, when Santa Claus thinks that the children are near enough he/she will say: “Christmas time!” Then, Santa Claus turns around and chases the children. They must try to rush back to their starting place. If
Santa Claus catches one of them before they reach home, that child is Santa Clausin the next game.

 

Game: Elves and Reindeers
Age: 5 years+
Minimum number of participants: 2
Resources needed: Clear space.
Benefits: The children work as part of a pair but it helps them practise giving clear directions to
their partners.
Instructions: This is a fun game that children enjoy. Divide the group into pairs. Child A is the
Elf and child B is the reindeer. The elf must guide the reindeer around the clear space by giving
them very specific directions. The elf can say for example: “go ten steps forwards” or “put your
hands in the air and turn around five times”. The elf must make sure that their reindeers do not bump into other elves and reindeers in the group. They can switch roles after a few minutes.

 

Game: Mrs Claus’s Knickers
Age: 5 years +
Minimum number of participants: 3
Resources needed: Clear space.
Benefits: This helps to improve eye contact and children body language. It also stimulates the
imagination as the children must come up with unique questions.
Instructions: The children sit in a circle. One child sits in the middle of the circle and everyone
in the circle takes it in turns to ask him/her a question, for example: “What did you have for
breakfast?” The child in the middle is only allowed to answer “Mrs Claus’s Knickers’ and they must not laugh or smile. If they laugh or smile they must change places with the child who ask the question.

Posted in Drama Activities for children, Drama for children, Drama strategies, Elements of Drama, English as a second language, Esl Drama, Fairy Tales, Movement activities, Movement stories for children, Storytelling in the Early years, The Enormous Turnip

The Enormous Turnip – Drama workshop for children

 

Read the story of “The Enormous Turnip”

Warm up: Enormous, Enormous Turnip. All the children except the child who is It, sit in a circle. It walks around the circle, tapping each player on the head, saying “Enormous” each time until he decides to tap someone and say “Turnip” That child becomes the turnip and runs after It, trying to tag him before It can take his seat. If It successfully reaches the turnip’s seat without being tagged, the turnip is the new It. If the turnip tags It, then the turnip keeps his spot in the circle and It must either continue to be It for another turn or sit in the middle of the circle until another It is tagged.

Circle time: Ask the children to sit in the circle. Ask them if they can name the different characters in the story. Ask the following questions:
How would the different characters move? What would they sound like?
What do you think they were doing before they were called to help with the Turnip?
How do they feel about pulling the Turnip up and eating it?

Character exploration: Get the children find their own space in the room. When the teacher calls out a character the children have to become the character and move around the room.
Old Man: Hunches over and moves very slowly with a walking stick.
Wife: Busy doing housework and moves very busily and quickly.
Boy: Plays football, does headers, keepy ups and scores goals.
Girl: Skips along happily.
Dog: Moves like a dog and barks.
Cat: Moves like a cat and meows.
Mouse: Moves like a mouse and squeaks.

Movement story: https://dramastartbooks.com/2017/10/08/2712/ Get the children to participate in the above Enormous Turnip Movement Story.

Mime: All the children find a space and they curl up and imagine that they are a turnip seed. The seed are get bigger and bigger until eventually they grow into a large Turnip and are pulled from the earth.

Still image: They make a still image of the moment they find out that they are going to be turned into turninip soup.

Thought tracking: The teacher goes and taps each Turnip on the shoulder and they must say one word how they feel about being eaten for dinner.
Voice exploration: Each child says the following sentence
Please, please don’t eat me for your dinner.”
In a happy voice
Sad voice,
Surprised voice,
Shocked voice,
Tired voice,
Angry voice,
Scared voice,
Excited voice.

Group work: Divide the class in to groups of 3 or 4. The group have to use their bodies to make the one big, Enormous Turnip. They have to move as the turnip but stay connected.

Freeze Frame: Divide the class into groups of 8. Each group have to make six still images that tell the story. They can show it to the other groups.
Improvisation: For older children they can add dialogue to their freeze frames.

Closure: The children stand in a circle. Child A says “If I had a turnip, I would turn it in to an Apple.” Child B says “If I had a turnip, I would turn it in to an Apple and a banana.” Child C says “If I had a turnip, I would turn it in to an Apple, a banana and a cat” and so on until everyone gets a chance. If they make a mistake or stumble they are eliminated and sit down.. The last child standing at the end wins.

Play: https://dramastartbooks.com/2017/10/08/the-enormous-turnip-a-five-minute-playscript-for-children/

 

Posted in Drama, Drama Activities for children, Drama for children, drama for kids, Drama strategies, Goldilocks anD the three bears, Hans Christian Andersen, Role playing stories, Story sacks, Storytelling, Storytelling in the Early years, Storytelling techniques, Therapeutic Story

Storytelling in the Early Years

img_0152

Benefits of Storytelling in the Early Years:

 Promote a feeling of well-being and relaxation
Increase children’s willingness to communicate thoughts and feelings
Encourage active participation
Increase verbal proficiency
Encourage use of imagination and creativity
Encourage cooperation between students
Enhance listening skills

Identify the children’s interest
• Animals
• Superhero stories
• Stories about thing children like to do – getting dirt, playing with friends, first experiences.
Where do you find good stories?
• Made up stories
• Picture books
• Family stories.

Key elements of a successful story time
• Know and like your story
• Know and like your audience
• Make sure they match each other
• Be flexible.

The secret to making stories exciting and fun
• Vocal production
• Body Language.

Vocal Production
The following three core elements of vocal production need to be understood for anyone wishing to be an effective speaker:
• Volume – to be heard.
• Clarity – to be understood.
• Variety – to add interest.

Volume
This is not a question of treating the voice like the volume control on the TV remote. Some people have naturally soft voices and physically cannot bellow. Additionally, if the voice is raised too much, tonal quality is lost. Instead of raising the voice it should be ‘projected out’. Support the voice with lots of breath – the further you want to project the voice out, the more breath you need.
When talking to a group or meeting, it is important to never aim your talk to the front row or just to the people nearest you, but to consciously project what you have to say to those furthest away. By developing a strong voice, as opposed to a loud voice, you will be seen as someone positive.

Clarity
Some people tend to speak through clenched teeth and with little movement of their lips. It is this inability to open mouths and failure to make speech sounds with precision that is the root cause of inaudibility. The sound is locked into the mouth and not let out. To have good articulation it is important to unclench the jaw, open the mouth and give full benefit to each sound you make, paying particular attention to the ends of words. This will also help your audience as a certain amount of lip-reading will be possible.

Variety
To make speech effective and interesting, certain techniques can be applied. However, it is important not to sound false or as if you are giving a performance. Whilst words convey meaning, how they are said reflects feelings and emotions. Vocal variety can be achieved by variations in:
Pace: This is the speed at which you talk. If speech is too fast then the listeners will not have time to assimilate what is being said. Nevertheless, it is a good idea to vary the pace – quickening up at times and then slowing down – this will help to maintain interest.
Volume: By raising or lowering volume occasionally, you can create emphasis. If you drop your voice to almost a whisper (as long as it is projected) for a sentence or two, it will make your audience suddenly alert, be careful not to overuse this technique.
Pitch – Inflection – Emphasis: When speaking in public, try to convey the information with as much vocal energy and enthusiasm as possible. This does not mean your voice has to swoop and dive all over the place in an uncontrolled manner. Try to make the talk interesting and remember that when you are nervous or even excited, vocal chords tense and shorten causing the voice to get higher. Emphasise certain words and phrases within the talk to convey their importance and help to add variety.
Pause: Pauses are powerful. They can be used for effect to highlight the preceding statement or to gain attention before an important message. Pauses mean silence for a few seconds. Listeners interpret meaning during pauses so have the courage to stay silent for up to five seconds – dramatic pauses like this convey authority and confidence.

BodyLanguage
Remember that you can convey so many feelings, attitudes and actions with your body. Apart from expressing emotion, you can use your body to act out character’s descriptions or episodes within the story.Bring your whole body into the story and you are onto a winning storytelling technique.For example, how would you act out a cowboy galloping along on his horse? This would probably involve your legs, your arms and moving your whole body in imitation of the rider.Bring your pirate to life by closing one eye to illustrate his patched eye, clench your fist and stick out a hooked finger for his ‘hook’ hand, and limp along for his peg leg. How would you act out a Ninja? You might do karate chops and raise your leg into the air as well as jerky head movements.

Ways to practice your storytelling technique
Record on your phone
• A mirror will let you observe your face and body
• Going over it in your head while driving, walking or on a bus. This will bring out the imaginative sparks.
• Relax and taking it too seriously will lead to a lack of enthusiasm and fun.

Participation stories
Children love to move, to see things develop in front of them and they love to talk, laugh and make themselves part of the story.
• Refairns -Breathing – take a deep breath just before you want to join them. “And the the giant said …..”
• Hand gestures
• Conduct the children with a sweeping motion
• Children will begin repeating when repetition become obvious, if you let them know what you want.
Actions
How to make sure the children are focused during story time
Play a game of Magic Glue. Get everybody to stand up. Tell them to pick up their right leg with your hands. Now stick it to the floor with the magic glue. Push it down really hard in to the ground. Ask them “Is it stuck? Everybody stuck? Good, Now your left leg. Can you move your feet off the floor? You can show all sort of movements as you show them your feet is stuck to the floor. Have fun with it. Say things like “let’s run with our feet stuck to the floor, let jump with our feet stuck to floor, let’s skip with our feet stuck to the floor.
Sounds
• Insert sounds for words such as bell – ringing sound, giant – stomping sound.
Individual parts
If you are going to do this choose a very repetitive story such as Goldilocks and the three bears.

Game: Pop-up Story Book
Age: 3 years+
Minimum number of participants: 2
Resources needed: Clear space, a story book.
Other Benefits: This is an excellent listening game that can be played with any number of children. It helps them to engage in the storytelling process.
Instructions: The teacher chooses a story to read that the children are familiar with. Each child is given a word. For example if the teacher was reading ‘Goldilocks and the Three Bears’, child A is given the word Goldilocks, child B, baby, child C, porridge, child D, bed and so on. When each child has been given a word the game can begin. All the children lie on the floor. When the child hears his/her word s/he must jump up. If they miss their turn they are out and can’t pop-up anymore.

Movement Story

The-Hare-And-The-Tortoise-001

Read the following movement story to the children. When they hear any of words underlined they must do the corresponding action. The teacher should go through each action at the beginning.
Boast/boastful/boasting – stand up straight and puff out chest
Woods – children make themselves into trees.
Animals – each child choose a different animal found in the woods and move like that animal.
Hare – make bunny ears with your hands.
Fast – children move as fast as they can
Run/ran – run on the spot
Tortoise – children bend over as if they have something heavy on their back.
Slow/slowly – children move in slow motion around the room.
Once upon a time there was a very boastful hare who lived in a woods with lots of other animals. He was always boasting about how fast he could run. He boasted “I’m the fastest animal in the woods. No one can run as fast as me.” The other animals were tired of listening to him. One day the tortoise said to the hareHare, you are so boastful. I challenge you to race.” Hare laughed and said “Tortoise, you will never beat me. You are too slow and steady.” They decided whoever got to the other side of the woods the fastest was the winner. All the other animals in the woods came to watch the race. The hare ran as fast as he could through the woods. After a while he thought to himself “I’m so fast that slow tortoise will never beat me. I think I will take a quick nap.” Soon, he fell asleep. The tortoise walked slowly through the woods. He passed the sleeping hare. The animals watched the tortoise near the finishing line. The animals cheered loudly. The hare woke up and ran as fast as he could through the woods to the finishing line but it was too late. The slow tortoise had won the race. All the animals in the wood congratulated the tortoise. The hare had to remind himself that he shouldn’t boast about his fast pace because slow and steady won the race.

More Movement Stories and Activities can be found in Movememt Start. Click below.

Other Storytelling Techniques

IMG_0284Story Stones

This is an excellent storytelling technique. Collect stones and put little pictures on them. Each child chooses a stone and the group can make a collective story.

The pictures on the stones influence the direction of the story. Once the children get use to idea of telling stories, you can get them to share their own stories. The story stones can be used to explore tell individual stories.

 

Story Path

IMG_0285

This story telling technique is known as a story path. It is fun and inexpensive. The children take it in turns to travel along a path which is a long sheet of paper with a hand drawn path and various images in order to tell a story. The story can be focused or they can make up the story as they go, The children can help create the path. The teacher can discuss the important elements of the story and deciding on appropriate images or cues can be a group decision.

Storytelling Jar

IMG_0278
To keep storytelling fun and exciting you can use a storytelling Jar. Fill the jar with coloured notes and on each not put a word or a picture. Everyone selects a note and the story can be decisive from the note. This can be a collective story or children can individually tell a story.

Story Cubes

IMG_0287

Just like the story stones and storytelling prompts jar, the DIY stone cubes can be used to provide some inspiration on how to start your story. Follow the instructions over at the “grey luster girl” website to create your own story cubes. Once done, you can toss the cubes around and see what object they land on. Whatever you land on, that’s the object you can include in your storytelling! You can also use multiple story cubes to structure your story. For example your story cubes can be used decide on the hero in your story, the setting, the villain and any other extra props to include.
http://greylustergirl.com/diy-story-cubes-travel-game/
You can also buy story cubes at https://www.storycubes.com

Story Sacks

IMG_0288

What is a Story Sack?
A story sack is a teaching and learning resource. Typically it is a large cloth bag containing a favourite children’s books along with supporting materials to help make sharing the book more engaging and interesting.

Why make a Story Sack?
Story sacks are fun way for educators and children to share stories together, They were developed by Neil Griffiths as a popular, no threatening way to encourage educators and parents to start to share stories with children in a way that is positive, expressive, interactive and fun.

Who uses Story Sacks?
Originally, it was mainly schools and preschools that used story sacks however they are increasingly used by other groups such as childminders, libraries health visitors, speech therapists, play specialists, social workers, children’s hospitals, family centres and adult learned.

How do you make a Story Sack?
Start with a cloth bag or you can use a pillow case, a basket or a box, you just need something to contain your resources, Then you need to choose your story. You need to fill the sack with items. Here are some if things that are often included:
• Soft toys/ puppets of the main characters
• Costumes/props/scenery/photos to support the story
• An audio recording/video of the story
• A language based game
• A non related non fiction book
• Craft and activity ideas
Things to remember when choosing Story Sack items
Read and re-read your story. Ask yourself what are the main themes, who are the main characters, settings, colours, numbers, letters, sounds, communication/ listening skills. Can you incorporate first experience, new vocabulary and other topic based activities? What other activities can you link to the book that you have chosen.

Here are some ideas for story sacks based on famous stories
The hungry caterpillar by Eric Carle
• Soft toy caterpillar/butterfly
• Lifecycle of a butterfly
• Days of the weeks/number sequencing cards
• Play food props
• Non fiction books about butterflies/caterpillars
• Activity ideas – fruit printing, painting butterflies.

Little red riding hood
• A little red riding hood doll
• Puppets for wolf/grandma/woodcutter
• A basket full of flowers
• A red cloak
• Pictures of forest
• Non fiction book about the forest/wolves
• Activity ideas – recipe for making cakes for grandma.

Include some learning targets and a short guide of questions to ask/discussion points to consider and other ideas to extend the activity. Finally, it is worth laminating the activity idea cards to protect them and including a list of what is in the bag so nothing gets lost.
For more information and ideas on Story Sacks
http://www.literacytrust.org.uk/assets/0000/3210/Story_sack_guide.pdf
http://www.twinkl.co.uk/resources/story-sack-resource-pac