Posted in Buddhism stories, Drama, Drama Activities for children, Drama for children, drama for kids, English as a second language, English teaching games, Esl, Fairy Tales, Hans Christian Andersen, Plays, Plays for Children, Role playing stories, Storytelling, The money pig by Hans Christian Andersen, The money pig play, The money pig playscript

The Money Pig – A Play based on the story by Hans Christian Andersen

Characters: One storyteller, Doll, Teddy Bear, Train Set, Colouring Pencil, Toy Car, Money Pig, Aeroplane, Mother.

Storyteller: Once upon a time, there was a nursery that had lots of toys. There was a doll, teddy bear, a toy car, colouring pencil, aeroplane and even a train set.
Doll: Look, at how beautiful I am. (Admires herself in the mirror.)
Teddy Bear: (Sings the lyrics and does the actions.)
Teddy bear, teddy bear,
Turn around!
Teddy bear, teddy bear,
Touch the ground!
Teddy bear, teddy bear,
Jump up high!
Teddy bear, teddy bear,
Touch the sky!
Teddy bear, teddy bear,
Bend down low!
Teddy bear, teddy bear,
Touch your toes!
Teddy bear, teddy bear,
Turn out the light!
Teddy bear, teddy bear,
Say good night!
Colouring Pencil: I’m such a fabulous colour.
Train set: Choo, choo, all aboard. (He moves around the room and all the toys join him to make a train.)
Doll: What’s that up here? (Points to the top of the cupboard.)
Teddy Bear: Doll, that’s the money box in the shape of a pig.
Toy Car: He lives up there on top of the cupboard
Colouring Pencil: He doesn’t talk or play with any of the other toys in the nursery.
Train Set: He thinks he is way better than us.
Money Pig: I’m by far the best toy in the nursery. I’ve lots of money in my tummy. When I’m full, I can buy any toy in this nursery
Storyteller: One night while the family were sleeping, the doll said…
Doll: Let’s play house.
All toy: (Jump up and down.) Yes let’s.
Doll: What about the Money Pig. Let’s ask him to join us.
Teddy Bear: We will have to write him a letter because he is so high up.
Colouring Pencil: I’ll do it. (Reads out the letter as he writes it.)
Dear Money Pig,
Please join us.
We are playing house.
Lots of love,
From,
All the toys.
Aeroplane come here.
Aeroplane: Yes, colouring Pencil. What can I do for you?
Colouring Pencil: Please deliver this letter to the Money Pig.
Aeroplane: My pleasure.
(Aeroplane flies to the top of cupboard and delivers the letter.)
(Money Pig opens the letter.)
Money Pig: (Shouts down) I’ll join you but I won’t be climbing down to your level. I’m way too important for that.
Doll: We will bring the doll’s house in front of the cupboard
Storyteller 1: The toys took turns to act out different family stories.
(Toys improvise family scenarios.)
Money Pig: This is such a boring game. I’ll just sit here and think of all the money in my tummy.
Doll: Be careful, colouring pencil. You are going to crash into the cupboard.
Colouring Pencil: (Colouring pencil bashes into the cupboard.) Too late. I already have.
(Money pig begins to wobble.)
Money Pig: What’s happening. I’m losing my balance. I’m going to faaaallll.
(He crashes down on to the floor and the money spills everywhere.)
Doll: Oh dear, he is broken, but look at all the money.
Teddy Bear: Quick, someone is coming; back to our places. (All the toys run to their places and freeze.)
Mother: What’s all the noise about? Oh dear, what happened here? The Money Pig must have fallen off the cupboard. I better pick up all the money.
Storyteller: The next day mother came back to the playroom.
Mother: I used the money to buy a brand new Money Pig. (She places the new Money Pig on top of the cupboard.)
For more plays based on Hans Christian Andersen’s stories, click here.

 

The 🐸 Prince – A five minute Playscript for children.

The Little Mermaid – A Children’s Play.

Posted in Aesop's fabes, Animal Stories, Bear Hunt, Drama, Drama for children, drama for kids, Drama games for 3 year olds, Drama games for 4 year olds, English as a second language, English teaching games, Esl, Esl Drama, fables, Fairy Tales, Goldilocks anD the three bears, Hans Christian Andersen, Panchatantra plays, Plays, Plays for Children, Snow White, Storytelling, The Emperor's New Clothes, The Enormous Turnip, The Little Mermaid, The three billy goats gruff

Goldilocks and the Three Bears – A simple five minute play script for young children

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If you would like an audio book of more children’s plays based on fairytales go to Amazon.com or Amazon.co.uk

Goldilocks and the Three Bears – A simple five minute play script for young children

Characters: Three storytellers, Goldilocks, three bears, three bowls, three chairs, three beds.
Storyteller 1: Once upon a time, there were three bears who lived in a little house in the woods.
Storyteller 2: There was Daddy Bear, there was Mummy Bear and there was Baby Bear.
Storyteller 3: One fine day, they decided to go for a walk.
Daddy Bear: What a lovely sunny day it is today. Let’s all go to the woods.
Baby Bear: I’m hungry. I want to eat my porridge.
Mummy Bear: The porridge is still hot; it will be cool enough by the time we come back from our walk.
Storyteller 1: So, off they went on their walk.
Storyteller 2: Just then, a little girl called Goldilocks was walking in the woods.
Storyteller 3: She was picking flowers for her grandma.
Storyteller 1: She stopped suddenly and saw a pretty little house.
Goldilocks: Oh, what a pretty little house. I am feeling a little tired and hungry. I wonder if whoever lives here will let me rest for a few moments and give me something to eat (She knocks on the door.) There is no answer…. (She opens the door slowly and goes inside.)
Goldilocks: Oh look, three bowls of porridge.
Bowl 1: Eat me! I have lots of salt on me. (Goldilocks eats some but spits it out.)
Goldilocks: Yuck! You are too salty.
Bowl 2: I have lots of sugar on me. (Goldilocks eats some but spits it out.)
Goldilocks: Yuck! You are too sugary.
Bowl 3: Eat me! I’m just right. (Goldilocks eats some and likes it and continues eating it until all the porridge is gone.)
Goldilocks: Mmmmmm, that was just right. Oh look, three chairs. I think I’ll sit down for a moment.
Chair 1: Sit on me. I’m very hard. (Goldilocks goes to sit down and jumps up straight away.)
Goldilocks: This chair is too hard.
Chair 2: Sit on me. I’m very soft. (Goldilocks goes to sit down and jumps up straight away.)
Goldilocks: This chair is too soft.
Chair 3: Sit on me. I’m just right. (Goldilocks goes to sit down and makes herself comfortable.)
Goldilocks: This chair is just right. Oh dear, I’ve broken the chair.
Storyteller 2: Goldilocks decided to walk upstairs.
Storyteller 3: She saw three beds.
Bed 1: Lie on me. I’m very hard. (Goldilocks lies down on the bed and suddenly jumps up.)
Goldilocks: This bed is too hard.
Bed 2: Lie on me. I’m very soft. (Goldilocks lies down on the bed and suddenly jumps up.)
Goldilocks: This bed is too soft.
Bed 3: Lie on me. I’m just right. (Goldilocks lies down on the bed and stays there.)
Goldilocks: This bed is just right.
Storyteller 1: Goldilocks fell fast asleep.
Storyteller 2: After a while, the three bears came back from their walk.
Storyteller 3: They walked in to the house and Daddy Bear said…
Daddy Bear: Who has been eating my porridge?
Storyteller 1: Mummy Bear said…
Mummy Bear: Who has been eating my porridge?
Storyteller 2: Baby Bear said…
Baby Bear: Who has been eating my porridge? Look, it is all gone!
Storyteller 3: They saw the chairs and Daddy Bear said…
Daddy Bear: Who has been sitting on my chair?
Storyteller 2: Mummy Bear said…
Mummy Bear: Who has been sitting on my chair?
Storyteller 2: Baby Bear said…
Baby Bear: Who has been sitting on my chair? Look, it’s broken!
Storyteller 3: They walked upstairs and Daddy Bear said…
Daddy Bear: Who has been sleeping in my bed?
Storyteller 1: Mummy Bear said…
Mummy Bear: Who has been sleeping in my bed?
Storyteller 2: Baby Bear said…
Baby Bear: Who has been sleeping in my bed? And look, she is still there!
Storyteller 3: Goldilocks woke and screamed.
Storyteller 1: She jumped out of bed and ran down the stairs and out of the house.
Storyteller 2: The three bears never saw her again
Storytellers: The end.

For more play scripts based on Fairytales, click here.

Goldilocks and the Three Bears Workshop for children.

 

Goldilocks and the Three Bears – A simple five minute play script for young children

Posted in Christmas drama games, Christmas plays, Drama, Drama Activities for children, Drama for children, drama for kids, Drama strategies, English as a second language, English teaching games, Fairy Tales, Hans Christian Andersen, Plays, Plays for Children, Role playing stories

Christmas Drama Games for Children

 

christmas tree

 

Christmas Drama Games for Children

Game: What’s the time Santa Claus?
Age: 3 years +
Minimum number of participants: 4
Resources needed: Clear space.
Benefits: This activity is based on a popular traditional children’s game that can also be used very
effectively in a drama session as a warm-up game. This game also helps children with their listening
and co-ordination skills.
Instructions: One child is chosen or volunteers to be Santa Claus and stands at one side of the clear space. His/Her back is to the other children, who are standing at the opposite end of the
space. The rest of the children shout out: “What’s the time Santa Claus?” Santa Claus does not turn around. He/she replies: “four o’clock.” The children walk forward the number of steps that Santa Claus calls out (in this case, four). The children ask again: “What time is it Santa Claus?” Santa Claus replies: “five o’clock.” The children take five steps forward. The children continue to ask the question and to walk the appropriate number of steps forward. Eventually, when Santa Claus thinks that the children are near enough he/she will say: “Christmas time!” Then, Santa Claus turns around and chases the children. They must try to rush back to their starting place. If
Santa Claus catches one of them before they reach home, that child is Santa Claus in the next game.

Christmas Drama Games for Children

Game: Elves and Reindeers
Age: 5 years+
Minimum number of participants: 2
Resources needed: Clear space.
Benefits: The children work as part of a pair but it helps them practise giving clear directions to
their partners.
Instructions: This is a fun game that children enjoy. Divide the group into pairs. Child A is the Elf and child B is the reindeer. The elf must guide the reindeer around the clear space by giving them very specific directions. The elf can say for example: “go ten steps forwards” or “put your hands in the air and turn around five times”. The elf must make sure that their reindeers do not bump into other elves and reindeers in the group. They can switch roles after a few minutes.

Christmas Drama Games for Children

Game: Mrs Claus’s Knickers
Age: 5 years +
Minimum number of participants: 3
Resources needed: Clear space.
Benefits: This helps to improve eye contact and children body language. It also stimulates the
imagination as the children must come up with unique questions.
Instructions: The children sit in a circle. One child sits in the middle of the circle and everyone
in the circle takes it in turns to ask him/her a question, for example: “What did you have for
breakfast?” The child in the middle is only allowed to answer “Mrs Claus’s Knickers’ and they must not laugh or smile. If they laugh or smile they must change places with the child who asked the question.

More Christmas Drama Games for Children.

 


Posted in Drama, Drama Activities for children, Drama for children, drama for kids, Drama strategies, Goldilocks anD the three bears, Hans Christian Andersen, Role playing stories, Story sacks, Storytelling, Storytelling in the Early years, Storytelling techniques, Therapeutic Story

Storytelling in the Early Years

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Benefits of Storytelling in the Early Years:

 Promote a feeling of well-being and relaxation
Increase children’s willingness to communicate thoughts and feelings
Encourage active participation
Increase verbal proficiency
Encourage use of imagination and creativity
Encourage cooperation between students
Enhance listening skills

Identify the children’s interest
• Animals
• Superhero stories
• Stories about thing children like to do – getting dirt, playing with friends, first experiences.
Where do you find good stories?
• Made up stories
• Picture books
• Family stories.

Key elements of a successful story time
• Know and like your story
• Know and like your audience
• Make sure they match each other
• Be flexible.

The secret to making stories exciting and fun
• Vocal production
• Body Language.

Vocal Production
The following three core elements of vocal production need to be understood for anyone wishing to be an effective speaker:
• Volume – to be heard.
• Clarity – to be understood.
• Variety – to add interest.

Volume
This is not a question of treating the voice like the volume control on the TV remote. Some people have naturally soft voices and physically cannot bellow. Additionally, if the voice is raised too much, tonal quality is lost. Instead of raising the voice it should be ‘projected out’. Support the voice with lots of breath – the further you want to project the voice out, the more breath you need.
When talking to a group or meeting, it is important to never aim your talk to the front row or just to the people nearest you, but to consciously project what you have to say to those furthest away. By developing a strong voice, as opposed to a loud voice, you will be seen as someone positive.

Clarity
Some people tend to speak through clenched teeth and with little movement of their lips. It is this inability to open mouths and failure to make speech sounds with precision that is the root cause of inaudibility. The sound is locked into the mouth and not let out. To have good articulation it is important to unclench the jaw, open the mouth and give full benefit to each sound you make, paying particular attention to the ends of words. This will also help your audience as a certain amount of lip-reading will be possible.

Variety
To make speech effective and interesting, certain techniques can be applied. However, it is important not to sound false or as if you are giving a performance. Whilst words convey meaning, how they are said reflects feelings and emotions. Vocal variety can be achieved by variations in:
Pace: This is the speed at which you talk. If speech is too fast then the listeners will not have time to assimilate what is being said. Nevertheless, it is a good idea to vary the pace – quickening up at times and then slowing down – this will help to maintain interest.
Volume: By raising or lowering volume occasionally, you can create emphasis. If you drop your voice to almost a whisper (as long as it is projected) for a sentence or two, it will make your audience suddenly alert, be careful not to overuse this technique.
Pitch – Inflection – Emphasis: When speaking in public, try to convey the information with as much vocal energy and enthusiasm as possible. This does not mean your voice has to swoop and dive all over the place in an uncontrolled manner. Try to make the talk interesting and remember that when you are nervous or even excited, vocal chords tense and shorten causing the voice to get higher. Emphasise certain words and phrases within the talk to convey their importance and help to add variety.
Pause: Pauses are powerful. They can be used for effect to highlight the preceding statement or to gain attention before an important message. Pauses mean silence for a few seconds. Listeners interpret meaning during pauses so have the courage to stay silent for up to five seconds – dramatic pauses like this convey authority and confidence.

BodyLanguage
Remember that you can convey so many feelings, attitudes and actions with your body. Apart from expressing emotion, you can use your body to act out character’s descriptions or episodes within the story.Bring your whole body into the story and you are onto a winning storytelling technique.For example, how would you act out a cowboy galloping along on his horse? This would probably involve your legs, your arms and moving your whole body in imitation of the rider.Bring your pirate to life by closing one eye to illustrate his patched eye, clench your fist and stick out a hooked finger for his ‘hook’ hand, and limp along for his peg leg. How would you act out a Ninja? You might do karate chops and raise your leg into the air as well as jerky head movements.

Ways to practice your storytelling technique
Record on your phone
• A mirror will let you observe your face and body
• Going over it in your head while driving, walking or on a bus. This will bring out the imaginative sparks.
• Relax and taking it too seriously will lead to a lack of enthusiasm and fun.

Participation stories
Children love to move, to see things develop in front of them and they love to talk, laugh and make themselves part of the story.
• Refairns -Breathing – take a deep breath just before you want to join them. “And the the giant said …..”
• Hand gestures
• Conduct the children with a sweeping motion
• Children will begin repeating when repetition become obvious, if you let them know what you want.
Actions
How to make sure the children are focused during story time
Play a game of Magic Glue. Get everybody to stand up. Tell them to pick up their right leg with your hands. Now stick it to the floor with the magic glue. Push it down really hard in to the ground. Ask them “Is it stuck? Everybody stuck? Good, Now your left leg. Can you move your feet off the floor? You can show all sort of movements as you show them your feet is stuck to the floor. Have fun with it. Say things like “let’s run with our feet stuck to the floor, let jump with our feet stuck to floor, let’s skip with our feet stuck to the floor.
Sounds
• Insert sounds for words such as bell – ringing sound, giant – stomping sound.
Individual parts
If you are going to do this choose a very repetitive story such as Goldilocks and the three bears.

Game: Pop-up Story Book
Age: 3 years+
Minimum number of participants: 2
Resources needed: Clear space, a story book.
Other Benefits: This is an excellent listening game that can be played with any number of children. It helps them to engage in the storytelling process.
Instructions: The teacher chooses a story to read that the children are familiar with. Each child is given a word. For example if the teacher was reading ‘Goldilocks and the Three Bears’, child A is given the word Goldilocks, child B, baby, child C, porridge, child D, bed and so on. When each child has been given a word the game can begin. All the children lie on the floor. When the child hears his/her word s/he must jump up. If they miss their turn they are out and can’t pop-up anymore.

Movement Story

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Read the following movement story to the children. When they hear any of words underlined they must do the corresponding action. The teacher should go through each action at the beginning.
Boast/boastful/boasting – stand up straight and puff out chest
Woods – children make themselves into trees.
Animals – each child choose a different animal found in the woods and move like that animal.
Hare – make bunny ears with your hands.
Fast – children move as fast as they can
Run/ran – run on the spot
Tortoise – children bend over as if they have something heavy on their back.
Slow/slowly – children move in slow motion around the room.
Once upon a time there was a very boastful hare who lived in a woods with lots of other animals. He was always boasting about how fast he could run. He boasted “I’m the fastest animal in the woods. No one can run as fast as me.” The other animals were tired of listening to him. One day the tortoise said to the hareHare, you are so boastful. I challenge you to race.” Hare laughed and said “Tortoise, you will never beat me. You are too slow and steady.” They decided whoever got to the other side of the woods the fastest was the winner. All the other animals in the woods came to watch the race. The hare ran as fast as he could through the woods. After a while he thought to himself “I’m so fast that slow tortoise will never beat me. I think I will take a quick nap.” Soon, he fell asleep. The tortoise walked slowly through the woods. He passed the sleeping hare. The animals watched the tortoise near the finishing line. The animals cheered loudly. The hare woke up and ran as fast as he could through the woods to the finishing line but it was too late. The slow tortoise had won the race. All the animals in the wood congratulated the tortoise. The hare had to remind himself that he shouldn’t boast about his fast pace because slow and steady won the race.

More Movement Stories and Activities can be found in Movememt Start. Click below.

Other Storytelling Techniques

IMG_0284Story Stones

This is an excellent storytelling technique. Collect stones and put little pictures on them. Each child chooses a stone and the group can make a collective story.

The pictures on the stones influence the direction of the story. Once the children get use to idea of telling stories, you can get them to share their own stories. The story stones can be used to explore tell individual stories.

 

Story Path

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This story telling technique is known as a story path. It is fun and inexpensive. The children take it in turns to travel along a path which is a long sheet of paper with a hand drawn path and various images in order to tell a story. The story can be focused or they can make up the story as they go, The children can help create the path. The teacher can discuss the important elements of the story and deciding on appropriate images or cues can be a group decision.

Storytelling Jar

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To keep storytelling fun and exciting you can use a storytelling Jar. Fill the jar with coloured notes and on each not put a word or a picture. Everyone selects a note and the story can be decisive from the note. This can be a collective story or children can individually tell a story.

Story Cubes

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Just like the story stones and storytelling prompts jar, the DIY stone cubes can be used to provide some inspiration on how to start your story. Follow the instructions over at the “grey luster girl” website to create your own story cubes. Once done, you can toss the cubes around and see what object they land on. Whatever you land on, that’s the object you can include in your storytelling! You can also use multiple story cubes to structure your story. For example your story cubes can be used decide on the hero in your story, the setting, the villain and any other extra props to include.
http://greylustergirl.com/diy-story-cubes-travel-game/
You can also buy story cubes at https://www.storycubes.com

Story Sacks

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What is a Story Sack?
A story sack is a teaching and learning resource. Typically it is a large cloth bag containing a favourite children’s books along with supporting materials to help make sharing the book more engaging and interesting.

Why make a Story Sack?
Story sacks are fun way for educators and children to share stories together, They were developed by Neil Griffiths as a popular, no threatening way to encourage educators and parents to start to share stories with children in a way that is positive, expressive, interactive and fun.

Who uses Story Sacks?
Originally, it was mainly schools and preschools that used story sacks however they are increasingly used by other groups such as childminders, libraries health visitors, speech therapists, play specialists, social workers, children’s hospitals, family centres and adult learned.

How do you make a Story Sack?
Start with a cloth bag or you can use a pillow case, a basket or a box, you just need something to contain your resources, Then you need to choose your story. You need to fill the sack with items. Here are some if things that are often included:
• Soft toys/ puppets of the main characters
• Costumes/props/scenery/photos to support the story
• An audio recording/video of the story
• A language based game
• A non related non fiction book
• Craft and activity ideas
Things to remember when choosing Story Sack items
Read and re-read your story. Ask yourself what are the main themes, who are the main characters, settings, colours, numbers, letters, sounds, communication/ listening skills. Can you incorporate first experience, new vocabulary and other topic based activities? What other activities can you link to the book that you have chosen.

Here are some ideas for story sacks based on famous stories
The hungry caterpillar by Eric Carle
• Soft toy caterpillar/butterfly
• Lifecycle of a butterfly
• Days of the weeks/number sequencing cards
• Play food props
• Non fiction books about butterflies/caterpillars
• Activity ideas – fruit printing, painting butterflies.

Little red riding hood
• A little red riding hood doll
• Puppets for wolf/grandma/woodcutter
• A basket full of flowers
• A red cloak
• Pictures of forest
• Non fiction book about the forest/wolves
• Activity ideas – recipe for making cakes for grandma.

Include some learning targets and a short guide of questions to ask/discussion points to consider and other ideas to extend the activity. Finally, it is worth laminating the activity idea cards to protect them and including a list of what is in the bag so nothing gets lost.
For more information and ideas on Story Sacks
http://www.literacytrust.org.uk/assets/0000/3210/Story_sack_guide.pdf
http://www.twinkl.co.uk/resources/story-sack-resource-pac

Posted in Drama for children, English as a second language, English teaching games, Esl, Esl Drama, Fairy Tales, Hans Christian Andersen, Storytelling, The Emperor's New Clothes

The Emperor’s New Clothes – A Playscript for Children

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Characters: Three storytellers, Dresser, Emperor, Two soldiers, Royal Advisor, Slick, Slicker, four subjects, father, small child.

Storyteller 1: Once upon a time, there was an emperor.
Storyteller 2: He didn’t spend much time ruling his empire
Storyteller 3: Because he was too interested in how he looked and what clothes he wore.
Emperor: (looking in the mirror) I wonder what clothes I’ll wear today. Dresser come here at once.
(Dresser comes rushing holding up two outfits, the emperor grabs one.)
Dresser: That is the tenth outfit you have tried on today, Your Excellence.
Emperor: It is important to look good when you are the emperor of all that you can see and beyond.
(Enter two soldiers.)
Soldier 1: (bows) Your Excellence, the enemy is attacking us.
Soldier 2: (bows) By land, air and sea. What shall we do?
Emperor: How dare you interrupt me with these trivial matters. I’ve way more important things to worry about, like what outfit I’m going to wear today. Please leave at once.
Storyteller 1: When the royal advisor came to advise, he dismissed him.
Royal Advisor: We must talk about how to run the empire.
Emperor: Go away, can’t you see I’m busy admiring myself and my beautiful clothes. Dresser, let’s go outside so all my subjects can admire my clothes.
(Walks up and down like he is on a catwalk. He turns and twirls so all his subjects can see and admire him.)
Subjects: (bows) You look amazing, Your Excellence.
Emperor: Dresser, next week is the annual royal parade. What shall I wear?
Dresser: You have 10,438 outfits to choose from.
Emperor: I need something new and different. I want to look fabulous. I want the whole empire to talk about me and my beautiful clothes. Find me the finest tailors in the land at once.
Dresser: (Comes on stage ringing a bell.) Hear ye, hear ye, the emperor needs a magnificent outfit for the royal parade. Can anyone help? Hear ye, hear ye.
(Enter Slick and Slicker.)
Slick: Do you hear that? We could make lots of money.
Slicker: But we aren’t tailors.
Slick: I know, but I’ve got a plan.
(They huddle together and whisper.)
(Dresser enters the palace with Slick and Slicker. The emperor is sitting on his throne.)
Dresser: I found them, Your Excellence.
Slick: I’m Slick.
Slicker: I’m Slicker. At your service. (Both bow before the emperor.)
Slick and Slicker: We are the finest tailors in the land.
Slick: I’m sure you MUST have heard of us.
Storyteller 2: The emperor liked to pretend he knew everything, so he said…
Emperor: Of course, I’ve heard of you.
Slick: Well then, you must know our clothes are very special.
Emperor: Special?
Slicker: Oh yes, they are magic clothes.
Emperor: Magic?
Slicker: Why, have you not heard? only very clever people can see our clothes.
Slick: Our clothes are invisible to stupid people.
Emperor: Make me a magic outfit at once.
Slicker: Well, it is very expensive.
Emperor: Money is no object. Here take this. (He throws a bag of money at them.) Now get to work at once. You have only a week left to make me the most spectacular outfit for the royal parade.
(Emperor and Dresser exit.)
Storyteller 2: After a few days, the emperor was excited to see his new outfit. He knocked on the door.
Emperor: Knock, knock, may I come in?
Slick and slicker: Oh no, you can’t come in. We want the outfit to be a surprise.
Emperor: Dresser, go inside and look at the outfit and tell me how fabulous it is.
(Enter Dresser. Slick holds up an imaginary outfit.)
Slick: So, what do you think?
Dresser: (Speaks to the audience.) I can’t see anything, but if I say so, everyone will think I’m stupid.
Dresser: It is wonderful, the emperor will be so happy.
Storyteller 3: He scuttled off to tell the emperor that his outfit was amazing.
Storyteller 1: News quickly spread across the empire about the magic outfit. Everyone came the day of the parade to see this fantastic suit.
Storyteller 2: On the day of the parade, the emperor entered the room for the first time.
Slick: (Holds up the outfit.) Well, what do you think?
Emperor: (Speaks to the audience.) I can’t see anything. I must be stupid, but I can’t let them now. I’ll pretend I can see it. (Turns to Slick and Slicker.) It is amazing, magnificent, fabulous.
Slicker: Well, put it on then.
Dresser: I will help you. You look fantastic.
Emperor: It is a perfect fit. Dresser, carry my train.
Storyteller 3: He admired himself one last time. The soldiers opened the palace doors.
Emperor: Let the parade commence.
Storyteller 1: The crowd gasped with excitement. They knew only clever people could see the clothes.
Subject 1: You look so handsome.
Subject 2: Such an amazing outfit.
Subject 3: What magnificent tailoring.
Emperor: The clothes I’m wearing must be beautiful.
Small child: I can’t see. I want to see the emperor’s new clothes.
Father: Come here, I’ll show you. (Father picks up the small child.)
Small child: But the emperor has no clothes on.
Subject 4: What did he say?
Subject 1: He said the emperor has no clothes on.
Subject 3: He is right, the emperor is naked.
Subject 4: The emperor has no clothes on.
Storyteller 2: Everyone started to whisper and the whispering turned into shouting.
Everyone: The emperor has no clothes on.
Emperor: (Looks down.) They are right. I’ve got no clothes on. (He tries to cover himself up.)
Slick and Slicker: Time to go with our bags full of money. (They tip toe off the stage quickly without anyone seeing them.)
Emperor: Cover me up at once. (Dresser comes running in with a blanket.)
Storyteller 3: The emperor got what he wished for. People talked about the emperor with no clothes for years to come.

For more plays based on Hans Christian Andersen’s stories, click here.

Posted in Drama for children, drama for kids, English teaching games, Esl, fables, Fairy Tales, Hans Christian Andersen, King Midas, King Midas playscript, Legends

King Midas – A Play for Children.

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Characters: Three Narrators, King Midas, Dionysus, servant, Princess and Rover the dog

Narrator 1: In ancient Greece, there lived a King called Midas.

King Midas loved money more than anything else in the world.

Narrator 2: He loved to count his gold every day. (The king is sitting on the centre stage counting his bars of gold.)

King Midas: 4,936, 4937, 4938, I love gold more than anything. It makes me so happy.
(Enter Dionysus.)

Dionysus: I want to thank you Midas for letting me stay with you. You have been very kind.

King Midas: I’m glad you enjoyed your stay, Dionysus. You know you are always welcome here.

Dionysus: Midas: I wish to show you my appreciation by granting you a wish.

Narrator 3: The king was delighted and he thought carefully what he could wish for.

King Midas: I wonder what I could possibly wish for? (He thinks carefully for a while.) I know. Dionysus, Dionysus! I know what I want. I want everything that I touch to turn to gold.

Dionysus: (bows) Your wish is my command, Your Majesty. From now on everything you touch will turn to gold. Goodbye. (King Midas goes to shake his hand but Dionysus avoids him and runs off.)

King Midas: (waves) Goodbye Dionysus. Could it be true that everything I touch will turn to gold?
(He moves around the room and touches the chair, the chair which turns to gold and becomes heavy and he struggles to carry it. He rubs his hands with glee and then touches a book and then the table and everything turns to gold.)

King Midas: (does a little dance) I’m going to be even richer than I was before. All this work is making me hungry. (He tries to ring the bell for tea but that turns to gold and doesn’t ring.)

King Midas:
Never mind; Servant! Servant!
(Servant enters.)

Servant: (bows) You called, Your Majesty.

King Midas: I’m hungry, bring me my tea.

Servant: Yes, Your Majesty. (He walks backwards while bowing.)

Narrator 1: The servant brought King Midas his tea.
(Enter servant with the food but everything turns to gold when the king touches it. He tries eating it with just his mouth but that doesn’t work and his mouth hurts trying to eat the food.)

King Midas: Oh, dear, I’m so hungry. Servant, bring me my tennis racket and ball. (Servant brings him the tennis racket and ball and everything turns to gold. Rover the dog comes in and tries to get the ball and give it to the king but it is too heavy.)

Rover: Woof! Woof!

King Midas: Good boy, Rover. (He pats him and he turns to gold.)

King Midas: Poor Rover, but you will look good as a statue in the hall.
(Princess enters.)

Princess: (calling for Rover) Rover? Rover? Daddy, have you seen Rover. Oh, my, what a beautiful statue of Rover.

King Midas: You can have it if you like.

Princess: Oh, thank you, Daddy. (She goes to hug him.)

King Midas: Please don’t touch……. (King Midas tries to avoid her but it is too late and she turns to gold.)

King Midas: Me!?? Oh, no! what have I done? I have turned my only daughter into gold. (He starts to cry.) Dionysus, Dionysus, please come back. I have been so selfish. I’m so sorry.
(Dionysus appears.)

Dionysus: I think you have learned your lesson. I will take away your magic wish only if you promise not to love money so much.
(The princess and the dog start to move and they hug King Midas.)

Narrator 3: From that day on Midas was never selfish or greedy again.

Click here for more children’s plays.
For more free plays see below.

The Lion and the Mouse – five minute play

The Town Mouse and the Country Mouse – A Ten Minute Play


Posted in creative arts, Drama, Drama Activities for children, Drama for children, drama for kids, Esl, Esl Drama, fables, Fairy Tales, Hans Christian Andersen, Plays, Plays for Children, Storytelling in the Early years, The Magic Porridge Pot

The Magic Porridge Pot – 10 Minute Play for Children

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The Magic Porridge Pot

Characters: Two storytellers, Daisy, Maisy, Mother, four villagers, old woman and the porridge pot.
Storyteller 1: Once upon a time, there was a little girl called Daisy who lived with her mother in a very small house.
Storyteller 2: They were very poor and they didn’t have much to eat. One day, they were really, really, really hungry.
Mother: I am very hungry. (She rubs her tummy.)
Daisy: I know, I will go into the forest and collect some mushrooms.
(She walks into the forest by herself and starts collecting mushrooms. Suddenly, an old woman creeps up behind her.)
Old Woman: What are you doing, little girl?
Daisy: My mother and I are very hungry. I am looking for some mushrooms for us to eat for our tea.
Old Woman: (She hands the little girl a porridge pot.) Here, take this.
Porridge Pot: Oh, dear, what is to become of me? (Starts crying.)
Old Woman: I am travelling far away and I can’t take this porridge pot with me. (Woman walks off.)
Daisy: (Looks at the crying porridge pot and shakes her head.) What am I suppose to do with you?
Porridge Pot: Well, if you are hungry just say, ‘Boil, pot, boil, pot.’
(Porridge comes out and spreads all over. This can be mimed.)
Daisy: How wonderful, but how do I stop the porridge flowing?
Porridge Pot: Just say, ‘Stop, pot! Stop, pot!’
Daisy: Stop, pot! Stop, pot! (Daisy brings the pot home and shows her mother and they both eat until they are full.)
Mother: This is wonderful. We should make some for the neighbours.
Daisy: Oh no, we should keep this as our own secret.
Storyteller 1: One day, the little girl went out playing with her friend Maisy.
Maisy: Let’s go into the forest and play hide-and-seek. (Maisy and Daisy skip off stage.)
Storyteller 2: Her mother was feeling hungry and she got the porridge pot to boil.
Mother: Boil, pot! Boil, pot! (Mother eats her porridge but she wants it to stop.)
Mother: I am full now so halt, pot! Halt, pot!
Storyteller 1: The porridge pot kept boiling.
Storyteller 2: There was porridge all over the place. (Mother jumps up on a chair.)
Mother: Don’t, pot! Don’t, pot!
Storyteller 1: The porridge spread everywhere.
Mother: Please, pot! Please, pot!
Villager 1: What is going on here?
Villager 2: The streets are paved with porridge.
Villager 3: Come, everyone, let’s fill ourselves up with porridge.
Villager 4: This is delicious. Yummy! (The villagers start swimming through the porridge.)
Villager 1: There is a porridge flood!
Villager 2: Help us!
Villager 3: We are drowning!
Villager 4: In porridge!
Mother: Oh dear, no, pot! No, pot! (Daisy returns with Maisy. She looks confused and shocked.)
Daisy: (Shouts) Stop, pot! Stop, pot!
(Porridge pot stops boiling porridge.)

Storyteller 1: The villagers had porridge for the rest of the winter.
Storyteller 2: They weren’t hungry. (Everybody is eating porridge and the porridge pot looks happy.)
Storyteller 1: In the spring, the old woman came back from her travels.
Storyteller 2: She asked for her pot back.
Old Woman: Thanks for taking care of my magic porridge pot.
Daisy: I didn’t take care of it. It took care of us.

If you want to read more Fairy Tales on Stage please click below.