Posted in Action Poems, Animal Stories, Drama techniques, Drama workshops for children, Fairy Tales, Goldilocks anD the three bears

A drama workshop for young children – Goldilocks and the Three Bears

This Goldilocks and the Three Bears workshop is from “Drama Workshops for Young Children” by Julie Meighan. This book contains 10 drama workshops for young children. These fun-to-use and easy-to-follow workshops are designed for children between the ages of 3 and 7. The workshops are based on children’s stories. Each story is introduced at the beginning of each workshop through a movement story or a play. The definition and aim of each drama strategy used are outlined in the drama strategy glossary at the beginning of the book. The aims of these drama workshops are to

Promote children’s self-regulation

Develop children’s language and communication skills

Teach children conflict resolution

Relieve children’s emotional tension

Allow children to develop a sense of ownership.

Promote children’s social interaction skills

Empower children

 Goldilocks and the Three Bears

Each child finds a space and sits down. Each child or a group of children are assigned a specific word and a corresponding action. The narrator/teacher reads the story aloud, and when the children hear their word, they must jump up and do their actions. The words are in bold to assist the teacher/narrator.

Movement: Action/sound.

Goldilocks: Skip around the space.

Bear/Bears: Walk slowly and growl.

Bowl/Bowls: Clasp fingers together and stick out arms to make a round shape.

Porridge: Wiggle body up and down.

Chair/s: Squat down and stick out arms.

Bed/s: Lie straight on the floor.

First: Hold up one finger.

Second: Hold up two fingers.

Third: Hold up three fingers.

Narrator: Once upon a time, there was a girl called Goldilocks. One day, she decided to go for a walk in the woods. Soon, she became tired. She saw a little cottage in the woods. She knocked, but there was no answer, so she decided to go inside and rest.

At the table in the kitchen, there were three bowls of porridge. Goldilocks was hungry. She tasted the porridge from the first bowl.

“This porridge is too hot!” she exclaimed.

So, she tasted the porridge from the second bowl.

“This porridge is too cold,” she said.

So, she tasted the third bowl of porridge.

“Ahhh, this porridge is just right,” she said happily, and she ate it all up.

After she’d eaten the three bears’ breakfasts, she decided she was feeling a little tired. So, she walked into the living room, where she saw three chairs. Goldilocks sat in the first chair to rest her feet.

“This chair is too big!” she exclaimed.

So, she sat in the second chair.

“This chair is too big, too!” she whined.

So, she tried the third and smallest chair.

“Ahhh, this chair is just right,” she sighed. But just as she settled down into the chair to rest, it broke into pieces!

Goldilocks was very tired by this time, so she went upstairs to the bedroom. She lay down in the first bed, but it was too hard. Then she lay in the second bed, but it was too soft. Then she lay down in the third bed, and it was just right. Goldilocks fell asleep.

As she was sleeping, the three bears came home.

“Someone’s been eating my porridge,” growled Papa bear.

“Someone’s been eating my porridge,” said Mama bear.

“Someone’s been eating my porridge, and they ate it all up!” cried Baby bear.

“Someone’s been sitting in my chair,” growled Papa bear.

“Someone’s been sitting in my chair,” said Mama bear.

“Someone’s been sitting in my chair, and they’ve broken it all to pieces,” cried Baby bear.

They decided to look around some more, and when they got upstairs to the bedroom, Papa bear growled, “Someone’s been sleeping in my bed,”

“Someone’s been sleeping in my bed, too,” said Mama bear

“Someone’s been sleeping in my bed, and she’s still there!” exclaimed Baby bear.

Just then, Goldilocks woke up and saw the three bears. She screamed, “Help!” And she jumped up and ran out of the room. Goldilocks ran down the stairs, opened the door, and ran away into the woods. And Goldilocks never returned to the home of the three bears.

More movement stories can be found here and here.

Introduction: Show the children pictures. Tell them there are 8 different types of bears. There are eight species in the bear family: Asiatic Black Bear, Brown Bear, North American Black Bear, Panda Bear, Polar Bear, Sloth Bear, Spectacled Bear, and the Sun Bear.

Warm-up: The warm-up is a movement activity called “Does a Bear Live in the Woods?”

A clear space is needed. The teacher explains to the class that they must lie down on the ground when they come across a bear in the woods and keep very still. One child volunteers to be the bear. The bear goes to one end of the clear space and turns his/her back on the rest of the class. All the other children try to sneak up behind the bear. When the bear turns around, all the children must lie very still on the ground. If the bear sees you moving, s/he pulls you away to join him/her. Then there are two bears. Eventually, all the children are caught moving and become bears.

Voice production: Tell the children that they are going to explore different voices. We need to change our voices to show different emotions or to become different characters.

Get the group to repeat the following lines together in their normal voices:

Who has been sitting in my chair?

Who has eating my porridge?

Who has been sleeping in my bed?

Now, get the children to say the lines in the following ways:

Loud

Quiet

Fast

Slow

Sad

Happy

Angry

Excited

Surprised

Frightened

Annoyed

Role-play: “Now we are going to warm up our bodies. Everyone find a space and walk around the room as yourself. When I say freeze, I will call out different ways of walking….

Walk as

Papa bear

Mama bear

Baby bear

Goldilocks

Grumpy Papa bear

Kind Mama bear

Happy Baby bear

Surprised Goldilocks

Sculpting: Divide the class into pairs: one person is the sculptor the other is the clay. Get the sculptor to mould the clay into…

How did Goldilocks feel when the bears found her?

How did Baby bear feel when he saw that his porridge had been eaten?

How did Mama bear feel when she saw that someone had been sleeping in her bed?

How did Papa bear feel when he saw Goldilocks sleeping in the bed?

It can be abstract. The teacher/children look at each sculpture and guess how the characters are feeling.

Movement poem: Teach the children the following poem and actions.

When Goldilocks Went to the House of the Bears

When Goldilocks went to the house of the bears (the children walk on the spot), oh, what did her blue eyes see? (The children point to their eyes.)

A bowl that was huge and a bowl that was small and a bowl that was tiny and that was all. (Children make increasingly smaller shapes with their arms to represent each bowl.) And she counted them – one, two, three! (They use one finger to point as if counting each bowl.)

When Goldilocks went to the house of the bears (walk on the spot), oh, what did her blue eyes see? (Point to their eyes.)

A chair that was huge and a chair that was small, and a chair that was tiny and that was all. (Use hands to show the different heights and the size of each chair, getting smaller all the time.) And she counted them – one, two, three! (Use their fingers to point, as if counting each chair.)

When Goldilocks went to the house of the bears (walk on the spot), oh, what did her blue eyes see? (Point to their eyes.)

A bed that was huge and a bed that was small and a bed that was tiny and that was all. (Use their hands to show the increasingly smaller length and size of each bed.) And she counted them – one, two, three! (Use their fingers to point, as if counting each bed.)

When Goldilocks went to the house of the bears (walk on the spot), oh, what did her blue eyes see? (Point to their eyes.)

A bear that was huge and a bear that was small and a bear that was tiny and that was all. (Use hands to show the increasingly smaller height and size of each bear.)

Closure/the bears are coming: The teacher tells the children, “Before we had the internet, cars, computers, trains, planes, washing machines, and hoovers, people had to chop wood. Talk about the type of jobs people did in the olden days.” All the children must find some physical action, based on an old-fashioned job like wood chopping, hunting, or washing clothes, and begin doing this action somewhere in the room. The teacher/volunteer leaves the room momentarily and returns as the bear. Once the bear arrives, the children must freeze where they are, and the bear must try to make the other children laugh. If a child laughs, they become a bear, and the bears work together until they have made everyone laugh. The bears cannot touch the frozen children!

 

 

 

 

Posted in Drama for children, drama for kids, Drama games for 3 year olds, Drama games for 4 year olds, Drama strategies, Drama techniques, Drama workshops for children, Little red hen

The Little Red Hen – A Drama Workshop for Children

image

Movement Story
Movement:
Action.

Little Red Hen: Make yourself as small as possible and cluck around like a chicken.

Plant: Mime digging a hole and planting a seed.

Wheat: Make your body into the shape of a wheat plant.

Dogs: Move and bark like a dog.

Ducks: Waddle and quack like a duck.

Geese: Move like a goose and say “gobble, gobble.”

Cats: Move like a cat and meow.

Cut: Use a slashing movement.

Bread and cakes: Mime eating a delicious cake.

Once upon a time, there was a little red hen that lived on a farm. She was always busy! She spent all morning laying eggs for the farmer.

Little Red Hen, please lay an egg for my tea,” said the farmer. After the little red hen had laid her egg, she found a grain of wheat. She wanted to plant it in a field.

“I’ll ask my animal friends to help me. Dogs, Dogs! Will you help me plant the wheat?” she said.

“Oh no, we will not help you. We are too busy burying our bones. Get the ducks to help you,” barked the dogs.

 Ducks, Ducks! Will you help me plant the wheat?” said the little red hen.

“Oh no, we will not help you. We are too busy swimming. Get the geese to help you,” quacked the ducks.

Geese, Geese! Will you help me plant the wheat?” said the little red hen.

“Oh no, we will not help you. We are too busy sunbathing. Get the cats to help you,” gaggled the geese.

Cats, Cats! Will you help me plant the wheat?” said the little red hen.

“Oh no, we will not help you. Plant it yourself,” meowed the cats.

No one would help the little red hen, so she planted it herself. The sun and the rain helped the wheat to grow. Soon, the wheat was tall and yellow and needed to be cut.  “I’ll ask my animal friends to help me. Dogs, Dogs! Will you help me cut the wheat?” said the little red hen.

“Oh no, we will not help you. We are too busy burying our bones. Get the ducks to help you,” barked the dogs.

Ducks, Ducks! Will you help me cut the wheat?” said the little red hen.

“Oh no, we will not help you. We are too busy swimming. Get the geese to help you,” quacked the ducks.

“Geese, Geese! Will you help me cut the wheat?” said the little red hen.

Oh no, we will not help you. We are too busy sunbathing. Get the cats to help you,” gaggled the geese.

Cats, Cats! Will you help me cut the wheat?” said the little red hen.

“Oh no, we will not help you. We are too busy washing our faces. Cut it yourself,” meowed the cats.

So, the little red hen cut the wheat herself, and she took the wheat to the miller. The miller turned the wheat into flour.

Here’s your flour to make bread and cakes,” said the miller.

The little red hen thanked the miller. She made bread and cakes.

“Who will help me eat the bread and cakes?” said the little red hen.

“We will!” shouted all the animals.

“Oh no, I will eat it myself. If you want to eat the food, what will you do next time?” asked the little red hen.

We will share the work,” said all the animals.

Movement/Role-play:  The teacher asks the children to take on the role of animals found on a farm and to make a noise that sounds like their animal. They move around the room as their animal. Eventually everyone sit in a circle and the teacher ask them to make each noise individually and then brings them together to make a farmyard morning chorus.

Teacher in Role: The teacher takes on the role of the little red hen. The  children ask her questions in role about how she was feeling at various parts of the story.

Sample questions:

How would you describe the cat, the goose, and the dog?

What words can you use to describe yourself?

How do you feel doing all of the work by yourself?

How do you feel when all the animals wanted to eat the bread she had made?

Why did you say the other animals could not eat the bread?

How do you think the animals felt when you told them they could not help to eat the bread?

What lesson did the animals learn? Do you think they will be more willing to help out next time? Why or why not?

How would the story be different if all the animals had agreed to help the little red hen with the work?

Hot seating: The children choose to be either the dog or cat or pig. Each child takes it in turns to sit in the hot seat as their characters. The rest of the children ask the character in the hot seat characters. Some examples of questions are

Sample questions:

Why are you so lazy?

Why didn’t you help the Little Red Hen?

Do you think that she is right not helping her?

Do you think the little red hen should share with you?

How did you feel when the Little Red Hen wouldn’t share the bread with you?

Do you think the ending of the story would be different if you had agreed to help the Little Red Hen?

Movement Song: The little red hen song is sung to the tune of this is the way we brush our teeth so early in the morning.

This is the way I plant the seed, plant the seed, plant the seed. This is the way I plant the seed, so early in the morning. (Everyone mimes digging a hole and planting a seed.)

This is the way I water the wheat. water the wheat, water the wheat. This the way I water the wheat, so early in the morning. (Everyone mimes watering the wheat with a watering can.)

This is the way I cut the wheat. cut the wheat, cut the wheat. This the way I cut the wheat, so early in the morning. (Everyone mimes chopping down the wheat with a knife.)

This is the way I go to the mill, go to the mill, go to the mill. This the way I go to the mill so early in the morning. (Everyone mimes walking to the mill with a bag on their back.)

This is the way I make the dough. make the dough, make the dough. This the way I make the dough, so early in the morning. (Everyone mime kneading the dough.)

This is the way I bake the bread, bake the bread, bake the bread. This the way I bake the bread, so early in the morning. (Everyone mimes putting the bread in the oven.)

This is the way I eat the bread, eat the bread, eat the bread. This the way I eat the bread, so early in the morning. (Everyone mimes eating the bread.)

Sculpts: The teacher places baking tools or pictures of baking tools inside a box such as a rolling pin, measuring cup and spoons, spatula, wooden spoon, cookie cutters, bowl, etc.. Each child comes to the box and take out one item. Let each of the children hold the item. Name the item and discuss what each tool is used for. Place the item in the middle of the circle. Continue until all children had a turn. Then, they use their body to make the shape of the baking tool. At the end everyone could make a group sculpture of what is found in a baking drawer.

Extensions: Choose four to five items. Ask the children to cover their eyes and remove one item. They must guess the missing tool.

Ask children to cover their eyes. Place one item inside the box. Invite one child to feel the item inside the box without looking. What tool is inside the box?

Still Image: Put the children into small groups and ask them to recreate a scene from the story through a still image. Encourage the children to use their imagination and take on the roles of inanimate objects, like the corn and the windmill. The groups show their still image to the other groups. The rest of the children have to guess what is happening in the still images.

Role-Play: Ask the children to try and act out the story using animal masks and encourage them to act like their animal by making the noises associated with it and walking like it.

Perceive and reflect: Everyone sits in a circle and the teacher recalls a story where she remembered a time when someone helped her with something really difficult. She asks the children the share their stories about doing something difficult by themselves.

The teacher then remembers a time when she had to do something difficult all by herself. She invites the children to talk about their stories where they had to something difficult by themselves.

The teacher remembers a time where she helped someone with a really difficult job and it made it heaps easier for them. She invites the children to talk about when their stories where they helped someone do something difficult.

 

 

 

 

For more drama workshops for young children, click on the link below.