Category: drama for kids

Posted in Drama, Drama Activities for children, Drama for children, drama for kids, Drama games for 3 year olds, Drama games for 4 year olds, Easter drama games, Easter Games, Easter stories

Easter drama activities for children

Posted on by Drama Start Books

Game: Magic Bunnies.

Age: 3 years+

Minimum number of participants: 2

Resources needed: Clear space, a wand (optional).

Other Benefits: To stimulate children’s imagination and creativity.

Instructions: Get each child to find a clear space. They must make sure that they are not touching anyone else. The children crouch down on the floor and make a ball shape with their bodies. The teacher explains that all children are magic Bunnies and that the teacher is a magic wizard. The teacher waves the magic wand and says: “Magic Bunnies turn into dinosaurs.” All the children turn into dinosaurs and move around the room as dinosaurs. The teacher then says: “Magic Bunnies turn into magic Bunnies.” The children return to their clear spaces and crouch down on the floor again as quickly as possible. The magic wizard can change the magic Bunnies into anything they want, for example superheroes, animals, people, household items and so on.

Variation: The children can take it turns to be the magic wizard.

Game: What’s the time Mr. Bunny?

Age: 3 years+

Minimum number of participants: 4

Resources needed: Clear space.

Other Benefits: This is a popular traditional children’s game that can also be used very effectively in a drama session as a warm-up game. This game also helps children with their listening and co-ordination skills.

Instructions: One child is chosen or volunteers to be Mr. or Ms. Bunny and stands at one side of the clear space. His/Her back is to the other children, who are standing at the opposite end of the space. The rest of the children shout out: “What’s the time Mr. /Ms. Bunny?” The Bunny does not turn around. He/she replies in a rough, Bunny-like voice: “four o’clock.” The children walk forward the number of steps the Bunnies calls out (in this case, four). The children ask again: “What time is it Mr./Ms. Bunny?” The Bunny replies: “five o’clock.” The children take five steps forward. The children continue to ask the question and to walk the appropriate amount of steps forward. Eventually, when the Bunny thinks that the children are near enough he/she will say: “Easter!” Then the Bunnies turns around and chases the children. They have to try to rush back to their starting place. If Mr./Ms. Bunny catches one of them before they reach home, that child is the Bunny in the next game.

Game: Bunny’s Tail

Age: 5 years+

Minimum number of participants: 6

Resources needed: Clear space.

Other Benefits:  A great game for developing a sense of teamwork.

Instructions: All the children form one long line, holding on to the child in front of them by the waist. The child at the top of the line becomes the Bunny’s head. The child in the rear is the Bunny’s tail. All the other children are the Bunny’s body and must work as a team to stay connected. The main objective is for the tail to catch the head while keeping the Bunny’s body intact.

Game: Chick, Chick, Chicken

Age: 3 years+

Minimum number of participants: 5

Resources needed: Clear space, a balloon.

Other Benefits: This is a very good observation game but it also promotes teamwork and co-operation.

Instructions: Show the children a balloon and tell them it is a rotten egg. Get the children to sit in a tight circle, with their hands behind their backs. One child sits in the centre of the circle and closes his/her eyes. The child in the centre of the circle is the detective. The teacher walks around the room and puts the rotten egg into one of the children’s hands. The detective opens his/her eyes. The rotten egg should be passed around the circle, behind the children’s backs, without the detective seeing it. The detective has three goes at guessing who has the rotten egg

Game: The Bunny’s Court

Age: 5 years+

Minimum number of participants: 5

Resources needed: Clear space.

Other Benefits: This engaging game works very well as a role playing activity as the children take on the roles of the different animals.

Instructions: The teacher then assumes the role of a Bunny who is the King of the Easter Court.. It would be a good idea to have a crown for the Bunny. The children can make a court for the Bunny with chairs and a table or with cushions. Inside the court the Bunny sits on a throne. Each child chooses an animal they would like to pretend to be. The Bunny tells the other animals he is looking for animals to join his court. One by one he calls all the animals to him and asks them why he should let them join his court. The child must say what type of animal they are and what good qualities they have and how they will be useful to the Bunny, during Easter.. When they have finished the King says “you may join my court” and lets them in. This is why it is a good idea to designated area in the space that represents the court. Everyone is invited to join his court and there is an animal parade at the end.

The story of the Easter Bunny – a play for young children.

Posted in Drama Activities for children, Drama for children, drama for kids, Drama strategies, Drama techniques, Elements of Drama, Esl Drama, improvisation, Improvisation around bullying

Improvisation for beginners

Posted on by Drama Start Books

What is improvisation?

Improvisation is theatre without a script. The performers hear it for the first time at the same time as the audience. Improvisation is shared creation. Improvisers make it up on the spot, often working from a suggestion from others. We build ideas step by step, using, “Accept the offer and build on it.”.

 This means that the improvisers must  listen carefully and add to what their partner is offering.

Beginner improvisation activity: 1, 2, 3 Counting

This is a very popular warm-up and one Augusto Boal mentions in his book ‘Games for Actors and Non-Actors’. The premise is simple yet requires concentration.

  1. Divide the group into pairs and ask the members of each group to name themselves either A or B.
  2. Ask them to count to three as a pair with A saying ‘1’, B saying ‘2’, A saying ‘3’, B saying’1′, A saying ‘2’, B saying ‘3’ etc.
  3. Now ask the As in each group to come up with a sound and movement that will replace ‘1’. The pair will continue counting with each partner substituting the sound and movement for the number ‘1’.
  4. Now ask the Bs in each group to come up with a sound and movement that will replace ‘2’. The pair will continue counting with each partner substituting As sound and movement for the number ‘1’, and Bs sound and movement for the number ‘2’
  5. Now ask A to come up with another sound and movement, this time for the number ‘3’. By now, there should be no numbers heard, only the unique sounds and movements that have been substituted for each number.

This exercise is simple and low-pressure yet begins to awaken the creative muscles by calling on students to create movement and sound on the spot.

Warm up improvisation activity: Word Ball

Word ball is another simple game but regards a high level of concentration. It works by gathering the students into a circles and ‘throwing’ words around.

  1. Choose any word to begin with (e.g. cat) and place your hands as if you were holding the word in them, then ‘throw’ the word using both your voice and your hands to a member of the group.
  2. The member of the group must ‘catch’ the word, and then throw the first word that comes to mind (e.g. cuddly) to the next member of the group.
  3. The next member ‘catches’ this word, and throws the first associated word that pops into their head (e.g. teddy bear) to the next person. The exercise continues like this until everybody has had plenty of chances to throw words around. Try to dissuade students from hesitating and encourage them to simply go with the first thing that comes to mind, reminding them that there is no such thing as wrong or right when it comes to improv.

Some  Simple Rules for improvisation:

It’s time to introduce some basic rules of improv. Although there is no right or wrong, there are rules that can help in the creation of improvisational theatre.

RULE ONE: Offer and Accept

There’s nothing worse when doing improv than working with somebody who constantly negates your ideas. e.g.

A: Wow, did you see that elephant over there?

B: No. What are you talking about?

Negating an idea forces your partner to do all the work by coming up with idea after idea. In the example above, B has stopped the flow of the scene by rejecting A’s offer. If he had accepted it, the scene could continue quite easily:

A: Wow, did you see that elephant over there?

B: WOW! That’s the biggest elephant I’ve ever seen! Where do you suppose it came from?

Yes, and improvisation activity:

This is a nice little game that trains students to accept offers and add to them. Like in the second example above, B accepts the existence of the elephant, and offers a question as an addition to his acceptance.

  1. Divide the class into two even lines, call one line A, and the other line B. Have the two lines face each other
  2. Begin with the students who are at the top of the lines. Ask the student in the A line to come up with an offer. The student in the B line must accept and add to it. A must then accept B’s addition, and add to it again. e.g.:

A: Would you like to cut my hair for me?

B:Yes!I have a hairdressing set in my room, let’s do it there.

A: Great! I’ll bring a picture of what I want it to look like.

3.   When they’re finished, each student will go to the end of the opposite line (i.e. The student from line A will go to the end of line B, the line B student will go to the end of line A), and the next two students will have their chance to go.

  1. Keep this game going until all students have had a chance to be in both lines.

RULE TWO: Keep Questions Direct

Open-ended questions can really stump your partner as you are essentially forcing them to do the work in the scene. For example, starting a scene by saying

– What’s going on here? means someone else has to supply the information for the scene. A better way to go about it would be to say

-Why are you Riding that horsurs Here, you are still asking a question but are also supplying your partners with information while you do it.

The most basic ground rule is that there is no right or wrong. Something that inhibits a lot of students is the worry that they are somehow doing something wrong. Improv is about going with your impulses and creating something from them. While there are some rules we will cover in this lesson that can make improv easier, there is no right or wrong.

Teach your students to repeat these questions and answers to themselves when they are feeling unsure:

– How do I do it?

– Just do it.

– Am I doing it right?

– Yes

What are you doing? Improvisation activity:

Group stands in a circle. One person goes into the centre of the circle and starts an action (such as brushing her teeth).

A person goes into the centre, and asks, “What are you doing?”

The person brushing her teeth answers by saying something other than what she is doing. “I’m dribbling a basketball.”

The first person then leaves, and the new person starts “dribbling a basketball.” Then a new person goes in and asks, “What are you doing?”

And so on…

Encourage students to make new choices each time. (No repeats.)

Newspaper Headlines

In a group of 3 pr4, chose one of the following headlines:

Airline removes passenger who won’t stop doing pull ups.

Arrest over theft of £5million gold toilet from palace.

Fisherman gets shock, as he reels in dinosaur like fish with huge eyes.

Two headed snake, named Double Dave found in the forest.

Woman dreams of swallowing a ring and wakes up to find she has.

Queen returns pet monkey to girl.

Make a still image, freeze frame, mime, improvise the story.

 

Airline removes passenger who won’t stop doing pull ups.

 

Arrest over theft of £5million gold toilet from palace.

 

Fisherman gets shock, as he reels in dinosaur like fish with huge eyes.

 

Two headed snake, named Double Dave found in the forest.

 

Woman dreams of swallowing a ring and wakes up to find she has.

 

Queen returns pet monkey to girl.

Some other links:

Therapeutic Storytelling 

Anti bullying workshop for children

 

Posted in Animal Stories, Books for children, Drama, Drama Activities for children, Drama for children, drama for kids, Drama games for 3 year olds, Drama games for 4 year olds, Drama strategies, Drama techniques, Fairy Tales, The 3 little pigs

Drama Workshop for Young Children based on the Three Little Pigs

Posted on by Drama Start Books

Subscribe to my mailing list and receive a free copy of Aesop’s Fables on Stage

If you would like to sign up to our mailing list and receive a free copy of Aesop’s Fables on Stage, click here.

The Three Little Pigs (Drama Workshop)

Each child finds a space and sits down. Each child or a group of children are assigned a specific word and a corresponding action. The narrator/teacher reads the story aloud and when the children hear their word they must jump up and do their actions. The words are in bold to assist the teacher/narrator.

 Movement: Action/sound.

Any number: Show that number of fingers.

Little: Crouch down as small as you can.

Pig: Get on all fours and oink once.

Pigs: Get on all fours and oink twice.

Big: Stretch up as high as you can.

Bad: Make an angry face.

Wolf: Make hands into claws and say “aargh.”

Laughing: Laugh loudly.

Smiling: Give a big wide smile.

Trotted: Trot up and down the space.

Straw: Rub your hands together.

Sticks: Clap your hands together.

Bricks: Clap your hands on your thighs.

Huff/huffed: Blow.

Puff/puffed: Blow harder.

Blow/blew: Stamp feet on the ground.

Narrator: Once upon a time, there was a mother pig who lived with her three little pigs. One day she said, “Little pigs, I think it is time for you to leave and make your own way in this big world. You each need to build your own house.” The little pigs were very excited about their new, big adventure. Mother pig gave each of her little pigs a hug, but she warned them, “Remember to watch out for the big bad wolf.” The little pigs waved goodbye to their mother, and they trotted into the woods. They were laughing and smiling, and soon they came across a man who was carrying some straw. The first little pig said, “May I have some straw to build my house?” The man said kindly, “Of course, you may.” The man gave the first little pig some straw to build his house. Just before they left, the man warned them, “Watch out for the big bad wolf.” The first little pig built his house of straw.

The two other pigs trotted on down the road. They were laughing and smiling, and soon they came across a man who was carrying some sticks. The second little pig said, “May I have some sticks to build my house?” The man said kindly, “Of course, you may.” The man gave the second little pig some sticks to build his house. Just before they left, the man warned them, “Watch out for the big bad wolf.” The second little pig built his house of sticks.

The third little pig trotted on down the road. He was laughing and smiling, and soon he came across a man who was carrying some bricks. The third little pig said, “May I have some bricks to build my house?” The man said kindly, “Of course, you may.” The man gave the third little pig some bricks to build his house. Just before they left, the man warned him, “Watch out for the big bad wolf.”

The third little pig built his house of bricks. The first little pig had just finished building his house of straw when the big bad wolf appeared. He said, “Little pig, little pig, let me come in.”

The first little pig replied, “Not by the hair of my chinny, chin, chin.”

Then the wolf said, Then I’ll huff, and I’ll puff, and I will blow the house down.” So, he huffed, and he puffed, and he blew the house down.

The first little pig trotted very quickly to his brother’s house made of sticks. The second little pig had just finished building his house of sticks when he heard a knock on the door, and to his surprise, it was his brother. Suddenly, the big bad wolf appeared.

He said, “Little pig, little pig, let me come in.”

The second little pig replied, “Not by hair of my chinny, chin, chin.”

Then the wolf said, “Then I’ll huff, and I’ll puff, and I will blow the house down.” So, he huffed, and he puffed, and he blew the house down.

The two little pigs trotted very quickly to their brother’s house made of bricks.

The third little pig had just finished building his house of bricks when he heard a knock on the door, and to his surprise, it was his two brothers. Suddenly, the big bad wolf appeared. He said, “Little pig, little pig, let me come in.”

The third little pig replied, “Not by hair of my chinny, chin, chin.”

Then the wolf said, “Then I’ll huff, and I’ll puff, and I will blow the house down.” The wolf huffed, and he puffed. He huffed, and he puffed, but he couldn’t blow the house down. He heard the three little pigs inside the house. They were laughing. This made the wolf very angry indeed. He decided he would climb to the top of the roof and come down the chimney.

The third little pig heard him on the roof, and he came up with a clever plan. He put a big pot of boiling water on the fire, which was just underneath the chimney. The wolf came tumbling down the chimney and landed into the big pot of boiling water and “SPLASH!” That was the end of the big bad wolf. The three little pigs lived happily ever after.

Warm-up: One child is chosen or volunteers to be Mr. or Ms. Wolf and stands at one side of the clear space. His/her back is to the other children, who are standing at the opposite end of the space. The rest of the children shout out: “What’s the time, Mr. /Ms. Wolf?” The wolf does not turn around. He/she replies in a rough, wolf-like voice: “Four o’clock.” The children walk forward the number of steps the wolf calls out (in this case, four). The children ask again: “What time is it, Mr./Ms. Wolf?” The wolf replies: “Five o’clock.” The children take five steps forward. The children continue to ask the question and to walk the appropriate number of steps forward. Eventually, when the wolf thinks that the children are near enough, he/she will say: “Dinnertime!” Then the wolf turns around and chases the children. They must try to rush back to their starting place. If Mr./Ms. Wolf catches one of them before they reach home, that child is the wolf in the next game.

Choral speaking: Teach the children the following poem. Get them to think of different actions for the straw, sticks, bricks, pigs and wolf. They say the poem in unison.

 Straw, Sticks and Bricks

Straw, sticks and bricks.

Straw, sticks and bricks.

The pigs built their houses

Out of straw, sticks and bricks

The wolf came by,

He blew the straw down.

He blew the sticks, but the bricks were strong

The pig lived happy all the days long

In their house of bricks.

Occupational mime: Divide the class into groups of 4: three pigs and one wolf. The pigs move round the room in a “follow the leader” style. The pig at the front of the line is doing the actions. The first pig mimes collecting materials and building a house of straw. Second and third pigs follow, copying the mime. When the house is blown down by the wolf, the first pig moves to the end of the line. Second pig then heads the line and mimes building house of sticks. Finally, third pig takes a turn and mimes building a house of bricks. The wolf moves around the room avoiding pigs as they build until it is time to blow the house down.

Role-play: Encourage different movements such as gathering straw, breaking sticks or lifting heavy bricks. Encourage the wolves to use their body and facial expression to look fierce and threatening. Give everyone in the group the opportunity to take on the role of the wolf. When the children are comfortable with the character movements, get them to use speech. Ask the following questions:

What does the wolf sound like?

What would he say to the little pigs?

What do the pigs sound like?

What would they say to the wolf?

Talking objects: Ask children if they can take on the role of the wolf. They use their breath to blow down the house. Get them to huff and puff and huff and puff and blow the house down. Everyone sits in a circle and the teacher presents the group with objects that can be blown down by the breath, the wind or a hurricane such as a leaf, balloon, paper, tree, car or even a bridge. Every child becomes an object; they enter the circle and give the group some information about who they are. For example: “I’m small, I’m green and live on a tree.” Once the rest of group have guessed correctly, everyone blows the object down.

Conclusion: The teacher discusses with the group reasons why the wolf gets very angry. The teacher asks the children how they can show the wolf how to relax using his breath. The wolf uses his breath to blow things down, but he could use his breath for relaxation exercises.

Tummy breathing: The children find their own space on the floor. They lie down and place their hands or a stuffed toy on their tummy. They inhale on a count of three. They see their hands or stuffed toy rising as their tummy fills with air. They exhale on the count of four and they see their hands or stuffed toys falling. Repeat this process 10 times. When everyone is finished, ask the children the following questions:

How do you feel?

What did you notice about your hands/stuffed toy when you inhaled and exhaled?

How would this exercise help the wolf?

Burst balloon: The children all lie on the floor. The teacher gets them to imagine that their body is a balloon. They are going to close their eyes and inflate the balloon. They fill up their tummies with air. Then when they are full, the teacher counts to three and the children shout bang and they let all the air out of their bodies like a deflated balloon.

Posted in Christmas drama games, Drama Activities for children, Drama for children, drama for kids, Plays for Children

More Christmas Drama Games for Children

Posted on by Drama Start Books

Subscribe to my mailing list and receive a free copy of Aesop’s Fables on Stage

If you would like to sign up to our mailing list and receive a free copy of Aesop’s Fables on Stage, click here.


Christmas Drama Games for Children

Game: If I Could Be a Christmas Toy…

Age: 3 years +

Minimum number of participants: 2

Resources needed: Clear space.

 Benefits: This game stimulates creativity. It helps the children to move and to get into different roles.

Instructions: Each child in the circle takes it in turn to say for example: “Hi, my name is Anna, and if I could be any Christmas toy, I would be a football because…” The children should be encouraged to come up with unusual toys. They could also comment on and respond to the other children’s choice of toy. At the end, the teacher can get the children to imagine that they are in the toy shop and then they walk around the clear space pretending to be their chosen toy.

Christmas Drama Games for Children

Game: All I Want for Christmas Is…

Age: 4 years +

Minimum number of participants: 5

Resources needed: Clear space.

Benefits: This game stimulates the imagination and is very good for focussing on memory skills. It is also an excellent listening game.

Instructions: Everyone sits in a circle. The teacher starts by saying something like: “All I want for Christmas is a doll…”  The child next to the teacher follows by first repeating what the teacher said and adding an item to the list: “All I want for Christmas is a doll and a PlayStation…” The next child continues by saying something like: “All I want for Christmas is a doll and a PlayStation and a guitar.” The game continues, with each child repeating what the previous children have said and adding one item to the Christmas list. If a child makes a mistake, then they are out of the game. The list continues until there is only one child left in the game.

Christmas Drama Games for Children

Game: Follow the Reindeer

Age: 4 years +

Minimum number of participants: 3

Resources needed: Clear space.

Benefits: This game also improves reaction and observation skills.

Instructions: All the children stand in a circle and they start walking on the spot. The teacher/volunteer is the reindeer. The reindeer makes a gesture and the children copy it, for example, waving their left hand. Then the reindeer shouts out the name of one of the children in the group and they must change or add to the action, for example, waving their left and right hands. The game can continue until everyone in the circle has had a chance to add or to change an action.

Christmas Drama Games for Children

Game: Santa Claus’s Glasses

Age: 4 years +

Minimum number of participants: 5

Resources needed: Clear space, glasses.

 Benefits: This is an effective listening game. It can also be used to improve concentration skills.

Instructions: One child is chosen to be Santa Claus. Santa Claus puts the glasses on his head and faces a wall at one side of the clear space. The other children in the group must go to the other side of the space. They must try to creep up on Santa Claus and take his glasses. Santa Claus can turn around suddenly at any time. If he sees anyone moving that child must start again from the beginning.

If you would like a free audio copy of Christmas Stories on Stage click here.

More Christmas drama games

The Littlest Xmas Tree Play for Children

Posted in Action Poems, Drama Activities for children, Drama for children, drama for kids, Drama games for 3 year olds, Drama games for 4 year olds, Mime, Movement activities, Movement stories for children

The Magical Music Shop -A Movement Story

Posted on by Drama Start Books


The Magical Music Shop -A Movement Story

Resources needed: Clear space, triangle and pictures of different types of instruments (optional).

Introduction: Tell the children they are going to participate in a movement story about a magical music shop. Show them pictures of different type of instruments. Discuss different kind of musical instrument families.

Brass instruments are made of brass or another metal and they make sound when air is blown into them. The instruments in the brass family include trumpet, trombone, tuba, French horn, cornet, and bugle.

Percussion instruments usually make sound when they are hit or shaken. The instruments in the percussion family include drums, cymbals, triangle, tambourine, chimes, bells, and xylophone.

String instruments are made with strings. The strings may be struck, plucked or bowed. The instruments in this family include violin, viola, cello, bass.

Woodwind instruments make sound when air is blown inside or across them and vibrates. Woodwind instruments include flute, clarinet, recorder, bassoon, and oboe.

Ask the children what their favourite instrument is? If they could be an instrument what would it be? Why did they choose it? What sound does their chosen instrument make? If their instrument could move how would it move? What kind of musical family does their chosen instrument belong to? Make sure everyone has a chance to explain their choice. Before the story starts get one of the children to volunteer to be the music shop owner. The teacher is the narrator. The rest of the children are their chosen instruments.

Narrator: Once upon a time there was a very special music shop. The music shop was special because all the instruments that lived in the shop were magic. (The children all freeze in the shape of their instrument.) The music shop owner loved his instruments very much. He treated them with tender loving care. (The owner goes around the shop. He polishes and dusts all the instruments.) Every night the owner would close the shop and go upstairs to bed. (The shop owner goes off to bed and lies on the floor and falls asleep. He snores loudly.) What the owner didn’t know was when the clock struck midnight the instruments would come alive. (Narrator tinkles the triangle.) The magic instruments would come down from their shelves and out from the window display. (The instruments start to move slowly out of their positions.) They would all play together. (The instruments start playing their music and moving around interacting with one another.) The instruments were so happy when they were with their friends. They had so much fun and nobody knew about their magic powers. Every morning when the instruments heard the music shop owner’s footsteps (the owner makes loud stomping noises with his feet) they would quickly run back to their places on the shelves or in the window display. (The instruments go back to their original positions and freeze.) Every morning the music shop owner would walk around the shop inspecting his instruments and every morning he would rub his head and say, “That’s funny. I thought I had put the violin on that shelf, or didn’t I leave the drum on the window.” But the music shop owner never suspected a thing and every night when he went to bed and the clock struck midnight the instruments would play to their hearts content. (The instruments come out and play.) Every morning the music shop owner would come and they would quickly move back to their places. (The instruments move quickly back to their positions.) (The narrator can say this section as many times as he wants.)

After a while the music shop owner knew something was not quite right. So one morning he tiptoed into the shop and he found the instruments all playing together. (The owner tiptoes very quietly into the shop.) He heard the most beautiful

Other movement stories:

The hare and the tortoise 

Adventures in Space

Posted in Action Poems, Circle games, co-operation, Coordination games, Drama, Drama Activities for children, Drama for children, drama for kids, Drama games for 3 year olds, Drama games for 4 year olds, Movement activities, Movement stories for children

Movement Activities for Children that focus on Coordination (Drama Games)

Posted on by Drama Start Books

Group Of Children With Teacher Enjoying Drama Class Together
From more movement activities, games and stories, click on the image above.

Subscribe to my mailing list and receive a free copy of Aesop’s Fables on Stage

If you would like to sign up to our mailing list and receive a free copy of Aesop’s Fables on Stage, click here.

The following movement activities promote the following types of coordination skills:

Gross motor coordination: This type of coordination is the movement of arms, legs and body that allows children to walk, run, jump, throw kick and twist.

Fine motor coordination: This type of coordination allows children toperform tasks that require precision. Activities that require children to manipulate small objects will improve their fine motor skills.

Hand-eye coordination: This type of coordination allows children to guide their hand to complete the task.

Movement Activities:

Movement activity: Doors and Windows

Age: 5 years

Minimum number of participants:10

Resources needed: Clear space.

Other benefits: Spatial awareness, group work.

Instructions: The children form a circle while standing and holding their hands. The group spreads out enough so that everyone’s arms arestraight in the circle. This should form large spaces between the circle members. These large spaces represent the windows and doors. Then one child is chosen to be the runner. The runner starts running,and weaving in and out between the windows and doors. The children inthe circle randomly drop their arms down trying to touch or trap the runner who is weaving his/her way in and out of the windows and door.Once the runner is caught or touched by the arms of someone in the. circle, they are out. The runner chooses another child in the group to take his/her place and they become the next child to weave in and out of the windows and doors.

Movement activity: Centipede

Age: 5 years +

Minimum number of participants:

Resources  needed: Clear space.

Other benefits: Teamwork, trust.

Instructions: Divide the group into groups of 5 or 6. The children ineach group sit on the floor and hold the ankles of the child behind them. They call out left, right and the group has to try to move while everyone is holding the ankles of the child in front of them. If there is more than one group they can have a centipede race.

 Movement activity: Object Relay

Age: 5 years +

Minimum number of participants: 4

Resources needed: Clear space, a ball and a variety of objects (optional).

Other benefits: Imagination, teamwork, focus.

Instructions: Children stand in a line. If there are lots of childrenin the class you make more than one line. Each line has a ball. The ball must be passed down the line. The teacher calls out the instruction of how the ball should be passed down the line. Once the ball gets to the end of the line it has to be passed back. Suggested instructions:

  • Pass the ball overhead.
  • Pass the ball between your legs.
  • Pass the ball without using your hands.
  • Pass the ball by just using your chest.
  • Pass the ball by just using your head.

If a team drops the ball then they have to go back to the beginning.

Extension: You could have a box of different objects that they must pass down the line. Each line should have the same objects. The line that gets all the objects down safely is the winner.

Movement activity: Bean Bag Balance

Age: 4 years +

Minimum number of participants: 2

Resources needed: Clear space, bean bags for each member of the class Other benefits: Focus, imagination, problem solving.

Instructions: The teacher gets the children put a bean bag on their heads and they walk slowly around the room. Once they feel comfortable the children can walk faster and faster. They can see if they can run with the bean bag on their head. Once they have mastered balancing the beanbags on their head then they can see if they can balance the bean bag on other parts of their body. Suggested Body Parts:

  • Knees
  • Foot
  • Hands
  • Thighs
  • Shoulder
  • Face
  • Wrist
  • Toes

Again, they start off slowly and then they get faster and faster. The child that can balance on the most body parts and move the fastest is the winner.

 

Movement activity: Pick Up the Bean Bag

Age: 3 years +

Minimum number of participants: 2

Resources needed: Clear space and a variety of bean bags, a basket orbox for each child.

Other benefits: Warm up, teamwork.

Instructions: The teacher gets a variety of bean bags and spreads them across the space. The children have 10 seconds to see how many beanbags they can collect. The group could divide into sub-groups of three or four and have a race to see who can pick up the most beanbags in the time allotted.  

Movement activity: Roll the Dice

Age: 3 years+

Minimum number of participants: 2

Resources needed: Clear space, a dice for each member of the group.

Other benefits: Creativity, memory, focus.

Instructions: Everyone rolls their dice together. Each number corresponds to action such as: 1 Wiggle your body for 10 seconds. 2 Spin around 5 times. 3 Stand on your right leg for 15 seconds. 4 Hop 10 times. 5 Make a large circle with your arms 10 times. 6 Close your eyes and take 5 deep breaths. Once the children have become used to the actions, get them to come up with their own actions for each number.  


Movement activity: The Troll’s Bridge

Age: 4 years +

Minimum number of participants: 3

Resources needed: Masking tape, objects to carry.

Other benefits: Energy, focus.

Instructions: Make a bridge with the masking tape. Tell the children that they are crossing a very narrow bridge and there is a troll thatlives underneath it. The children are crossing the bridge going to visit their friend. They are carrying a variety of objects with them.The children are told the troll won’t bother them if they stay on the narrow bridge and don’t drop anything. If they fall off the bridge or drop anything then the troll chases them. The troll can be the teacher or another child. If you want to make it more difficult tell them. to carry the objects over the bridge on their head.  

Movement activity: Cooperative Chase

Age: 3 years +

Minimum number of participants: 6

Resources needed: Clear space.

Other benefits: Warm-up, teamwork.

Instructions: One child volunteers to be “It.” If he catches another child in the group then they join together and connect. The connected pair need to work together to catch a third child who in turn would connect to them. They do it until everyone is connected. If the group catches someone and the connection is broken, then that child is free to go.  

From more movement activities, games and stories, click here.

For free movement activities click on the following: 

 

The hare and the tortoise movement story. 

Goldilocks and the three bears movement story

More movement activities for children. 

 

Posted in Action Poems, buddha stories, Buddhism, Buddhism stories, Drama for children, drama for kids, Panchatantra plays, Plays, plays about destiny, Plays about graditude, Plays for Children, Plays for well being, The Buddha and the angry man, the Buddha and the beggar man

The Buddha and the Beggar Man – a children’s play about gratitude and destiny

Posted on by Drama Start Books

 

 


Characters: Two storytellers, Beggar Man, Mouse, Man, Woman, Daughter, Wizard, Giant Turtle and Buddha.


Storyteller 1: Once upon a time there was a homeless man who begged every day for food.
(People pass by and give him food.)
Beggar Man: I’m so lucky that kind people give me food.
(Beggar Man falls asleep and mouse creeps up and steals his food. The Beggar Man wakes up suddenly and sees the mouse.)
Beggar Man: Mouse, why are you stealing my food. I’m just a poor beggar man.
Mouse: I’m doing you a favour because no matter how much you beg or how generous people are, you will never be allowed to keep more than eight items.
Beggar Man: You has decided that I can’t ow more than eight items.
Mouse: The Buddha has decided.
Beggar Man: But why me?
Mouse: Why don’t you go find him and ask him.
(Mouse scampers off with the food.)
Beggar Man: Well, I better go find the Buddha and ask him why I’m not allowed to possess more than eight items.
Storyteller 2: So the beggar man gathered his few belongings and went on a journey to find the Buddha.
Storyteller 1: He travelled all day. As night fell, he grew cold and hungry.
Beggar Man: There is no sign of the Buddha. I’m tired and hungry. There is a light over there. Perhaps if I knock on the door, they may let me stay for the night.
(He Knocks on the door. A man opens the door with a warm smile.)
Beggar Man: I’m cold and hungry, please can I stay the night?
Man: Of course, Please come in.
Woman: Sit down and have some food with us.
(He enters the house and sits down on a table with the Man, woman and their daughter.)
Man: Where are you going at this time at night?
Beggar Man: I’m going to find the Buddha. I’ve a very important question to ask him. I just need a good night’s sleep and I’ll be on my way early in the morning.
(Man and woman look at each other.)
Woman: We have a question for you to ask the Buddha.
Man: Our daughter can’t speak. Please ask the Buddha what we need to do hear her beautiful voice.
Beggar Man: Of course, I’ll ask the Buddha your question. Thanks you for the food and bed.
Storyteller 2: The beggar man continues on his way and his quest to find the Buddha.
Storyteller 1: He comes across a range of mountains.
Beggar Man: Oh dear, the mountains look to difficult to climb but I really need to find the Buddha to ask my questions.
(He starts to climb the mountains.)
Beggar Man: This is very difficult. I will never make it. (he sits downs and starts to weep.)
(Enters wizard.)
Wizard: What’s the matter, young man? Why are you crying?
Beggar Man: I’ve a very important questions to ask the Buddha but I can’t climb these mountains. I’ll never find him now.
Wizard: I’ll help you. We can use my magic to fly over the mountain come with me.
Storyteller 2: Wizard used his staff’s magic to fly the beggar man and himself across the mountains.
Beggar Man: Thank you so much, wizard. I’d have never made if it wasn’t for you.
Wizard: You are welcome but can I ask you a favour.
Beggar Man: Of course, I’ll do anything to show my gratitude.
Wizard: Can you ask the Buddha what do I have to do to get to heaven. I’ve been trying to get there for a thousand years.
(The beggar man nods his head and they hug and the wizard hops on his staff and flies off.)
Storyteller 1: The beggar man continues on his journey and comes across a river.
Beggar Man: I don’t believe this. How am I going to get across the river? (he sighs)
(Enters Giant Turtle.)
Giant Turtle: You look sad. What’s the matter?
Beggar Man: I’ve a very important questions to ask the Buddha and I can’t get across the river to find him.
Giant Turtle: Jump on my back and I’ll swim across. (The beggar man jumps on the Giant Turtle’s back and they swim across the river.
Beggar Man: Thank you, Giant Turtle. How can I repay you?
Giant Turtle: Can you ask the Buddha a question for me?
Beggar Man: Of course, what is your question?
Giant Turtle: Ask the Buddha why I haven’t become a dragon. I’ve been trying to become a dragon for 500 years.
(Beggar Man nods and hugs the giant turtle.)
Storyteller 2: Eventually the beggar man finds the Buddha under the Bodhi Tree.
Beggar Man: I’m so glad. I’ve found you. I’ve got so many question to ask you.
Buddha: I will only answer three questions.
Beggar Man: But I’ve four questions to ask and they all very important.
Buddha: Ask yourself, are they equally important?
Storyteller 1: The beggar man thought very carefully.
Beggar Man: Well, the giant turtle is trying to be a dragon for fifty years. The wizard has trying to go to heaven for 1000 years. The young girl will be unable to speak for the rest of her life if I don’t ask her question. I’m just a homeless beggar. I can go back and continue begging. My question is the least important by far.
(Beggar Man goes back to the Buddha.)
Beggar Man: My first question is how can the turtle become a dragon?
Buddha: Simple, he needs to leave the comfort of his own shell, unless he does that he will never be a dragon.
Beggar Man: My second question is how can the wizard go to heaven?
Buddha: He must put down his magic staff as it keeps him on earth. The moment he puts it down he will be free to go to heaven.
Beggar Man: My third question how can the young girl speak.
Buddha: She will speak when she meets her soulmate.
Beggar Man: Thank you for answering my questions.
Storyteller 2: The beggar man turned around and started his journey home. He meets the Giant Turtle.
Giant Turtle: Hey Beggar man, did you ask the Buddha my question?
Beggar Man: Of course I did. The answer is simple. Take off your shell and you will become a dragon.
(Giant Turtle takes off his shell.)
Giant Turtle: I’ve this priceless pearls in my shell. Here take them. I won’t need them anymore because I’m a dragon. Good bye and good luck.)
(The dragon flies off.)
(Enters the wizard.)
Wizard: Did you ask the Buddha my question?
Beggar Man: Of course I did. The answer is simple. Put your staff down and you can go to heaven.
Wizard: Here take my staff, Use its power wisely. Thank you.
(The wizard ascends into heaven.)
Beggar Man: I now I’ve wealth from the turtle and power from the wizard. He hops on the staff and makes his way back tom the family that gave him food and shelter.
Man: Hello, did you ask the Buddha our question?
Beggar Man: Of course I did. The answer is simple. Your daughter will speak when she meets her soulmate.
Daughter: Hello, you are the man that was here last week.
Woman: Looks like you found your soulmate.
(Daughter and beggar man hug.)
Storytellers: The moral of the story if you do good, you will be repaid.

 

If we’re willing to lend a hand to those who are struggling more than us, willing to help them, it may change the course of your life, your destiny. And the universe may repay you in such a way that you never would have imagined.

For more plays based on Buddha stories click here.

The Buddha and the Angry Man – A play to help children handle insults

 

 

Posted in Buddhism stories, Drama, Drama Activities for children, Drama for children, drama for kids, English as a second language, English teaching games, Esl, Fairy Tales, Hans Christian Andersen, Plays, Plays for Children, Role playing stories, Storytelling, The money pig by Hans Christian Andersen, The money pig play, The money pig playscript

The Money Pig – A Play based on the story by Hans Christian Andersen

Posted on by Drama Start Books

Characters: One storyteller, Doll, Teddy Bear, Train Set, Colouring Pencil, Toy Car, Money Pig, Aeroplane, Mother.

Storyteller: Once upon a time, there was a nursery that had lots of toys. There was a doll, teddy bear, a toy car, colouring pencil, aeroplane and even a train set.
Doll: Look, at how beautiful I am. (Admires herself in the mirror.)
Teddy Bear: (Sings the lyrics and does the actions.)
Teddy bear, teddy bear,
Turn around!
Teddy bear, teddy bear,
Touch the ground!
Teddy bear, teddy bear,
Jump up high!
Teddy bear, teddy bear,
Touch the sky!
Teddy bear, teddy bear,
Bend down low!
Teddy bear, teddy bear,
Touch your toes!
Teddy bear, teddy bear,
Turn out the light!
Teddy bear, teddy bear,
Say good night!
Colouring Pencil: I’m such a fabulous colour.
Train set: Choo, choo, all aboard. (He moves around the room and all the toys join him to make a train.)
Doll: What’s that up here? (Points to the top of the cupboard.)
Teddy Bear: Doll, that’s the money box in the shape of a pig.
Toy Car: He lives up there on top of the cupboard
Colouring Pencil: He doesn’t talk or play with any of the other toys in the nursery.
Train Set: He thinks he is way better than us.
Money Pig: I’m by far the best toy in the nursery. I’ve lots of money in my tummy. When I’m full, I can buy any toy in this nursery
Storyteller: One night while the family were sleeping, the doll said…
Doll: Let’s play house.
All toy: (Jump up and down.) Yes let’s.
Doll: What about the Money Pig. Let’s ask him to join us.
Teddy Bear: We will have to write him a letter because he is so high up.
Colouring Pencil: I’ll do it. (Reads out the letter as he writes it.)
Dear Money Pig,
Please join us.
We are playing house.
Lots of love,
From,
All the toys.
Aeroplane come here.
Aeroplane: Yes, colouring Pencil. What can I do for you?
Colouring Pencil: Please deliver this letter to the Money Pig.
Aeroplane: My pleasure.
(Aeroplane flies to the top of cupboard and delivers the letter.)
(Money Pig opens the letter.)
Money Pig: (Shouts down) I’ll join you but I won’t be climbing down to your level. I’m way too important for that.
Doll: We will bring the doll’s house in front of the cupboard
Storyteller 1: The toys took turns to act out different family stories.
(Toys improvise family scenarios.)
Money Pig: This is such a boring game. I’ll just sit here and think of all the money in my tummy.
Doll: Be careful, colouring pencil. You are going to crash into the cupboard.
Colouring Pencil: (Colouring pencil bashes into the cupboard.) Too late. I already have.
(Money pig begins to wobble.)
Money Pig: What’s happening. I’m losing my balance. I’m going to faaaallll.
(He crashes down on to the floor and the money spills everywhere.)
Doll: Oh dear, he is broken, but look at all the money.
Teddy Bear: Quick, someone is coming; back to our places. (All the toys run to their places and freeze.)
Mother: What’s all the noise about? Oh dear, what happened here? The Money Pig must have fallen off the cupboard. I better pick up all the money.
Storyteller: The next day mother came back to the playroom.
Mother: I used the money to buy a brand new Money Pig. (She places the new Money Pig on top of the cupboard.)
For more plays based on Hans Christian Andersen’s stories, click here.

The 🐸 Prince – A five minute Playscript for children.

The Little Mermaid – A Children’s Play.

Posted in Aesop's fabes, Animal Stories, Drama Activities for children, Drama for children, drama for kids, Drama games for 4 year olds, English as a second language, English teaching games, Esl, Esl Drama, fables, Fairy Tales, Panchatantra plays, Plays, Plays for Children

The Fox and the Crow – A Five Minute Play for Chldren

Posted on by Drama Start Books

 

Characters: Three storytellers, fox, crow, mice, dogs, cows, horses. You can have as many mice, dogs, cows and horses as you wish.
Storyteller 1: One day a crow was out searching for some food.

(Crow is flying around the stage looking for food.)

Storyteller 2: She came across a nice piece of cheese.
(She stops as she spots some cheese and she swoops down to get it.)
Storyteller 3: She grabbed the cheese with her beak and said…
Crow: What a lovely piece of cheese! I will keep it all for myself and not share it with anyone.
Storyteller 1: She flew to the top of the tree.
Storyteller 2: After a while some mice came along. They squeaked…
Mice: Squeak, squeak, Crow please share your cheese with us.
Crow: Oh no, I will not share my cheese with you.
Storyteller 3: The mice were sad and hungry so they scampered off looking for food in the woods.
Storyteller 1: Then some dogs came along. They barked …
Dogs: Woof, woof, Crow please share your cheese with us.
Crow: Oh no, I will not share my cheese with you.
Storyteller 2: The dogs were sad and hungry so they bounded off looking for food in the woods.
Storyteller 3: A few minutes later some cows passed by. They mooed …
Cows: Moo, moo, Crow please share your cheese with us.
Crow: Oh no, I will not share my cheese with you.
Storyteller 1: The cows were sad and hungry so they walked off looking for food in the woods.
Storyteller 2: Finally, some horses came along. They neighed …
Horses: Neigh, neigh, Crow please share your cheese with us.
Crow: Oh no, I will not share my cheese with you.
Storyteller 3: The horses were sad and hungry so they galloped off looking for food in the woods.
Storyteller 1: Then along came a fox. He said to himself…
(Fox faces the audience.)
Fox: That cheese looks delicious and it would be perfect for my breakfast.
Storyteller 2: Then he had an idea.
Fox: Good Morning Crow, you beautiful bird.
Crow: I’m not stupid. I know what you want.
Fox: All I want is to hear you sing. You must be queen of all the birds and your voice must be beautiful. I would love to hear you, but maybe I’m wrong. (The fox turns to leave.)
Storyteller 3: The crow was very flattered.
Crow: Wait Fox, come back. I’ll show you how beautifully I can sing.
Storyteller 1: She opened her mouth and began to caw.
Crow: Caw, Caw, Caw.
Storyteller 2: The cheese fell out of her mouth and onto the ground. The fox picked it up quickly.
Fox: Thanks very much. (He swallows the cheese and licks his lips.) Crow, I tricked you.
Storyteller 3: Off the fox went into the woods looking for another breakfast.
Storytellers: The lesson of this story is beware of people who flatter you.

To listen to the audio book of Aesop’s Fables on Stage click on the link below:

For more plays and drama workshops based on Aesop’s Fables, click on the links below.

The Money Pig

The Ants and the Grasshopper

Chinese New Year

Posted in Aesop's fabes, Animal Stories, Drama, Drama Activities for children, Drama for children, drama for kids, Drama games for 4 year olds, English as a second language, Esl, Esl Drama, fables, Fairy Tales, Panchatantra plays, Plays, Plays for Children, Role playing stories

The Monkey and the Jealous Camel – A 5 minute play

Posted on by Drama Start Books

The Monkey and the Jealous Camel

Characters: Three storytellers, Monkey, Giraffe, Lion, Kangaroo, Crocodile, Penguin, Monkey, Camel, Frog, Pig, Squirrel, Ant.

Storyteller 1: Once upon a time a long time ago.
Storyteller 2: All the animals in the world decided to have a big party to celebrate the midsummer.
Storyteller 3: It was a midsummer party and all the animals in the world were going.
Storyteller 1: From the tiniest ant to the enormous elephant.
Storyteller 2: The animals arrived Two by two.
(Everyone sings the animals arrived two by two hurrah hurrah.)
Storyteller 3: Eventually, all the animals had arrived.
(Monkey is ticking off the all the names as the animals enter. He has a click board and looks very official. Giraffe is the look out.)
Monkey: Is that everyone?
Giraffe: I think so, I can’t see anyone else coming.
Lion: Well, let’s get this party started. Welcome, everyone to this party to celebrate the
midsummer. I hope everyone will have wonderful time tonight. I want to introduce the band. Back by popular demand all the way from the Jungle. I would like to introduce our band- the animals.
(Everyone cheers, and claps Elephant is playing her trumpet with his trunk, the bear is playing the drums with his feet. Other animal musical instruments.)
Storyteller 1: Everyone danced and chatted and had a merry time.
(Music playing.)
Kangaroo: Stop the music. I just noticed that the camel isn’t here.
Crocodile: Never mind him, he is so grumpy.
Penguin: He couldn’t be bothered coming.
Giraffe: No wait, I see something coming up in the hill in the distance.
(Monkey climbs up the tree.)
Monkey: It is the camel and he doesn’t look very happy.
(The camel trundles up the hill very slowly)
Penguin: We should be very welcoming to him, when he arrives.
(Camel eventually makes his way up the hill.)
Animals: Hello Camel, welcome to the midsummer’s eve party.
Lion: Come and join us.
Camel: (sighs and wipes his brow.) This better be a good party. I have come an awfully long way.
Frog: It will be wonderful. Let’s play a game of leap frog,
(All the animals jump over one another.)
Pig: That was fun but now let’s play piggy in the middle.
(All the animals throw a ball and the pig tries to catch it.)
Storyteller 2: Everyone had so much fun.
Storyteller 3: Then the dolphins performed a lovely water display.
(Music is playing.)
Monkey: now it my turn to show my contemporary dance.
Storyteller 1: The monkey danced, and all the other animals were impressed.
(All the animals cheer and clap when the monkey is finished.)
Pig: That was amazing.
Frog: You are such a good dancer,
Camel: Harrumph! What’s all the clapping and cheering about. Anyone can dance like that.
Kangaroo: That’s not true. The monkey is a very good dancer.
Ant: You are such a grumpy all hump, Camel.
Elephant: You are just jealous Camel, everyone knows camels can’t dance.
Camel: Of course, Camels can dance.
Monkey: Go on then, show us how camels can dance.
(The Camel slowly makes his way to the middle of the circle. All the animals are staring at him and there is a deafening silence.)
Penguin: Band, Music please.
Storyteller 1: The band started to play, and the camel started to dance.
Storyteller 2: It was the most peculiar dance they had ever seen.
(Camel gives a sideways hop and wiggle and then falls over and he bashes into the band and the music stops.)
Squirrel: Watch where you are going.
(The camel does a high kick and hits the kangaroo.)
Kangaroo: Ouch. (Kangaroo starts limping.)
Storyteller 3: The camel swings his tail and the rabbit is knocked to the floor.
Storyteller 1: Then, he nearly trod on the ants.
Ant/s: Oh, my goodness. Somebody stop him before he kills us.
(The camel is so clumsy that all the animals scatter to the far side of the stage.)
Lion: (roars) Stop! Stop Camel.
Camel: But I’m in the middle of my dance. Can’t you see I’m the best dancer here.
Storyteller 1: Then, the unimaginable happened.
Storyteller 2: He stood on the lion’s tail.
Lion: (roars).
(All the animals freeze.)
Camel: Is it just me? But I get the feeling you didn’t like my dance Lion. (Looks around.) why is anyone clapping.
Pig: Your dancing is ……horrible.
Camel:(hangs his head) I must admit that it wasn’t as fun as the monkey’s dance. (Looks at the monkey) You dance very well, Monkey.
Monkey: Thank you. You have special talents too. You can walk for miles without water and you can give everyone rides on your hump.
Kangaroo: Everyone has a talent.
Lion: The world would be a strange place if we all good at the same thing.
Camel: I guess you are right. Well who would like on my hump.
All animals: Me.
Camel: Hop on then.
Storyteller 1: The camel smiled with pride and pleasure.
Storyteller 2: The moral of the story is
Storyteller 3: Everyone is good at something.

For more animal plays for children click here.

The Thirsty Crow – A 5 minute Playscript for children